Showing results by publisher "-emdashery books-" in Renaissance

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

The year is 1501. Michelangelo has created his Roman pieta, and yet patrons are not lining up at his door to hire him for more commissions. Reluctantly, he agrees to take on a project for Cardinal Piccolomini - a commission which will try the patience of both patron and artist. Before the year is out, Michelangelo hears the rumors that the Florentine City Fathers are looking for a sculptor to finish the colossal David that had been been begun four decades before. Will they give the task to Michelangelo, or his arch rival, Leonardo the Florentine?

Although Genoa cannot compete in the popular imagination with some of Italy’s more famous cities, this busy port town perched above the sea once boasted a powerful empire that rivaled that of Venice. It also lasted for roughly the same time period, rising in the early Middle Ages and coming to an end at the hands of Napoleon Bonaparte near the end of the 18th century. Today, historians are starting to correct the imbalance that has focused on Venice, Florence, and Rome, and new histories are gradually introducing Genoa to the world, even as much remains to be uncovered.

Volume Three of 2,000 Years of Christ's Power, in showing the progression of the Reformation era and the daring bravery of its figures, presents a period of history from which there are many lessons to be learnt—not least of all, the vibrancy of people's lives and the courage with which they faced death.

Venice, 1522. Intelligence arrives from the east confirming Europe's greatest fear: the vastly rich Ottoman Sultan has all he needs to wage total war - and his sights are set on Rome. With Christendom divided, Suleyman the Magnificent has his hand on its entrails. From the palaces of Istanbul to the blood-soaked fields of Central Europe and the scorched coasts of North Africa, The Lion House pioneers a bold new style of eye-witness history to tell a true story of power at its most glittering, personal and perilous.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

An abused child, yet confident of her destiny to reign, a woman in a man's world, passionately sexual yet, she said, a virgin, Elizabeth I was to be famed as England's most successful ruler. This absorbing new book, by concentrating on the early years from her birth in 1533 to her accession in 1558, shows how her experiences of danger and adventure formed her remarkable character and shaped her opinions and beliefs.

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

England, 1651. Oliver Cromwell has defeated his royalist opponents in two civil wars, executed the Stuart King Charles I, laid waste to Ireland, and crushed the late king's son and his Scottish allies. He is master of Britain and Ireland. But Parliament, divided between moderates, republicans and Puritans of uncompromisingly millenarian hue, is faction-ridden and disputatious. By the end of 1653, Cromwell has become 'Lord Protector'. Seeking dragons for an elect Protestant nation to slay, he launches an ambitious 'Western Design' against Spain's empire in the New World.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

Like its popular and acclaimed predecessors, Restoration London and Dr Johnson's London, this fascinating evocation of Elizabethan London is the result of the author's passionate interest in the practical details of everyday life and the conditions in which most people lived, which most history books ignore: the streets, houses and gardens; cooking, housework and shopping; clothes, jewellery and make-up; medicine and sex; education, etiquette and hobbies; religion, law and crime.

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

For as long as language and communication have existed, humans have invented ways to mask their messages from prying eyes. One could be forgiven for assuming there are no ciphers left unsolved. On the contrary, a diverse array of both ancient and modern cryptographic challenges, which have stumped even the most seasoned code crackers of today, exist, and may exist for generations to come. Among the most famous of these memorandums is a 600-year-old document that continues to mystify: the Voynich Manuscript.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

Mark Pegg offers a synthesis of the most innovative scholarship on the Middle Ages of the last thirty years. Interweaving the history of Muslims with the histories of Christians and Jews, the scholarly history is propelled by a narrative of the relationship of the human and the divine within individuals and their societies between 950 and 1550. In displaying the history of the Middle Ages to be no less than a history of the formation of Western culture, Pegg offers a rethinking of what it means to talk about the medieval world that is at once vital, compelling, and necessary.

The aspects of Anne Boleyn's life and death are fiercely debated by historians, yet her ladies-in-waiting remain an understudied topic. Much emphasis is usually put on Anne's relationships with the men in her life: her suitors, her royal husband, her father and brother, and her putative lovers who were executed on May 17, 1536. By concentrating on a previously neglected area of Anne Boleyn's female household, this book seeks to identify the women who served Anne and investigate what roles ladies-in-waiting played in this Queen's household.

The Grammar of Angels tells the story of Renaissance prodigy and polymath Giovanni Pico della Mirandola, the uncontested marvel of an age of true wonders. Pico dedicated his life to a quest to find the sublime; to reconcile all existing thought into a philosophy that would settle the most important questions about human existence. This philosophy would also provide tools by which man could transcend his mortal limitations and join the ranks of the angels.