Showing results by narrator "Hannah Curtis" in All Categories

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

Anna Ogilvy hasn’t opened her eyes for four years. Not since that night at The Farm when she was found asleep with a kitchen knife in her hand, her clothes bloodstained, the bodies of her two best friends lying close. She’d committed the crime of the century – but nothing and no-one could wake her from the nightmare. Believers in her innocence call her Anna O. Believers in her guilt call her Sleeping Beauty.

What makes a devoted employee and mother of three risk everything in the pursuit of truth? Caroline Barber is a civil servant, doing her best to hang on to her job while keeping her demanding family happy. Her world is shattered when she discovers her boss—a senior politician—dead at his desk. Unable to accept the official suicide verdict, Caroline sets out to uncover the real reason the minister had to die and discovers a web of secrets and lies spun by some very powerful men.

Determined to die with dignity, Kay and her husband, Cyril - both healthy and vital medical professionals in their early 50s - make a pact: to commit suicide together once they’ve both turned 80. A lot can change in 30 years, however....

The night that throws a wrecking ball into Abby’s life starts out perfectly at first. There’s still a hint of summer sun in the purple-streaked sky. Abby and her best friend, Sienna, look on fondly as their two husbands laugh under the garden gazebo. None of them know it’s the last time they will be together again. What starts out as just a little fun has devastating consequences for the couples. Alone with Sienna’s husband, Greg, Abby finds him unexpectedly charming. Caught up in the moment, she reveals a secret she swore never to tell.

In the hidden shadows amongst the trees, tales of witches are whispered. What is it about the wild that draws us in and has captured our imaginations for so long? The Witch and The WildWood delves into stories of the woods as told through some of its most enchanting inhabitants: witches, fairy folk, and magical creatures.

Isla knows her family kept things from her. When she inherits the cliffside cottage where she spent her childhood, she must face dark shadows of her past—the mother who rejected her in favour of her art, the aunt whose death haunted them both, and the silence that permeated every room. Digging through the belongings of someone she realises she never really knew, Isla finally has the chance to find answers to the secrets her mother spent a lifetime hiding.

In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

London in the 1920s is no place for a woman with a mind of her own. Gang wars, violence, and an unforgiving world have left pickpocket Alice Diamond scrambling to survive in the Mint, the gritty neighborhood her family has run for generations. When her father goes to jail yet again and her scam artist brother finds himself in debt to the dangerous McDonald crime syndicate, Alice takes over. Fighting for power at every turn, she struggles to protect her father’s territory and keep the people she loves safe from some of London’s most dangerous criminals.

When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather’s cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey’s life, impelling her - armed only with her music - toward a terrifying confrontation.

Thirty-three years ago two little girls disappeared from a notorious run-down neighborhood in south London. One was found dead within a few days; the body of the other was never discovered. Today, the man convicted of murder three decades ago is back on the streets, and another girl vanishes. Hard-nosed investigative journalist Angela Tate reported on the old case and is back to cover the new story, determined to persuade the mother of the missing girl, Trisha Collins, to reveal a secret she’s been keeping about the original killing. But Trisha is terrified and refuses to talk.

In a gripping novel full of plot twists, B. A. Shapiro embeds us in a circle of famous painters in late-nineteenth-century Paris, centering on the anguished Impressionist artist Berthe Morisot—the one woman in their midst who never got her due—and the story of Morisot’s great-great-great-great granddaughter, Tamara Rubin, who has inherited Édouard Manet’s Party on the Seine, a painting that completely upends her life.

A few years into her marriage and under pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. The relationship was calm and her husband was a good man, but was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever - desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfilment.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

German power is rising again, threatening a war that will be even worse than the last one. The English aristocracy turns to an age-old institution to stave off war and strengthen political bonds—marriage. Debutantes flock to Germany, including Viviane Alden. On holiday with her sister during the 1936 Berlin Olympics, Viviane’s true purpose is more clandestine.

Rachel Holley has always dreamed of a wedding - the white dress, the fairy tale, and, of course, the happily-ever-after. But when her fiancé breaks it off the night before, claiming she doesn’t love him, Rachel’s fairy tale ends in ashes. Homeless, hopeless, and feeling like her life has been completely derailed, Rachel must start over in all sorts of ways - and hold her head up high in the fishbowl of her tiny village.

Esther Holley, the eldest in the family, has always had her life firmly in control until a miscarriage knocks her off course. Two months later, still emotionally spinning, she separates from her husband, Will, a sheep farmer and man of few words and moves back in with her parents. Life as a singleton 30-something living in her parents’ house is miserable, but Esther is determined to reboot her life, including going on a few unfortunate dates. She’s shocked when tight-lipped Will shows up on her doorstep determined to woo her back.

As the youngest Holley sister, Miriam has always been a bit of a rebel. After spending several years backpacking through Europe and Australia, she’s now back home...unemployed and pregnant, with no boyfriend or husband in sight. At first, Miriam only wants to hide away from the shocked and prying eyes of her father’s parishioners, but her sisters won’t let her. Determined to help her find her way, they urge Miriam to accept a job working as an assistant to Simon, the new vicar...and to think about what will happen when the baby comes.

The fifteen stories and three screenplays that make up Volumes Two and Three of the Emmy® Award–winning Netflix Original series Love, Death & Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson.

Anna Holley, the third of four sisters, has always felt a little bit forgotten. A family tragedy when she was a child had her retreating deep into shyness, and social anxiety kept her on the fringes of the cozy chaos of the busy vicarage. After several years away from home, Anna returns for Christmas, and an important announcement from her father. As much as she once loved the village, coming back is hard and puts Anna’s social capabilities to the test. Avoiding her sisters’ bossy questions, she heads out to the local pub one night, and meets a handsome stranger nursing a pint.