Showing results by publisher "--Tyson Hanks" in Authors

What happens when the Zusaks open their family home to three big, wild, pound-hardened dogs - Reuben, a wolf at your door with a hacksaw; Archer, blond, beautiful, deadly; and the rancorously smiling Frosty, who walks like a rolling thunderstorm? The answer can only be chaos: there are street fights, park fights, public shamings, property trashing, bodily injuries, stomach pumping, purest comedy, shocking tragedy, and carnage that needs to be seen to be believed ... not to mention the odd police visit at some ungodly hour of the morning.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Rüdiger Safranski's Goethe: Life as a Work of Art is the first definitive biography in a generation to tell the larger-than-life story of the writer considered to be the Shakespeare of German literature. Drawing upon the trove of letters, diaries, and notebooks Goethe left behind, as well as correspondence and criticism from Goethe's contemporaries, Safranski weaves a rich tale of Europe in the throes of revolution and of the man whose ideas heralded a new era.

Long days of boredom in confinement, the general inefficiency of prison bureaucracy and a critically over-stretched prison service. The tediousness of prison life kicks in for prisoner FF8282, also known as author Jeffrey Archer, in the second volume of his best-selling series The Prison Diaries. Still his fellow inmates show inspiring spirit and courage, amid an otherwise gloomy prison landscape, revealing that even in the darkest hours light can always be found.

Beginning in 1987, as she embarks on an affair that she knows will be all-consuming and ending in 1995 with the publication of The First Stone and the furore that followed it, Garner reveals the inner life of a woman in love and a great writer at work. With devastating honesty and sparkling humour, she grapples with what it means for her sense of self to be so entwined with another - how to survive as an artist in a partnership that is both enthralling and uncompromising.

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

Charming, vibrant, witty and edifying, The Life of Samuel Johnson is a work of great obsession and boundless reverence. The literary critic Samuel Johnson was 54 when he first encountered Boswell; the friendship that developed spawned one of the greatest biographies in the history of world literature. The book is full of humorous anecdote and rich characterization, and paints a vivid picture of 18th-century London, peopled by prominent personalities of the time.

Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon and a reunion of WWII veterans in Las Vegas and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart.

On Boxing Day 2022, in Rome, Hanif Kureishi had a fall. When he came to, in a pool of blood, he was horrified to realise he had lost the use of his limbs. He could no longer walk, write or wash himself. He could do nothing without the help of others, and required constant care in a hospital. So began an odyssey of a year through the medical systems of Rome and Italy, with the hope of somehow being able to return home, to his house in London.

Published in their entirety, Sylvia Plath's journals provide an intimate portrait of the writer who was to produce in the last seven months of her life some of the most extraordinary poems of the 20th century. Faithfully transcribed from the 23 journals and journal fragments owned by Smith College, The Unabridged Journals of Sylvia Plath includes two journals that Plath's husband, Ted Hughes, unsealed just before his death in 1998.

A flicker of light almost appears at the end of the tunnel for prisoner FF8282, as he is transferred to North Sea Camp near Boston, Lincolnshire, a D-category prison. Under a less strict regime, the prisoners can enjoy a more relaxed set of rules, while slowly preparing to someday rejoin the world outside the walls. However, a minor breach of conditions gets him sent off to the notorious HMP Lincoln facility for twenty-two days, where more traumatic experiences await. "Heaven" is the third book in Jeffrey Archer’s bestselling series The Prison Diaries.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

In the six lectures of Margaret Atwood: A Modern Myth-Maker, Dr. Jennifer Cognard-Black will take you on a thorough exploration of Atwood’s most celebrated novel to examine the many ways this book has transcended its dystopian roots to become something more than a tale of, “What if?” Over the course of these lectures, you’ll examine the social, political, cultural, and spiritual impact of the novel—and of Atwood herself—as you dive deep into the text to unravel its themes and inspirations.

Georgette Heyer remains an enduring international best seller, read and loved by four generations of readers and extolled by today's best-selling authors. Despite her enormous popularity, she never gave an interview or appeared in public. Georgette Heyer wrote her first novel, The Black Moth, when she was 17 in order to amuse her convalescent brother. It was published in 1921 to instant success, and 90 years later it has never been out of print.

When Jeanette Winterson left home at 16 because she was in love with a woman, Mrs. Winterson asked her: "Why be happy when you could be normal?" This book is the story of a life's work to find happiness. It is the story of how the painful past returned to haunt Jeanette's later life, and send her on a journey into madness and out again, in search of her real mother. It is also a book about other people's stories, showing how fiction and poetry can form a string of guiding lights, a life raft which supports us when we are sinking.

Bookish picks up where Bookworm left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Here, Mangan vividly recounts her metamorphosis from young bookworm to bookish adult, from the way GCSE curricula can impact our relationship with literature to the growing pains of swapping the pleasures of re-reading for those of book-hoarding.

Ian Fleming's greatest creation, James Bond, has had an enormous impact on our culture. What Bond represents about ideas of masculinity, the British national psyche, and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Nicholas Shakespeare is one of the most gifted biographers working today and his unprecedented access to the Fleming archives and his nose for a story make this a fresh and eye-opening picture of a man who lived his life in the shadow of his famous creation.

Was Rilke mit anderen "offenen Quellen" dieser Geistesströmung, wie Nietzsche, Heine, Kierkegaard und Hölderlin gemeinsam hat, ist das Vertrauen in den Menschen, ohne das der Mut zur Redlichkeit, zu einem unverstellten Glauben niemals möglich wäre. Das existenziell-philosophische Lebensverständnis Rilkes in enger Verbindung mit Bildern seines Lebens anzudeuten, soll in diesem Hörbuch versucht sein.

Grund für diese ablehnende Haltung ist jedoch eine Verwechslung oder fälschliche Synonymisierung. Doch diese Deutung erweist sich als zu einseitig, denn im Mindesten war Heine ambivalent: zu Gott verhielt er sich mit den Worten Zuckmayers wie ein "gläubigster Zweifler" und zur Deutschen Romantik wie ein Fliehender und Suchender zugleich.

Ein ganz anderes, farbigeres Bild erscheint, wenn man die zahlreichen literarischen Fragmente, die Tagebücher und Briefe Kafkas mit einbezieht — in all diesen Genres hat sich seine sprachliche Produktivität entfaltet, und erst in der Gesamtschau werden viele heitere, komische, groteske Facetten sichtbar, die mit seinem düsteren Nimbus als eigentlich unvereinbar gelten. Dabei gibt es einen Kafka zu entdecken, der offenbar Freude hat am Spiel mit Formen, Einfällen und Pointen.