Showing results for "i" in Music

Acclaimed journalist Randall Sullivan follows Russell Poole, a highly decorated LAPD detective who in 1997 was called to investigate a controversial cop-on-cop shooting, eventually to discover that the officer killed was tied to Marion “Suge” Knight’s notorious gangsta rap label, Death Row Records. During his investigation, Poole came to realize that a growing cadre of black officers were allied not only with Death Row, but with the murderous Bloods street gang. And incredibly, Poole began to uncover evidence that at least some of these “gangsta cops” may have been involved in the murders of rap superstars Notorious B.I.G. and Tupac Shakur.

In Francis Rossi's explosive new memoir, I Talk Too Much, the Status Quo main man reveals for the first time the true-life stories behind the life and times of one of the best-selling rock singers in the world. With over 100 million records sold worldwide in a career that mirrors the evolution of rock music, from the flower power '60s, with hits like 'Pictures of Matchstick Men', through the denim-clad '70s and classic Quo-tastic anthems such as 'Down Down', 'Rocking All over the World' and 'Whatever You Want', through the turbulent '80s, when they famously opened Live Aid....

The stylish, exuberant and remarkably sweet confession of one of the most famous groupies of the 1960s and '70s is back in this new edition that includes an afterword on the author's last 15 years of adventures. As soon as she graduated from high school, Pamela Des Barres headed for the Sunset Strip, where she knocked on rock stars' backstage doors and immersed herself in the drugs, danger, and ecstasy of the freewheeling 1960s.

A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings listeners into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. You will never listen to music the same way again, after hearing Nancy Shear's story.

Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas forever.

I'm the Man is the fast-paced, humorous, and revealing memoir from the man who co-founded Anthrax, the band that proved to the masses that brutality and fun didn't have to be mutually exclusive. Through various lineup shifts, label snafus, rock 'n' roll mayhem, and unforeseen circumstances galore, Scott Ian has approached life and music with a smile, viewing the band with deadly seriousness while recognizing the ridiculousness of the entertainment industry.

Beau Phillips was an insider and occasional accomplice who witnessed the legends of classic rock in their heyday and takes listeners inside the dressing rooms, hotel suites, and private planes of Led Zeppelin, the Rolling Stones, AC/DC, Eric Clapton, Paul McCartney, and dozens more to enjoy funny, decadent, and never-been-told stories of sex, drugs, and rock and roll. The book's foreword was written by Sammy Hagar, former lead singer for Van Halen.

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

According to Eric Clapton, John Mayer, and the late Stevie Ray Vaughn, Buddy Guy is the greatest blues guitarist of all time. An enormous influence on these musicians as well as on Jimi Hendrix, Jimmy Page, and Jeff Beck, he is the living embodiment of Chicago blues.

The life of a maestro appears glamorous from afar, but seen through the eyes of a conductor with more than one thousand performances on the podium throughout the United States and around the world, it isn’t all curtain calls and champagne. We make the choices critical to our success and happiness when we are least able to see the consequences, and it may take the better part of a lifetime to understand where we chose wisely, where we went astray, and where we had more luck than sense.

Drawing on new research and enlivened by Touré's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of Generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presented a very traditional conception of religion and God in his music.

Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-20 singles and sold eight million copies the year it was released (more than 17 million to date), and it was inducted into the Grammy Hall of Fame in January 2020.

Joni Mitchell’s life, psyche, and evolving legacy are explored here in vivid technicolor—from her childhood in Saskatoon, Canada, to her arrival in Laurel Canyon that turned her into, as Alford puts it, “the bard of heartbreak and longing.” Each period of Mitchell’s life is observed via the artists, friends, family, and lovers she encountered along the way. Presented in the impressionistic vein of Ninety-Nine Glimpses of Princess Margaret, I Dream of Joni explores in fifty-three essays, with the author’s trademark wit and verve, the life of the legendary singer-songwriter.

Let's be real: Caring for a baby can be exhaustingly tedious. Enter Vered Benhorin, musician, therapist, and mother of three. In What Do I Do with My Baby All Day?, Benhorin builds on the foundations of attachment theory and blends practical tools with research to teach parents how to develop a more gratifying relationship with their baby. With her guidance, parents will step into the present with their baby and truly enjoy one another using her easy, guided activities.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

It's 1982 and the Ramones are in a gutter-bound spiral. Following a run of inconsistent albums and deep in the throes of internal tensions, the legendary quartet is about to crash and burn. Enter Richie Ramone. Then a 26-year-old from New Jersey named Richard Reinhardt, he's snapped up by the group to be their new drummer and instantly goes from the obscurity of the underground club scene to membership in the most famous punk-rock band of all time, revitalizing the pioneering outfit with his powerful, precise, and blindingly fast beats.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.

Concert stories from those of us who live for Sex, Drugs, and Rock N Roll, and Blues and Country and Funk and Soul and Hip Hop and.....all of it!