Showing results by narrator "Yelena Shmulenson" in All Categories

Bringing together dozens of voices in her distinctive style, The Unwomanly Face of War is Svetlana Alexievich's collection of stories from Soviet women who lived through the Second World War: on the front lines, on the home front and in occupied territories. As Alexievich gives voice to women who are absent from official narratives - captains, sergeants, nurses, snipers and pilots - she shows us a new version of the war we're so familiar with, creating an extraordinary history from their private stories.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

Penguin presents the audiobook edition of Last Witnesses, by Svetlana Alexievich, read by Julia Emelin, Yelena Shmulenson and Allen Lewis Rickman. What did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation.

Tech insider Inbal Arieli goes against the common belief that Israel’s outstanding economic accomplishments are the byproduct of its technologically advanced military or the result of long-standing Jewish traditions of study and questioning. Rather, Arieli gives credit to the unique way Israelis are raised in a culture that supports creative thinking and risk taking. Growing up within a tribal-like community, Israelis experience childhoods purposely shaped by challenges and risks - in a culture that encourages and rewards chutzpah.

Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories - the details of her grown children's lives, the approaching wedding of her grandchild - yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city.

St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear before being betrayed in turn.

Born to a Russian family of lower nobility, Xenia, an eccentric dreamer who cares little for social conventions, falls in love with Andrei, a charismatic soldier and singer in the Empress's Imperial choir. Though husband and wife adore each other, their happiness is overshadowed by the absurd demands of life at the royal court and by Xenia's growing obsession with having a child - a desperate need that is at last fulfilled with the birth of her daughter. But then a tragic vision comes true, and a shattered Xenia descends into grief, undergoing a profound transformation that alters the course of her life.

After the events of The Revolution of Marina M., the young Marina Makarova finds herself on her own amid the devastation of the Russian Civil War - pregnant and adrift in the Russian countryside, forced onto her own resourcefulness to find a place to wait out the birth of her child. She finds new strength and self-reliance to fortify her in her sojourn, and to prepare her for the hardships and dilemmas still to come. She finally returns to Petrograd, the city almost unrecognizable after two years of revolution, the haunted, half-emptied, starving Capital of Once Had Been....

>Begun as a stage play by Engelhardt, this audio adaptation of Never Again War focuses on key biographical moments in Kollwitz's long life to give the audience an understanding of the complex world in which she lived and the destructive nature of war. Engelhardt is now working on a feature film to further bring awareness of Kollwitz's story to a larger audience. After her youngest son Peter was killed in Belgium in October 1914 during the opening weeks of World War I, she devoted the rest of her life to using her art in the service of her grief and opposition to war.

Trapped in Poland in 1941, like many Jews, Millie Werber went from the Radom Ghetto to slave labor in an armaments factory, survived Auschwitz, and toiled in a second factory until liberation came on April 1, 1945. She faced death many times but lived to marry a good man and fellow survivor. Meanwhile, she concealed a photograph in her closet and carried a secret in her heart.