Showing results by narrator "Simon Brett" in All Categories

It is her characteristic generosity rather than her love of animals that finds Mrs Pargeter supporting her friend, Jasmine Angold, at a charity reception for PhiliPussies, whose worthy aim is to rehabilitate stray cats from the Greek island of Atmos into caring English homes. But the evening is to have unexpected consequences. At the event, Mrs P is taken aback to meet a woman who claims to be the sister of her late husband, the much-missed Mr Pargeter.

Fethering residents Jude and Carole get more than they bargained for when a meal in their local pub leaves everyone with food poisoning. When a series of disasters start to befall the business it looks like it could be the end of the road for the Crown and Anchor. The two amateur detectives wonder if it might just be more than a run of bad luck. When a young man is found in the kitchen with a knife through his heart, Carole and Jude swing into action. There's a killer on the loose, and our lady sleuths need to uncover who it is before it's last orders for the pub - and themselves.

Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby – or obsession – of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the “Lady in the Lake”.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....

Carole Seddon's son is soon to be married to Gaby. But Marie and Harold Martin seem desperate to keep plans for their daughter's big day as low-key as possible. After a quiet engagement party, Harold disappears...only to be found dead the next day in a burnt out car in Epping Forest. Carole discovers that the Martins are hiding secrets that can be traced back 30 years, to the murder of Marie's best friend. Now the girl's killer has been released from prison and is back in his old stomping ground.

Carole Seddon has never enjoyed holidays much. Nevertheless, she has allowed herself to be persuaded by her friend Jude to accept a fortnight’s free accommodation at a luxurious Turkish villa owned by Jude’s property developer friend Barney Willingdon. But from the outset the holiday is marred by a series of menacing incidents.

Carole Seddon hates Christmas - it all seems rather a waste of time. So when her best friend, Jude, drags her along to go shopping at a local store called Gallimaufry, she can feel her inner Scrooge knocking. Then Gallimaufry is burnt down, and a body is discovered. It seems like a tragic accident, but it’s not natural causes when a gun is involved. With a host of suspicious characters - the infamous womanizer Ricky Le Bonnier; Piers Duncton, an unfunny comedy writer; and Anna Carter, the lonely dog walker - the lady detectives know they have their work cut out for them.

Charles Paris is, as ever, waiting for a phone call from his agent, and is driven to painting and decorating to make ends meet. A rare evening out at a high-profile restaurant among stars of stage and screen promises a break in the depressing routine. But when the restaurant’s handsome, temperamental chef is brutally murdered, Charles finds himself drawn into the ensuing investigation. At first it seems an open and shut case: the chef’s

Christopher Milton is one of TV’s brightest stars and the natural choice to play the lead in Lumpkin!, the musical version of She Stoops to Conquer. His is a ruthless, egomaniacal talent, guaranteed to turn his co-cast’s rehearsals into nail-biting hell. Charles Paris suspects him of harbouring at least one dark secret from years past. And then the ‘accidents’ begin. Soon it is plain that someone will stop at nothing in order to sabotage the show for their own ends.

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body. When Ellen stumbles across the body of a young woman in an over-cluttered flat, suspicion immediately falls on the deceased homeowner's son. No doubt Nate Ogden is guilty of many things - but is he really the killer? Discovering a link between the victim and her own past, Ellen sets out to uncover the truth.

The affluent seaside resort of Smalting is unaccustomed to crime. So when human remains are found beneath the floorboards of a beach hut, the community is awash with suspicion. Amateur sleuths Carole Seddon and best friend Jude are drawn into the mystery, and their suspicion quickly falls on attractive Philly Rose, a young Londoner newly arrived in the area, whose boyfriend has recently vanished.

Declutterer Ellen Curtis has been working to bring order into the life of Cedric Waites, a recluse in his eighties who hasn't left his house or let anyone inside it since his wife died. On one of her regular visits, Ellen finds the old man dead. Sad but, given his age, perhaps not unexpected. Until the police raise the suspicion that Cedric might have been poisoned! The cause seems be something he ate, and as Ellen cleared away the old man's food containers, she is under suspicion. As is Dodge, who works for Ellen and has unhelpfully done a runner.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

The Dowager Duchess has decided to sell off the less important family possessions. Blotto and Twinks are dispatched to help the valuer. He spies some Egyptian artifacts and in some excitement rushes back to London, leaving Blotto and Twinks alone in the attic, where they are drawn to a sarchophagus decorated with hieroglyphs. Twinks starts to translate: "Anyone who desecrates this shrine will be visited by the Pharoah's curse..." - just as Blotto prises the lid off.

Professional declutterer Ellen Curtis doesn't need to like her clients to help them sort their homes out. Aging TV personality and curmudgeon Humphrey Carter might have a chip on his shoulder the size of England, but a job's a job. But when Ellen arrives the morning after Humph's eightieth birthday party, primed and ready to tackle his study - she gets the shock of her life. Humph's dead. . . and all signs point to him having taken his own life.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

When Andrea Gower’s body is discovered in an editing suite, with gashes in her wrists and two razor blades nearby, the cause of death seems obvious, with the words she spoke only hours before taking on a completely different meaning... Working as a radio actor for the BBC was all new to Charles Paris: a new kind of work, a new jargon, and a lot of new faces - some of them quite pretty.