Showing results by narrator "Brittany Pressley" in All Categories

Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper.

Margot Davies is an aspiring investigative journalist stuck in a rudderless job at a small-time newspaper, until one night she stumbles upon a new development in an unsolved, decades-old case that took place in her very own hometown: the infamous murder of six-year-old January Jacobs. With this new information come to light, Margot quickly becomes obsessed with solving the case. She packs up and heads back to the hometown she left at eight years old, hoping to bring justice to January, who was discovered dead in a ditch only hours after her family awoke to find her gone.

This is a captivating historical mystery, infused with romance, that links the lives of three women across a century - two deep in the past, one in the present - to the doomed passenger liner, RMS Lusitania.... Her finances are in dire straits, and best-selling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-boat in 1915. What she discovers there could change history.

Fourteen years ago, Kaitlin Roe was the lone witness to the abduction of her cousin Gina. She still remembers that lonely Virginia road. She can still see the masked stranger and hear Gina’s screams. And she still suffers the guilt of running away in fear and resents being interrogated as a suspect in the immediate aftermath. Now Kaitlin has only one way to assuage the pain and nightmares—by interviewing everyone associated with the unsolved crime for a podcast that could finally bring closure to a case gone cold.

Seven years after first contact, Providence Five launches. It is an enormous and deadly warship, built to protect humanity from its greatest ever threat. On board is a crew of just four-tasked with monitoring the ship and reporting the war's progress to a mesmerized global audience by way of social media. But while pursuing the enemy across space, Gilly, Talia, Anders and Jackson confront the unthinkable: their communications are cut, their ship decreasingly trustworthy and effective. To survive, they must win a fight that is suddenly and terrifyingly real.

Sam's life is on track. She has the perfect doctor fiancé, Jack (his strict routines are a good thing, really), a stable job in Manhattan (unless they fire her), and is about to tour a wedding venue near her family's Long Island beach house (if only to appease her mother). Everything should go to plan, but the minute she arrives, Sam senses a disturbance in the force. Wyatt is here. Her Wyatt. But there's no reason for a thirty-year-old engaged woman to feel awkward around the guy who broke her heart when she was seventeen. Right?

It's autumn in Harrow, but something is changing in the town besides the season. Because in that town there is an orchard, and in that orchard grows a new sort of apple: strange and beautiful, with skin so red it's nearly black. Take a bite of one of these apples and you will you will become stronger. More vital. More yourself, you will believe. But soon your appetite for the apples and their peculiar gifts will keep growing - and become darker.

April and Eddie have taken a wrong turn. They're on a long dark road, late at night, and they see a woman up ahead, clearly in trouble. They stop and pick her up. It's only once she's in the car that they see the blood. And then they see the headlights, and at last, the woman speaks, her voice faint. "I'm sorry, he's coming."

It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).

When Anna Hartley’s husband, Henry, calls her with a terrible, guilty confession, she can’t believe what she hears. It has to be a bad joke—the mild, predictable artist she married would never hurt a fly, let alone commit murder. But her confusion turns to horror when police find his body washed up on the banks of the Rio Grande.

Jake Hayes is missing. This much is certain. At first, his wife, Nina, thinks he is blowing off steam at a friend’s house after their heated fight the night before. But then a day goes by. Two days. Five. And Jake is still nowhere to be found. Lily Scott, Nina’s friend and coworker, thinks she may have been the last to see Jake before he went missing. After Lily confesses everything to her husband, Christian, the two decide that nobody can find out what happened leading up to Jake’s disappearance, especially not Nina.

The Cold Creek Highway stretches for 500 miles through rugged wilderness. For decades, young women travelling the road have gone missing, falling prey to a killer who has never been brought to justice. Hailey McBride calls Cold Creek home. A teenage orphan, Hailey lives with her aunt and uncle, the most feared police officer in town, who uses his badge to control her. Desperate to escape, she vanishes into the mountains, never anticipating that everyone will think she's been taken by the murderer. 

Amy is more than one disastrous night of drunken revenge on her boss/ex-boyfriend’s Audi—the night that tanked her rising TV producer career and led to a hasty move to London for a fresh start. She is thirty years of awesomeness. At least, that’s what Amy tells herself every morning before trekking to her mediocre job making trailers at a failing British TV channel. Two years later, she’s finally starting to believe it. But then, in a twisted turn of fate, the ex-boyfriend who wrecked her life is hired as her new boss and past and present are about to epically, hilariously collide.

After Kristy's mom got married, her family moved to Watson's house in a new neighborhood. But the kids there aren't very friendly - in fact, they're total snobs! They criticize Kristy's clothes, make fun of the Baby-Sitters Club...and worst of all, they laugh at Louie, Kristy's pet collie, who's going blind. Nobody does that and gets away with it! Kristy's fighting mad, and she's not going to put up with a Snob Attack any longer - and neither is the BSC!

After the untimely deaths of her aunt and mother, young Riley Mays moved from Chicago to her cousins’ Wisconsin farm. Here she found solace in caring for her extraordinary adoptive brother, exploring the surrounding wild nature, and gazing at the mystical moon - a private refuge in which she hides from her most painful memories. But ten years later, now twenty-one, Riley feels too confined by the protective walls she’s erected around herself. When a stranger enters her family’s remote world, Riley senses something he’s hiding, a desire to escape that she understands well.

Emily's moved to the small Maryland town of Willow Creek for the summer to help her sister recover from an accident. But when teenage niece Caitlin volunteers for the local Renaissance Faire, Emily's suddenly signing up too as a...tavern wench. She's not sure how it happened, but it's certainly nothing to do with Simon, the infuriating and inscrutable schoolteacher running the show. The Faire is Simon's family legacy - and he hasn't time for Emily's jokey approach, her take on Shakespeare, or her suggestions to liven things up.

Whilst working on a spreadsheet for a New York-based PR firm, Gerald has his consciousness uploaded into his company's Slack channel. He posts for help, but his colleagues assume it's an elaborate joke to exploit the new working-from-home policy and, now that Gerald's productivity is through the roof, his bosses are only too happy to let him work from...wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists co-worker Pradeep to care for his body and Slackbot, the service's AI assistant, to help him navigate his new digital reality.

In 1977, in the small town of Claire Lake, two men were murdered with the same gun. Beth Greer was the prime suspect - a rich, eccentric 23-year-old woman, seen fleeing one of the crimes. Ever since her surprise acquittal, she's retreated to her mansion, Greer house, and never commented publicly on the case. 40 years later, Shea Collins is a receptionist by day, and a true crime blogger by night. When she meets Beth by chance, Shea asks her for an interview. To her surprise, Beth says yes. But when they meet in Beth's mansion, Shea immediately senses something isn't right.

In March 2015, Denise Huskins and her boyfriend Aaron Quinn awoke from a sound sleep into a nightmare. Armed men bound and drugged them, then abducted Denise. Warned not to call the police or Denise would be killed, Aaron agonized about what to do. Finally he put his trust in law enforcement and dialed 911. But instead of searching for Denise, the police accused Aaron of her murder. His story, they told him, was just unbelievable. When Denise was released alive, the police turned their fire on her, dubbing her the “real-life ‘Gone Girl’” who had faked her own kidnapping.  

1982. Viv Delaney wants to move to New York City, and to help pay for it she takes a job as the night clerk at the Sun Down Motel, in Fell. But Viv feels that something is wrong, something disturbing and haunting. And then she vanishes. 2017. Carly Kirk has never been able to let go of the story of her aunt Viv. She decides to move to Fell and take a job at the hotel - as a night clerk - to try to get to the bottom of the mystery. But Carly soon discovers that, before she vanished, Viv believed she was on the trail of something truly sinister.