Showing results by author "Amelia Edwards" in All Categories

More classic ghost stories from the golden age of spookiness. Eight stories by eight great writers, curated for your hair-raising pleasure. Edith Wharton, Ambrose Bierce, Nathaniel Hawthorne and Company weave marvelous spells that whisk you into times and places you never thought you'd experience. Frightful and delightful.

Ghost stories from the golden age. Six great writers weave their spell in creepy, insidious style.

Eerie old houses, wretched smiles, mausoleums, and banshees. Stories from masters of the horror genre, M.R. James, F. Marion Craword, Edgar Allan Poe, W.W. Jacobs, Amelia Edwards, Joseph Sheridan Le Fanu, and H.P. Loveraft, stories to make your body tingle and your mind play tricks.

Un racconto giallo con evento soprannaturale che ben si sposa al fatto che il racconto è ambientato durante le festività natalizie alle quali stiamo andando incontro. Un avvocato scompare senza lasciare traccia mentre trasporta un'ingente somma di denaro che non gli appartiene. Tutti pensano a un furto, e lo scandalo è grande. Poi, a distanza di tempo, l'avvocato riappare sull'espresso delle quattro e un quarto (da cui il titolo dell'opera) e, come se niente fosse, intrattiene il protagonista del libro con una interminabile chiacchierata. Ma nulla quadra.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.

Als sich an einem unbehaglichen Dezembertag des Jahres 1856 der Geschäftsmann und Reisende William Langford doch noch ärgerlicherweise ein schon für sich geglaubtes privates Abteil des Vier-Fünfzehn-Schnellzugs mit einem weitläufigen Bekannten teilen muss, ahnt er noch nicht, dass diese Begegnung ihn alsbald in ein unerklärliches Rätsel involvieren wird ... Ein Rätsel, an dem sich die englische Polizei bereits seit Monaten die Zähne ausbeißt.

A sparkling collection of short stories by leading female authors including “Miss Brill” by Katharine Mansfield, “The Lifted Veil” by George Eliot and “A Venetian Night's Entertainment” by Edith Wharton.

In this Italian set story two Englishmen fall into problems over their love for a coquettish Genoese girl. When she turns both their lives upside down horrendous consequences inevitably follow.

In this Venetian set story Edwards follows the trail of a man who, after the briefest of meetings, falls in love with a young Jewish girl, who has but one request of him.

In this rural story a man is inspecting schools in the district of an old and now fabulously rich university friend. When they finally meet a dark secret is revealed to both of them.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.