Showing results by narrator "Ghizela Rowe" in All Categories

The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives.

Rudyard Kipling. With our almost religious zeal to categorise and pigeon hole everything it should come as little surprise that one of the poems we learnt at school should so regularly be voted the best ever poem. Whether ‘If..’ deserves that credit or not is irrelevant to this empire wandering artist who was not only a fine story teller but a great poet of the Empires, its people and views.

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

This group of 19th-century American poets was the first to rival their British counterparts in popularity. Gathered around their New England roots, they were also known as the Schoolroom or Household poets and comprised of Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell and Olivier Wendell Holmes, Sr. Occasionally Ralph Waldo Emerson was included, although his poetic philosophy differed in some key aspects.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

Sleep. That most mysterious of times. The unconscious hours. Everyone needs it. Sleep offers a respite from the rigors and challenges of the day - a chance for the brain to process what has happened and bring rest and recuperation before the cycle of daytime activity begins again. Our poets, from Kipling and Swinburne through Hafiz, James Joyce, Edgar Allan Poe and a pillowful of others, explore the wish to rest, to close the eyes and reside in the land of nod.

Love is a universal feeling but a few lines of musings from a poet - assembled words perhaps softly spoken - can express a romance or desire that if we don't yet have we'd probably like to. And so poets have burnished their dreams throughout history and across the globe, in every culture past and present. For most of us Indian Love Poetry tends to be the erotic and explicit Kama Sutra and The Perfumed Garden.

The beautiful island of Ireland has endured a history that is pock-marked with struggle and oppression, with religious division and self-serving administrations. It has sacrificed its youth in wars, its generations in famines and emigration, but it has never forsaken its calling that Ireland is a beacon of dignity, humanity and a home for words and literature of every description. Across the centuries, whatever its joys or torments, its poets have assembled verse that speaks from its soul.

William Butler Yeats was born in Sandymount in County Dublin, Ireland, on 13th June 1865. Yeats is perhaps best described as Ireland’s national poet in addition to being one of the major twentieth-century literary figures of the English tongue. He represents the ‘Romantic poet of modernism,’ with an extraordinary style created from the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions.

Othello is principally a story of jealousy and its destructive power.

Othello is a courageous general in Venice and - unusually for Shakespeare - a Moor with a black complexion. Although aware that he is a jealous character, and even though he truly loves the fair Desdemona, he is willing to be persuaded by his clever and envious ensign, Iago, that she is being unfaithful to him. It is a true tragedy, which is clearly captured in this telling of the story.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

English Poetry, Volume 2 – An Introduction. The English language has grown into the Worlds pre-dominant spoken language. It’s estimated there are over one million words with which to do this. Its sources are rich and diverse, absorbing from other cultures and times without hesitation.

James Thomson was born in Port Glasgow, Scotland, on the 23rd November 1834. Possessing a powerful and unique writing gift, unfortunately, his own demons curtailed him from leaving a larger literary legacy. Stories, essays and poems were submitted to various publications during his life and undoubtedly the creative high point of his life is ‘The City of Dreadful Night’. Within its bleak verse are the struggles of Thomson’s own chaotic tortures with depression, insomnia and alcoholism in the uncaring world that surrounded him.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

Sometimes we just want the best. But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. Even more so with poetry. Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats? And ’If’? Surely Kipling wrote something else? So difficult to decide. This one or that? Is it easier to choose your 50 favourite poets or your 50 favourite poems?

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.