Showing results by publisher "Scribd Audio" in World Literature

Fara and her father’s slave, Tsito, have been close since her father bought the boy after his forest village was destroyed. Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion. But as Tsito looks forward to the bright promise of freedom and Fara, backward to a dark, long-denied family history, a rift opens between them just as British Christian missionaries and French industrialists arrive and violence erupts across the country. 

Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: The virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

Ellen acaba de cumplir once años y cree haber cometido un acto atroz: ha suplicado a Dios la muerte de su padre. Su mayor deseo se ha cumplido, pero a cambio enmudece por temor al poder de sus pensamientos. Sus padres estaban divorciados, pero las visitas de su padre alcohólico y colérico se volvieron cada vez más recurrentes. Antes habían sido una familia feliz: su madre es una de las actrices más famosas de Suecia, un dechado de alegría, y su padre era un hombre... diferente.

Unfairly convicted and force into indentured servitude, young Highland Scot Duncan McCallum finds himself aboard a prisoner ship bound for the New World. A series of mysterious deaths plagues the passengers and claims the life of Duncan’s dear friend Adam Munroe. Enlisted by his captors to investigate, a strange trail of clues leads Duncan into the New World and eventually thrusts him into the bloody maw of the French and Indian War.

 Lisa Pearl is an American teaching English in Japan, and the situation there - thanks mostly to her spontaneous, hard-partying ways - has become problematic. Now she’s in Seoul, South Korea, with her childhood best-friend, Mindy. The young women share a special bond: They are both Korean-born adoptees into white American families. Mindy is in Seoul to track down her birth mom, and wants Lisa to do the same. Trouble is Lisa isn’t convinced she needs to know about her past, much less meet her biological mother. 

In Hysteria, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, but who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week - hooking up with her parents' colleague and her roommate's brother - she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past. 

On the outskirts of Buenos Aires in 1907, Doctor Quintana pines for head nurse Menéndez while he and his colleagues embark on a grisly series of experiments to investigate the line between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence? 

"Hay una miríada de relatos en la tradición judía, y en parte también en la musulmana, que describe a Caín de forma diferente a la versión bíblica; y yo, que al fin y al cabo no soy más que un cuentacuentos, he trabajado sobre esos relatos alternativos." En esta obra, Andrea Camilleri ofrece una visión insólita y sorprendente del primer homicida de la historia. Se trata de un Caín inventor del concepto de elección, y por tanto de la idea de responsabilidad de la que descienden las nociones tan radicadas en la cultura occidental, de culpa y culpabilidad.

"El cañaveral ya no existe, lo han desmontado, y por donde pasaban las vías, ahora, hay un camino nuevo, una diagonal, que parece más bien una herida cerrada. Parece, ese camino, entonces, el recuerdo de un tajo, irremediable, en la tierra". Desde la puerta de la peluquería frente a la Glaxo, Vardemann había observado durante días como una cuadrilla de obreros levantaba las vías del tren. Ya no más ese sonido capaz de tapar hasta el ruido de un balazo, ni aquel previo a la detención, "tan estridente que hace doler las muelas. Sólo una primitiva calma".

Esta novela narra cómo Indra se dispone a seguir el último recorrido de su novia suicida, a partir de cuya muerte se tejen numerosas historias que confluyen en una corriente turbia: la del Gran Canal de Desagüe del Valle de México. Enigmas criptozoológicos, espías holandeses, crimen organizado, presos adictos al crack, virreyes y caudillos desesperados, empresarios británicos, disquisiciones urbanísticas, utopistas decimonónicos, videos conceptuales y habitantes de los suburbios de la ciudad son algunos de los elementos y personajes que conforman este mosaico, cuyo protagonista es el desagüe de la Cuenca de México.

A thirty-something single woman, the untried colt she inherits, a horse-crazy little girl, and their band of misfits and has-beens stick it to the establishment in the cutthroat world of horse racing.

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: She must admit her guilt, sentence herself, and beg for her own execution, Soviet-style. 

Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after 20 years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was 15, lingers over Oséias as he tries to reestablish contact with his siblings. 

When Malena Sevilla's tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter - signed with an “A” - that reveals that her mother, whom she thought dead, is very much alive in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A. 

May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of 38 Dakotas in the largest mass execution in United States history. No one has ever linked the two events - until now. 

American-born Margaret Mansour wants nothing more than to rekindle the struggling 20-year marriage to her Palestinian husband, Ahmed — but not if it means uprooting their home and children in America and moving halfway across the world. Young and ambitious Alison Mansour has a degree in Near East Studies, but her American education and Syrian background are of no use when her new marriage begins to crumble under the weight of cultural and religious differences.

A short sublime book on the three things dearest to Jean-Claude Izzo’s heart: his native Marseilles, the sea in all its splendor, and Mediterranean noir — the literary genre his books helped to found. This collection of writings shows Izzo, author of the acclaimed Marseilles trilogy, at his most contemplative and insightful. His native city, with its food, its flavors, its passionate inhabitants, and its long, long history of commerce and conviviality, constitute the lifeblood that runs through all of Izzo’s work.

Marked by a sure grasp of unusual subject matter and unfurling in gorgeous prose, the stories in You Should Pity Us Instead explore some of our toughest dilemmas: the cost of Middle East strife at its most intimate level, the likelihood of God considered in day-to-day terms, the moral stakes of family obligations, and the inescapable fact of mortality. Also, fundamentally, love in its many guises - family, romantic, friendship - each ensnared by rigorous demands and responsibilities. 

Ali Eteraz’s much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.’s life gradually fragments around him - a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career - M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. 

How do you grieve the death of a child? With fishtanks and jellyfish burials, Persephone’s pomegranate seeds, and affairs with the neighbors. Fish in Exile spins unimaginable loss through classical and magical tumblers, distorting our view so that we can see the contours of a parent’s grief all the more clearly.