Showing results by publisher "--Tyson Hanks" in Death, Grief & Loss

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

This magnificent volume gathers the published verse of Allen Ginsberg in its entirety, a half-century of brilliant work from one of America's greatest poets.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

For twenty four years, poetry has been my lifeline. Whenever depression tried to pull me under, I would write until it tired out. Those struggles would last from days to even years. How I am here, writing this now is nothing short of a goddamn miracle.

For the many admirers of Mary Oliver's breathtaking poetry of touch and transcendence, as well as for those coming to her words for the first time, Little Alleluias is a revelation. These works observe, search, pause, astonish, and give thanks to both love and the natural world. In constant conversation with the sublime, (i.e. "Are you afraid? / Somewhere a thousand swans are flying / through winter's worst storm."), Oliver has the rare skill of rendering life: her poems bring movement to stillness, and people to the Earth, themselves, and each other.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

This book is an attempt to create something beautiful from this chaos; to make sense of the things we dare not breathe to life. Focusing on loss, heartbreak, mental health, and the impact of isolation on a tired mind, these poems are the starlings that gather above the water. This book is the hope that we can learn to heal; that the future can survive the past.

In her devastatingly powerful debut collection, Cecilia Knapp examines the experience of motherlessness and its lasting impact, as well as the lessons passed between generations of women. These poems explore women's complicated relationship with their bodies, with sex, and with shame as she traverses the violence of romantic love, but also employs humour and mischief, a wry reclaiming of power.

Herein lies a raw exploration of duality, darkness, and desire. A collection of sonnets, haikus, and free verse that brings to the surface our fractured pieces and celebrates how the light and the dark blend to make us whole. An invitation to embrace the shadow and give it its rightful place as a part of the self.

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

The Perseverance is the remarkable debut book by British-Jamaican poet Raymond Antrobus. Ranging across history and continents, these poems operate in the spaces in between, their haunting lyrics creating new, hybrid territories. The Perseverance is a book of loss, contested language and praise, where elegies for the poet's father sit alongside meditations on the d/Deaf experience.

A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. This fragmentary vigil anchors a series of narrative sections in which a dramatic voice - which might well be an interior monologue - gives, first, an account of the man, then addresses him directly. We learn of a conflicted childhood, of love lost to circumstance, of the press of death on the protagonist's waking thoughts. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

Sabrina Benaim, author of Depression & Other Magic Tricks, has connected deeply with readers and reached millions of viewers through her poetry, breaking down the stigma around mental illness. Now, she dives into challenging and universal territory: grief over a relationship’s end, loneliness in a world under lockdown, and the anxiety of caring for a loved one from afar in the wake of a serious diagnosis.

A collection of poems that delves into the depths of human emotion, blending the serenity of the ocean with the complexity of the soul. Each poem is a wave, carrying listeners through themes of love, loss, hope, and self-discovery. With evocative imagery and lyrical grace, this anthology invites you to explore the intimate whispers that lie within the currents of our hearts. Perfect for anyone seeking solace and inspiration in the rhythm of words.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Softening Time is both autobiography and self-help, poetry and inspiration. Drawing on events in her own life, particularly her experiences as a mother, daughter, sister, and friend, Brower writes poignantly on themes of love, loss, healing, and rebirth.

In nearly four decades as a journalist covering conflict from Rwanda to Kosovo to Palestine, Channel 4 News International Editor Lindsey Hilsum has always carried a book of poetry. In Ukraine, she tweeted a poem a day, and people began to read, to share, to ask for more. Here, Lindsey collects her favourite poems from ancient times to modern, by writers from all around the world. Alongside each, she recalls a memory from her own work, whether interviewing the warlords of Bosnia, meeting child soldiers in Uganda or giving testimony in Rwanda.

In this anthology of poetry, combining her bestselling collections She Must Be Mad and Validate Me, and with 70 new poems and handwritten annotations, she paints a complex picture of the formative experiences of womanhood and living with Bipolar II disorder.