Showing results by publisher "Faber & Faber" in Contemporary Fiction

Read by the critically acclaimed actress Maggie Gyllenhaal. When Esther Greenwood wins an internship at a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

In Find Me, Aciman shows us Elio's father, Samuel, on a trip from Florence to Rome to visit Elio, now a gifted classical pianist. A chance encounter on the train upends Sami's visit and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the nuances of emotion that are the substance of passion.

When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect caretaker for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic apartment in Paris' upscale tenth arrondissement, stays late without complaint and is able to host enviable birthday parties.

In Istanbul, in the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day – in the European manner. But when one of the miniaturists is murdered, their master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror?

At a family wedding Mevlut catches sight of a girl with whom he falls in love. After a secret courtship of letters passed via his cousin, she agrees to elope with him, and on a dark night the two come together for the first time. As they rush to catch a train to Istanbul, Mevlut realises he has been misled. But the die is cast, and the situation will determine the rest of his days. Over the next four decades in Istanbul, Mevlut works various jobs to support his loving wife and family - work that gives him a special perspective on his rapidly changing city and the people who live there. 

Rural Trinidad: a brick house on stilts surrounded by bush; a family, quietly surviving, just trying to live a decent life in a society. Clyde, the father, works long, exhausting shifts at the petroleum plant in southern Trinidad; Joy, his wife, looks after the home. Their two sons, 13 years old, wake early every morning to travel to the capital, Port of Spain, for school. They are twins but nothing alike: Paul has always been considered odd while Peter is widely believed to be a genius, destined for greatness. Paul goes walking in the bush one afternoon and doesn't come home....

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Listeners who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him.

Kismet [n.] /'kismet/ Destiny; Fate. Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'. Anna [n.] /'æne/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; in love. Or maybe not. Anna's a free spirit. Definitely happy. Or anxious. Or is it more panicked? She's certainly talented. Unless she's really a fraud. Absolutely hilarious - but possibly grieving. And lustful. On the edge. Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very limits.