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  • Milkman

  • By: Anna Burns
  • Narrated by: Bríd Brennan
  • Length: 14 hrs and 11 mins
  • 4.2 out of 5 stars (841 ratings)

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Milkman

By: Anna Burns
Narrated by: Bríd Brennan
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Publisher's Summary

Winner of the Man Booker Prize 2018 

Shortlisted for the Women's Prize for Fiction 2019

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. 

But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.

Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

©2018 Anna Burns (P)2018 Faber Audio

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What listeners say about Milkman

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magic

I love the way these words are put together. I want to listen again now. I miss these people. The narrator is amazing.

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33 people found this helpful

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Unique

Such a unique ,humorous, well written book. Anna Burns has build on her previous novels' subject of The Troubles to create this masterpiece. Brid Brennan's Irish lilt and delivery suits the book's pace and narrator.

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22 people found this helpful

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    2 out of 5 stars
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Too much waffle for me

Firstly the narrator was excellent. I enjoyed listening to her voice but not enough to finish the book.
For me there was waaaaay too much waffle. Story seemed to go around in circles, it was repetitive (just with slightly different words). I found myself losing interest, thinking "just get to the point already".
The book starts talking about one thing and then deviates off and dribbles on... and on.... before getting back to the original topic. I abandoned the book after about 2 hours.
Someone with a lot of patience that is in for the long haul will enjoy it.

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19 people found this helpful

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  • Sue
  • 24-10-2018

Thought provoking & timely

Very quirky, unusual style which creates a compelling story and unique perspective of The Troubles in late 1970’s Northern Ireland. It underscores aspects of toxic violence, particularly male violence which share common threads with all conflict zones, from Ireland to Afghanistan, Iraq and the burgeoning far-right gangs such as the Proud Boys in contemporary US culture. Really interesting, particularly as it’s written in the voice of a young woman wishing to simply avoid the violence and go about her teenaged life freely without threat and harassment.

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12 people found this helpful

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Sorry - I had to return this book

I tried for quite some time to listen to this book and while the history included was interesting I could not tolerate the writing style. I had to return this book.

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10 people found this helpful

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my new favourite

If people think this book is a hard read then they should listen to it. The combination of writer and reader is superb. Together they lay bare both familiar and surprising quirks of family, religion, sexual politics. This book is a tribute to women and girls set in and spoken in the beautiful Irish. Outstanding.

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7 people found this helpful

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Just couldn’t get into it

Just couldn’t get into it. Might be better to read from paper but the accent of narrator, added with the long winded descriptions replacing character names a lot of the time, just made it hard to engage with over audio.

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Great narrator

The narration makes this wonderful story even better. It is a perfect match. Gorgeous lyrical writing.

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Speechless

OMG, I loved it, blew my mind, couldn’t put it down! Highly recommended this story.

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hard work

life's too short to wait for the pay off. Opaque and dull. in other words perfect for the booker prize.

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  • Nicole Del Sesto
  • 27-07-2018

Beyond the Pale

What a great start to Booker season!  I loved this book.  I thought the writing clever and the story engrossing.  It's an unnamed time and an unnamed place (actually Northern Ireland during the "troubles") with unnamed characters.  

Through the voice of our narrator ("middle sister" and "maybe girlfriend" and "friend") we explore issues of the time including: politics; feminism; family; individuality, conformity and love.   What it's like to group up in a place where everybody knows you and if you stick out even a little bit, to assume the worst about you.

There's a psychological  element as well, which added a layer of suspense to the whole story which I thought was done extremely well. 

I listened to the audio which only added to my enjoyment.  The narrator was perfect and the parts of the writing which would have been outstanding in the reading of them were really enhanced. 

A top 2018 read for me.   

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11 people found this helpful

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  • Jennifer S. Leblanc
  • 20-08-2018

Exquisitely narrated!

The narration is so good on this wild story that it makes it worth reading.
I struggled thru the first half of this book, confused by the circumstances and what seemed like to much character development without enough context development. By the last hour, it all came together beautifully and I loved the story. But I admit that I might not have gotten that far without the brilliant work of the narrator.

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9 people found this helpful

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  • ibillinsly@gmail
  • 30-09-2018

4.40 stars......different

Finally, something a bit different. Anna Burns' manages to do something different in an age when everything has already been done. It's nothing drastic, but Milkman really is a good book. I had my doubts at first, but I hung in there due to one of the best performances I've ever heard. Brid Brennan is a goddess when it comes to narration.

As I make my way through the Booker longlist, Milkman is my pick as of now. Sadly, I predict many people will give up on it too soon, as not a lot happens immediately. I also enjoyed The Mars Room and Snap. Warlight is my least favorite of the four contenders I've listened to. While I'm not sure if Milkman is the best written story of this bunch, it's the best audiobook. If there's a better one on the list, I'll be glad to hear it.

Overall rating: 4.40 stars

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  • Robin
  • 05-12-2018

Brilliantly read

I approached this book warily, having found most previous Booker winners unreadable, and I’m pretty sure I would find this unreadable too in text form. It’s written from deep inside the narrator’s head, with many lengthy stream-of-consciousness passages of a type that I usually find impenetrable.

What saves it is the absolutely brilliant reading by Brid Brennan. She brings an enormous intelligence to the reading, and has obviously done an enormous amount of work to understand the rhythms and complexity of the prose, and as a result the attentive listener will have little difficulty following the narrative and the flow of events.

Others have written about the subject matter more or less informatively. For me what stands out is the powerlessness of the 18-year-old narrator to resist the restrictions that surround her and the constraints that are put upon her by the overwhelmingly oppressive society and circumstances into which she was born and in which she lives. The sense of foreboding is so intense that at times I was reluctant to read further for fear of what might happen next.

This is a highly rewarding book, and I cannot speak highly enough of Brid Brennan’s reading.

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  • Mary Ann Cullinan
  • 14-03-2021

OUTSTANDING

I loved reading Anna Burns' brilliant novel when it first came out, but Brid Brennan's outstanding narration here vastly enriched this novel for someone like me ( a 5th generation African person of Irish descent, but obviously now not attuned to Irish manners & etiquette), and so less able to imagine tone, nuance or how dialogue might be delivered.
Listening to her, I was able to apprehend so much more of what the interpersonal exchanges of the characters implied for the unfolding of the plot. In particular with Brennan's narration, the darker, more moving emotions as well as the razor sharp wit and utterly delightful humour in the dialogue stood out far more, and consequently I came away even more impressed by Anna Burns' writing. Quite wonderful!

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  • M. J. Walsh
  • 26-11-2020

Stale milk to market

Set in Northern Ireland in the 1970s when the conflict between republicans and loyalists was out of control and Britain had sent in troops, this book might have been a blast of fresh air 50 years ago.
Might have been is the point.

It's a mix of humour and hopelessness, topicality and tension, with vivid language masking an almost total failure to communicate as its characters blunder about in a brooding atmosphere of conflict and damaged dreams.

Although the writing trys so hard to seem fresh it actually seems so stale and so long ago. It may not have been in the bottom drawer for a long time but it sure feels that way. Working class magic realism meets the troubles, with Brid Brennan's reading as the saving grace.

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  • Tanya
  • 05-01-2020

Genius

Compelling right from the beginning. Both writing and narration exemplary, natural and incredibly clever without being obnoxious. Haven’t enjoyed a book so much in a long time. Anna Burns is masterful.

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  • Anonymous User
  • 14-06-2019

incredibly hard listen

it was very hard to listen to this book. the unstructured sentences, the writing style, the lack of a smooth flow - pain for my ears and for my brain.

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  • Anonymous User
  • 24-05-2019

Extraordinary

If this were the Oscars, Anna Burns would win for Best Story and Bríd Brennan for Best Performance: Really just extraordinary.

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  • Sarah
  • 08-04-2019

brilliant

I loved every minute of this story. brilliant and informative. Intelligent, funny, enlightening and heartbreaking.

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  • David M
  • 20-10-2018

Very, Very Good

This is about Middle Sister, 18 years old, perhaps slightly geeky and a social misfit trying to cope with the troubles by avoiding them. She doesn't like the 20th Century so absorbs herself in 19th Century literature which she reads while walking in the park. That in itself upsets the community.

Anna Burns' writing gives us insight into what it was like to live amidst the Northern Ireland troubles of the 70s and 80s. The no-go areas, over the road, over the water, our religion, the other religion, punishment, behaviour beyond the pale.

Mostly the characters are only given nick-names; Ma, Pa, Elder Sister, Second Sister, First Brother-in-Law, Tablet Girl, Nuclear Boy etc. This makes it really easy to keep track of who everybody is. I wish more books would do that.

There are some wonderful snippets such as...'the only time anybody would call the police would be to shoot them. They know that and don't come.' While the reader is absorbing such snippets the narrator continues relentlessly,so you have to keep stopping and winding back 30 seconds.

Mostly the story is told by a sometimes complex series of diversions before getting back to where the author left off. The reader is tempted to lose concentration during such diversions, but shouldn't. The diversions are really what the book is all about and contain the finest writing. I love the way the author seems to delve into a thesaurus to find the best word to use and finds she can't choose the best word so we get them all... it really amazes me how the author kept up the fine writing for all 14 hours 11 minutes. There really is no padding.

I particularly liked the narration by Brid Brennan, unlike a certain prominent politician from the time, she really makes the N. Ireland accent sound quite beautiful. She seemed to have an appreciation of the work and relished every word that she was reading.

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  • John Blair
  • 11-08-2018

Hugely Enjoyable

Firstly, Brid Brennan delivers an outstanding narration of Anna Burns work. You can hear her own love for the work she's narrating in every sentence spoken.

The work itself is stunning. Yes, it's set in the time of The Troubles and it's depiction of that place is detailed. But it's the way Anna Burns writes about people, their 'psychologicals', their complex, contradictory simple behaviour that makes this so compelling. Special mention to the 4 hour passage that takes us from a classroom to outside the family home in a stream of divergencies. You wonder at Burns skill holding the narrative together but she does. This is one of those rare books that you keep within you. I loved it. "Yes but"...

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57 people found this helpful

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  • Manda N
  • 06-10-2018

Brilliant but terrifying!

The Troubles in N. Ireland back then seemed largely a world away from the Midlands of England growing up. This an account of a teenager’s life on the Catholic side of town is beautifully written yet terrifying how what happened almost felt normal.

Shortlisted for the Man Booker this year and has to be a worthy contender to win.

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  • Clare L Hutton
  • 29-09-2018

Remarkable and important

This astonishing book, with a unique voice, is a profound reconstruction of what it was like for an under confident 18 year old girl to live through and be formed by the Northern Irish troubles in the 1970s. Essentially this is a story about stalking and psychological terror. It is sad, gripping, funny and compelling. The reading by Bríd Brennan is flawless, with a particularly good rendition of child voices (the wee sisters).

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  • Mixed Feelings
  • 19-11-2018

Brilliant!

I feel like I've been waiting for this book to come along for years. Beautifully written prose that reflects the fractured and disjointed culture of a society that has been deeply divided by political and religious factions as seen through the eyes of a teenage girl who is trying to make sense of it all as she is innocently and helplessly drawn into the web of local political 'players', gossips and rumor-mongers.
Anna Burns' beautiful language echo's the rhythm and repetition of the Northern Irish colloquialisms and is brought to life by the wonderful narration of Brid Breenan which gives the novel a living dimension.
Beautifully paced, touching, quietly threatening and laugh out loud in places the incidents and accidents of the main characters made this novel an instant classic for me and is firmly placed in my all time top 10. I just didn't want this to end as I know the next novel I listen to has such a lot to live up to.....I may just listen to it again. Did I say this is a beautiful book? It is, just that.

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  • Ruben
  • 24-08-2018

Excellent narration and a good book

Third booker read/listen this year and certainly the best so far (Donal Ryan and Michael Ondaatje were a little disappointing). It is about an 18-year old girl and how she tries not to care about what the people in her paranoid and gossip-sick neighbourhood in Northern-Ireland during the troubles think about her. And then how her trying not to care makes things only get worse.

There is a section around half-way where things move a little slow and at some point I was even tempted to give it up, but I am very glad I continued as the end is the best. The beautiful voice of the narrator certainly helped in persevering!

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  • JST
  • 07-02-2019

Outstanding narration

I absolutely loved this book, which I think is mostly down to Brid Brennan's totally believable delivery of every word.
She made listening to this book an absolute pleasure.
That's not to make light of the excellent story, Anna Burns descriptions of Ireland in the 70's, living in 'The Troubles' and the stifling power of Men, Religion and social expectations, at that time, was amusing and disturbing. Written with humour, it still gets the point across, that if you dare to be different, you can expect to pay for it and if people don't know something, then they will make it up.

I'm off to see if there are any more of Anna Burn's books on here.....

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  • Anthony
  • 18-11-2018

Growing up with the Troubles

Beautifully written this story offers insights into the relationships within families and the community during Northern Ireland's political struggles. The insights, the humour and the melancholy are all observed close-up, in the day-to-day lives of people trying to live their lives while being drawn into the politics, the suspicion, and the violence of everyday life.

The author barely presents a single name throughout the story - always talking about the milkman, the first sister, third sister, brother-in-law, nearly boyfriend, and a range of others. This conveys the sense that these events and relationships could have occurred, or indeed did occur, in every family, and how disruptive and destructive this was.

It's also a coming of age novel in which the narrator established what her own life and loves are about while trying to fend off the powerful influences and imposed stereotypes of others. The twists and turns reveal some unexpected casualties and events, sensitively shared and narrated.

One of the most distressing scenes I've ever read describes the vicious throat-slitting of all the dogs in a small town by UK government-supported paramilitaries (or perhaps they are UK forces themselves). It brings home, like few passages, the dreadful nature of internal conflict and of the attempts to silence others to gain political advantage. The dogs' crime? To alert the community about the presence of strangers and their foul activities. One can feel the pain, the sorrow, the mournfulness of community members searching through blood-soaked canine cadavers, retrieving their own 'best friend' to cuddle and carry home for burial.

Lots of other by-the-by insights into the undermining of communities resulting from surveillance, false accusations, suspicion, and surreptitious acts of terror. It's easy to see how longstanding the corrosive impact of political violence can be within communities, and invariably is...

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  • chriss
  • 01-10-2018

Disappointing

This is an interesting book, but I am afraid to say that I found it rather tedious. It is certainly well written, but unfortunately that doesn't make it an enjoyable book to listen to. It is written in a "stream of consciousness" style, narrated as a continuous dialogue of the narrator's thoughts.It's fantastically clever and extremely well written, but, like, I suspect, listening in on most people's thoughts would be, it is mostly boring.

It's very long and drawn out, and I just found that I kept losing interest. Set in the Troubles in Northern Ireland it seems very authentic and there are some parts of it that shine through but they comprise maybe 10-15% of the book.

There are some affectations, such as referring to everyone, including the narrator, by nicknames, which eventually just get in the way of the plot, such as there is a plot.

It might work better as a book than an audio book, I couldn't work out whether the narrator enhanced or detracted from the overall experience.

It promises a lot, but ultimately for me I am afraid to say it failed to deliver and more often than not I found myself wishing it would finish.

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  • Musical Anorak
  • 18-11-2018

2018's ManBooker Winner

Audiobook Narrator Performance: 5 stars
Plotline: 4 stars.
Writing Style: 3/3.5 stars

Finished reading this last night. This Audiobook was a real mixed bag for me. From inferences throughout the book, I'm guessing that it's set in Belfast in the late 70s/early 80s - at the height of volatile Troubles.

The unconventional writing style, was what drew me to listen to this 2018 ManBooker Winner, in the first place. However, the verbose conversational style, soon turned divisive for the book; making it a bit of a slogg for ninety five percent of the time. A great shame because, I do believe that the plotline, is both interesting and important. It does successfully show the repressive and claustrophobic mindset ,of both sides of The Troubles. Audiobook is strongly recommended for optimum comprehension purposes.

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