Showing results by publisher "--Tyson Hanks" in History & Criticism

In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.

The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with many who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals what gave rise to an immortal body of work.

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.

Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today. The audiobook introduces the key influences, themes and working methods of each individual, setting their works within a wider historical and cultural context.

When Gustavo Dudamel, at the age of 28, ascended the podium at the Hollywood Bowl for his inaugural concert as conductor of the Los Angeles Philharmonic, he immediately captivated the hearts of his audience, just as he had the minds of music critics who designated him a modern-day Leonard Bernstein. In Changing Lives, the maestro's story becomes the entry point to an equally captivating subject: El Sistema, the music education program that nurtured his musical talent, first as a young violinist and then as a budding conductor under the mentorship of its founder, Jos Antonio Abreu.

Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. This book entertains that idea and considers what is lost or gained in the process.

This book charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener’s point of view, drawing attention to the art and craft of Bush’s songwriting, production and sound design.

Following open heart surgery, poet and writer Peter Carpenter was given one instruction - 'Walk, if you want to stay on this planet'. And so when his hero and inspiration David Bowie died in 2016, he knew what he had to do. The man who was to so many a companion and guide had left no shrine, no focal point of understanding. To reconnect with Bowie, he would take a walk into the past, to the streets, towns and places where David Jones became something more.

Welcome to the ultimate backstage pass to the afterlife, where the music never stops and the encores are eternal. In this collection of spectral true tales, we'll journey from smoke-filled recording studios to haunted hotel rooms, chasing the ghosts of rock & roll royalty who refuse to let a little thing like death keep them from the spotlight. These aren't your grandmother's ghost stories—unless, of course, your gran was a groupie for The Doors.

The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman.

Suzi Ronson was working in a Beckenham hair salon in the early seventies when Mrs Jones came in for her weekly shampoo and set. After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society - indeed, American society - in the second half of the 20th century.

One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and authors, while never stopping still herself. In Traveling, Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. Drawing on extensive interviews with Mitchell’s peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell's musical evolution, follows the winding road of Mitchell's collaborations with other greats and explores her loves along the way.

By 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in the world. With seven #1 albums in a row and a reputation as a riveting piano-pounding performer, the former Reggie Dwight had gone with dazzling speed from the London suburbs to the pinnacles of rock stardom, his songs never leaving the charts, his sold-out shows packed with adoring fans. Then he released Blue Moves, and it all came crashing down.

The apex of critical praise and commercial success is a metric achieved by a select few. In 2020, Cardi B became synonymous with “record breaking” as her debut album Invasion of Privacy went five times platinum and became the longest charting record by a female rapper in history. From streaming and charting to views, likes, retweets, and shares, Cardi dominates.

Run the Song is also the story of how a professional critic, frustrated with conventional modes of criticism, finds his way back to a deeper relationship with music. When stumped or preoccupied by a piece of music, Ratliff starts to think that perhaps running can tell him more about what he’s listening to—let’s run it, he’ll say. And with that, the listener in turn is invited to listen alongside one of the great listeners of our day in this wildly inventive and consistently thought-provoking chronicle of a profoundly unsettling time.

Pete Crighton came of age in the early/mid 1980s in the shadow of HIV/AIDS. Growing up in Toronto, he was terrified that his friends and schoolmates would find out that he was “different” at a time when being gay felt like a death sentence. His only comfort was music, the songs a balm to his painful adolescence. Struggling to make sense of his sexuality and fear of the disease stifled Crighton as a sexual being. Instead of exploring sex, he began curating a massive music library.

NPR’s launch of the multi-platform series Turning the Tables in 2017, suddenly pushed more women onto “Best of” lists and into the Rock n’ Roll Hall of Fame. With How Women Made Music, acclaimed critic and TtT co-founder Ann Powers and contributor Alison Fensterstock draw from every Turning the Tables season and the full 50-years of NPR archives, to bring a vibrant, entertaining history of women in folk, rock, rap, hip hop, salsa, bubblegum pop, and much more.

Have you ever had a dream? Something you wanted so bad you just couldn’t let it go? For a group of kids in Harlem in the Eighties, their dreams would change pop music forever. Teddy Riley, Timmy Gatling, and Aaron Hall form a group called Guy that would fuse hip-hop and R&B and launch a new sound.