Showing results for "lost" in United States

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires—a place where reality and the supernatural fuse into strange, new shapes. These acclaimed gothic tales follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is contemporary gothic at its darkest and best.

A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head southwest, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they’re hungry and sleep in motels when it gets dark. The little girl tells surreal knock knock jokes and makes them all laugh. The little boy educates them all and corrects them when they’re wrong. The mother and the father are barely speaking to each other.

Avalee Elvis prides herself with being able to fix just about anything. . . except her past. Unable to put the puzzle of her life together, she pours heart and soul into making neglected places whole again. As the owner of Lowcountry Lost, Avalee spends her days in hot-pink Carhartt overalls and a tool belt reclaiming Lowcountry properties. Making them beautiful again releases the deep sigh that soothes the hurt she holds.

Six months ago, I gave my heart to a girl. Beautiful, kind, and sexy as sin, she's the only person who saw past my record or the color of my skin. Who ever saw me for me. She loved me enough to let me go, to let me leave this city to find my own path. But without her, I drift, lost without direction. Without me, she spirals, desperate for connection. I gave my heart to a girl, and she gave hers to me. But love shouldn't hurt this much.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Never ever date a client. That’s what I keep telling myself. Until Terence Daniels walks into my office. Biggest mistake of my life. Next thing I know, I’m fleeing Louisiana, hunkering down with my best friend in Dallas. Things just cannot get any worse. Until Kate’s car breaks down outside this bar that looks like their patrons kill women with sticks. We have no choice but to go inside. What I find in there is nothing that I would expect. What unfolds in the coming weeks are more mistakes. Better ones. And then one that I’ll forever call my favorite mistake.

Keith Lee Johnson continues the epic tale of Ibo Atikah Mustafa, a master of subversion, who loves it when her powerful competitors underestimate her skill. Little Black Girl Lost Book 5: Queens of New Orleans is the fast-paced rip-roaring sequel to Book 4: Captive. Lauren Renee Bouvier is on a mission and has a plan to destroy every Queen threatening her right to exist and thrive in New Orleans. Will she succeed? Or will her enemies discover her plans and turn victory into defeat?

In this riveting continuation of the Brisco family saga, brothers Dub and Tim strive to persevere against their early 1900s post-slavery beginnings—clashing with their history of family trauma and their different coping mechanisms for living in a world that doesn’t accept them. While Dub becomes a respected coal miner and finds prosperity for his family, Tim continues a slow descent into a fog of psychosis, alcoholism, and perpetual joblessness—forced to live an isolated existence on Dub’s property despite his desire for deeper connection.

Dissatisfied with his empty, Sisyphus-like existence in New York City, where he has abandoned his creative dreams for a job in corporate advertising, a highly cultured aspiring composer wants nothing more than to tear his life up from the root. He soon finds his escape hatch: a university-sponsored mission to South America to look for indigenous musical instruments in one of the few areas of the world not yet touched by civilization. Retracing the steps of time, he voyages with his lover into a land that feels outside of history.

Past skeletons have a way of resurfacing despite our most diligent attempts to bury them away. Thirty years have elapsed since Adán and Eva reveled in their first love amid 1980s union strife in the Mexican port of Tampico. Flash forward to the present. Tampico is engulfed in yet another war, this one brought on by the drug trade. The former lovers find their way into each other’s arms again as the setting shifts from Los Angeles to Washington, DC, New York to Costa Rica and the Guatemalan jungle.

Six-year-old Madeline Galloway knows she's unlikeable. Unlovable. Uncanny. But when she encounters a strange man she believes to be a fallen angel, will her abilities save her life—or ruin it? Set in coastal North Carolina in the 1940s, this atmospheric novella is part Southern gothic, part supernatural suspense, with a bittersweet ending that will haunt you long after finishing.

In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect.

The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America's newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past memories of war and its aftermath; of murder, arrest, re-education camps, and new economic zones; of escape and shipwreck and atrocity are ever present in these wise and compassionate stories.

The first vivid collection by a remarkable Greek-American poet, a new rising star with a distinctive, individual voice.

Desde las luchas sindicales de los años 80 en el puerto de Tampico a la violencia que aflige al pueblo mexicano en la actualidad, esta historia de equívocos, sospechas, secretos, asesinatos, amor y odio determinará las vidas de dos seres muy dispares a los que el destino se empeña en unir contra toda circunstancia.

Winner: 2002 Summer Competition (Society & Individual), California State Poetry Society 3rd place.