Showing results for "lost" in World Literature

Sage Winters always knew her sister was a little different even though they were identical twins. They loved the same things and shared a deep understanding, but Rosemary—awake to every emotion, easily moved to joy or tears—seemed to need more protection from the world. Six years after Rosemary's death from pneumonia, Sage, now sixteen, still misses her deeply. Their mother perished in a car crash, and Sage's stepfather, Alan, resents being burdened by a responsibility he never wanted.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

In 1942, Eva is forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town, she begins forging identity documents for Jewish children escaping to neutral Switzerland. But erasing people comes with a price, and along with a mysterious, handsome forger named Rémy, Eva realises she must find a way to preserve the real names of the children who are too young to remember their own identities.

Papa whispered to Chana, 'If we get separated, if something happens to me, look after Mama and Aron. And one last thing-' He smoothed an affectionate hand over her hair. 'Remember everything I've taught you, and all your gifts. Promise me this.' 1946. Having survived a concentration camp, Chana Rosenzweig arrives in Vienna seeking not only protection for her and her family, but also the freedom to be a baker, just as her father had once been.

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

The Overland Trail, 1853: Naomi May never expected to be widowed at 20. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both. But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

When Hirase, a young woman from Tokyo, arranges an appointment with the Go-Between, she doesn't expect a teenager to show up. Dressed preppy-style in a duffel coat and carrying a notebook, he invites the dead back into the real world - at least, this is what Hirase has pieced together from his website page. Ushered into a luxury hotel to await her meeting, the Go-Between lays down the ground-rules: the reunion lasts one evening under a full moon; the dead person cannot be called back by anyone else, and may refuse to meet.

Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires—a place where reality and the supernatural fuse into strange, new shapes. These acclaimed gothic tales follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is contemporary gothic at its darkest and best.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head southwest, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they’re hungry and sleep in motels when it gets dark. The little girl tells surreal knock knock jokes and makes them all laugh. The little boy educates them all and corrects them when they’re wrong. The mother and the father are barely speaking to each other.

One morning while passing through Grand Central Terminal on her way to work, Grace Healey finds an abandoned suitcase tucked beneath a bench. Unable to resist her own curiosity, Grace opens the suitcase, where she discovers a dozen photographs - each of a different woman. In a moment of impulse, Grace takes the photographs and quickly leaves the station. Grace soon learns that the suitcase belonged to a woman named Eleanor Trigg, leader of a network of female secret agents who were deployed out of London during the war.

In 1929, young Jack travels with his parents to Henry Ford's rubber-tree plantation in the Brazilian Amazon. In this lushly beautiful but dangerous place, he loses his much-loved mother to a horrific accident. This has terrible repercussions for his family, and Jack is eventually forced into the jungle to search for his absent father.

Joe Leaphorn may be long retired from the Navajo Tribal Police, but his detective skills are still sharp, honed by his work as a private detective. His experience will be essential to solve a compelling new case: finding the birth parents of a woman who was raised by a bilagáana family but believes she is Diné based on one solid clue, an old photograph with a classic Navajo child’s blanket.

For decades, the tiny Jewish shtetl of Kreskol existed in happy isolation, virtually untouched and unchanged. Spared by the Holocaust and the Cold War, its residents enjoyed remarkable peace. It missed out on cars, and electricity, and the internet, and indoor plumbing. But when a marriage dispute spins out of control, the whole town comes crashing into the 21st century.

Avalee Elvis prides herself with being able to fix just about anything. . . except her past. Unable to put the puzzle of her life together, she pours heart and soul into making neglected places whole again. As the owner of Lowcountry Lost, Avalee spends her days in hot-pink Carhartt overalls and a tool belt reclaiming Lowcountry properties. Making them beautiful again releases the deep sigh that soothes the hurt she holds.

Six months ago, I gave my heart to a girl. Beautiful, kind, and sexy as sin, she's the only person who saw past my record or the color of my skin. Who ever saw me for me. She loved me enough to let me go, to let me leave this city to find my own path. But without her, I drift, lost without direction. Without me, she spirals, desperate for connection. I gave my heart to a girl, and she gave hers to me. But love shouldn't hurt this much.

This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization.

Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez.