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God

An Anatomy

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God

By: Francesca Stavrakopoulou
Narrated by: Francesca Stavrakopoulou
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About this listen

Winner of The PEN Hessell-Tiltman Prize 2022
Shortlisted for The Wolfson History Prize 2022
A The Times Books of the Year 2022


Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions.

But as Professor Francesca Stavrakopoulou reveals, God’s cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God’s body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture.

Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale.

'Rivetingly fresh and stunning' – Sunday Times
'One of the most remarkable historians and communicators working today' – Dan Snow

Bible Study Bibles & Bible Study Christianity Religious Studies

Critic Reviews

A learned but rollicking journey through every aspect of Yahweh's body. A book that will offend some but delight more.
Lively . . . [with] a wealth of scholarly detail and much gusto (Rowan Williams)

Rivetingly fresh and stunning . . . I rather like this inexhaustibly powerful, shouting, bearded giant of a God, a fiery, fierce and startlingly “pagan” God, alive to his very fingertips, laughing at human hubris and singing with unbridled joy.

(Christopher Hart)
A marvelous conspectus of references to the divine body in ancient southwest Asian texts. But more than this, it is about recalibrating our understanding of these difficult texts to better understand ourselves. (Simon Yarrow)
Professors of Theology are imagined to be dull, gentle souls. This book, however, is a great rebel shout . . . A book that aims to upend the notion of a cloudy, spiritualised creator . . . instructive, vivid and frequently hilarious.

Stavrakopoulou is no literalist — indeed, she’s an atheist — but she maintains that her reading makes far more sense than the traditional ones, and her confident tone never falters.

(Dan Hitchens)
God: An Anatomy is a tour de force. Stavrakopoulou has created not just an extraordinarily rich and nuanced portrait of Yahweh himself, but an intricate and detailed account of the cultural values and practices he embodied, and the wider world of myth and history out of which he emerged . . . Stavrakopoulou has taken to heart the biblical injunction to seek the face of God, and what emerges is a deity more terrifyingly alive, more damaged, more compelling, more complex than we have encountered before. More human, you might say. (Mathew Lyons)
A detailed and scrupulously researched book . . . packed with knowledge and insight (Karen Armstrong)
Boldly simple in concept, God: An Anatomy is stunning in its execution. It is a tour de force, a triumph, and I write this as one who disagrees with Stavrakopoulou both on broad theoretical grounds and one who finds himself engaged with her in one narrow textual spat after another . . . A stunning book. (Jack Miles)
The sheer amount of primary evidence examined is staggering . . . Stavrakopoulou’s argumentation is intellectually penetrating, analytically robust, and sophisticated . . . Stavrakopoulou’s book, and her public-facing scholarship, demonstrate what makes an outstanding biblical scholar.
Good Lord, Stavrakopoulou touches that sweet spot that is scholarly, funny, visceral and heavenly. A revelation. (Adam Rutherford, author of A Brief History of Everyone Who Ever Lived and How to Argue with a Racist)
One of the most remarkable historians and communicators working today. (Dan Snow)
All stars
Most relevant
I loved this book. Beautifully written and read. It’s not dry, it’s personable and fascinating. A real page turner. It situates the god of the Bible in his appropriate time and place. He isn’t who or what most people think he is. Once he was not all alone and not an amorphous spirit.

The writer doesn’t diminish him, He and others come alive in her well crafted narrative. If you know the Bible at all you will have read about his feet, hands, face and voice. What if that was not meant to be allegory? What if he had a body and it was magnificent?

Enlightening page turner

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Helps answer the question of how did a minor storm and war god become creator of the universe but also how did we as humans see him. Well read by the author the audiobook is worth considering l.

An excellent book

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Really worth a listen. Erudite and approachable. great construct of different parts of god

worth a listen. Erudite and approachable

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Absolutely loved this amazing book all about the bodily descriptions of the god of the bible and how people writing about him at different times 'saw' him. Very much contextualises the descriptions in the bible with how other gods in the region were described and worshiped at multiple time points. It does an excellent job of showing how the biblical god was continually described with the same language and given the same or similar powerful, godly characteristics. And how later authors glossed over the embodiment of their god out of reverance or because of changes in how his characteristics were seen (eg godly horns). The author does a brilliant job of reading her work. I could hardly put it down.

Excellent and beautifully read

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The story is quite full of differing views to the origins of the Jewish, Muslim, and Christian “God.” It provides a great developmental background in how the modern version “God” came into being. Quite a lot of what the author is stating makes sense, and can be quite plausible. Unfortunately, this story is very long, and very hard to follow, and bounces quite abruptly behind timelines, and various stories. This story is full of sex, war, and human greed, lust and jealously.

Long but insightful

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