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In The White Peril, Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice.

Diving deep into the unseen and unheard, Neely uses personal interviews, court records, media reports, and analytical data to understand how and why Black women are disproportionately more likely to die from homicide in comparison to their white counterpoints. Sounding an urgent alarm, No Human Involved contends that it is time for Black women’s lives to matter not only to their families and communities, but especially to those commissioned to protect them.

While the Thirteenth Amendment abolished slavery, white southerners established a system of apprenticeship after the Civil War that entrapped Black children and their families, leading to undue hardships for generations to come. In Slavery After Slavery, historian Mary Frances Berry traces the stories behind individual cases from southern supreme courts to demonstrate how formerly enslaved families and their descendants were systemically injured through white supremacist practices, perpetuated by the legal system.

In Black Psychedelic Revolution, Dr. Nick Powers charts how psychedelics can heal historical, intergenerational, and racialized trauma. He shows how these medicines unlock a return to one’s self, facilitating an embodied experience of safety, peace, and beingness otherwise disrupted by whiteness—and explores psychedelics’ ability to transform individual wellness even as they transcend it. Drugs taken with therapy can heal. But drugs taken with a social movement can heal a nation.

The stories of thirteen Black Minor League baseball players during the post-Jackie Robinson era, from the 1960s to the mid-1970s, who were figuratively and literally left behind even as both baseball and the country claimed a newfound racial progressiveness.

Representations of Blackness have always been integral to our understanding of of the modern world. In Black Meme, Legacy Russell, author of Glitch Feminism, explores the construct, culture, and material of the "meme" as mapped to Black visual culture from 1900 to present day. Mining archival and contemporary media Russell explores the impact of Blackness, Black life, and death on contemporary conceptions of viral culture, borne in the age of the internet.

In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their lives—including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death—in the early American domestic slave trade.

In 1993, author Jacqueline Tobin visited the Old Market Building in the historic district of Charleston, South Carolina, where local craftspeople sell their wares. Amid piles of beautiful handmade quilts, Tobin met African American quilter Ozella Williams and the two struck up a conversation. With the admonition to "write this down," Williams began to tell a fascinating story that had been handed down from her mother and grandmother before her.

True to Our Native Land is a pioneering commentary on the New Testament that sets biblical interpretation firmly in the context of African American experience and concern. In this second edition, the scholarship is cutting-edge, updated, and expanded to be in tune with African American culture, education, and churches.

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential listening. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these insightful essays highlight Laymon’s profound love of language.

In October 2021, after 49 years in prison, Maroon was released into hospice care, reuniting briefly with his children before he passed away. But for nine years before his death, he worked furiously with Sri Lankan writer Kanya D’Almeida, whom he recognized as a comrade despite their vastly different backgrounds, to record his life’s work in print. I Am Maroon charts a life of dizzying intrigue, a real-life Shawshank Redemption, set during the height of the struggle for Black liberation.

Afrocentric Style has descriptive The top memes, movements, and milestone moments dominating today’s social media have focused on Beyoncé, Black Panther, Black Lives Matter, Lil Nas, Kanye, Serena and Meghan Markle. Driven by Black millennials, these trending topics demonstrate the influence and power of Black artistry and celebrity in American popular culture and around the globe. As Shirley Neal argues, this is more than just a fleeting style. It is a profound display of how pop culture is being used as a conduit for the revival of Black identity, culture, and history.

Historically Black Colleges and Universities (HBCUs) play a pivotal role in promoting social and economic mobility for African Americans and in mentoring the next generation of Black leaders. In HBCU, Marybeth Gasman and Levon T. Esters explore the remarkable impact and contributions of these significant institutions. Through inspiring personal stories and extensive research, Gasman and Esters showcase how HBCUs have mentored generations of leaders and scholars, fostering a collaborative culture of success and empowerment.

The popular Washington Post contributing opinion columnist challenges listeners to have uncomfortable conversations about race, drawing on the first-person perspectives of the author and Americans from diverse viewpoints and walks of life.

In the United States, to be a Black American is to be a Black Christian. And there’s something to this assumption in that the vast majority of African Americans are Christian. However, in recent years a growing number of African Americans have said they claim no particular religious affiliation—they are Black "nones." And of these Black "nones," the most public and vocal are those who claim to be humanists. What does it mean to be a Black humanist? What do Black humanist believe, and what do they do? This slim volume answers these questions.

Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills in his wallet. He absorbed the “facts” that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn’t until years later that Joél understood he didn’t have to be defined by these things.