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At fifty-seven, Julia Ames has found herself with an improbably lovely life. Despite her inclination towards self-sabotage, she has a husband she loves, two happy children and a quiet, contented existence in the suburbs. But, out of the blue, things begin to change. Her always well-behaved son, Ben, is acting strangely, and will soon make a shocking announcement. Her beloved but belligerent teenage daughter is about to depart for college, leaving Julia unexpectedly terrified of an empty nest.

On a quiet night in 1972, two teenage girls each make a choice. One girl is caught kissing her best friend (also a girl) in her garden shed and is kicked out of home by her father. The other girl wakes from a sex dream she's had about her best friend (also a girl) who is sleeping over and decides to swallow it and all her messy feelings. Over the following three decades, these two unnamed women almost intersect in pivotal moments, the physical distance between them at times drawing so thin that their bodies almost collide.

Bette loves Mei, but Bette and Mei are on a break, so Bette can catch-up on the decade of dating experiences she missed before she came out. So Bette is (reluctantly) on a dating odyssey: a quest to have lots of casual sex with lots of hot women and come back to Mei more experienced and more certain about what she wants. And now she has new friend Ruth as her queer dating guide, she can't possibly fail. It's just three months, then she'll be back with Mei. It's the perfect plan … isn't it?

After much searching, Amber and Stevie find the perfect house - a bit shabby but with potential - in Grimaldi Square. Just the two of them; a place where they can start their lives together. Recently married, they want to begin a family (with the help of their gay best friend, Jack). Despite the rundown pub across the way, the overgrown garden and a decidedly nosy neighbour, it's the house of their dreams. But they are not alone in this dream.

His new life in Chicago consists of performing autopsies and eating chips while watching old detective series. Until…He's suddenly standing in front of me. Leather jacket, washed-out jeans, jet black hair. His deep, green eyes are so intense on me I can barely breathe. It's in his crooked smile, bold flirting, and confident—borderline conceited—behavior that I get lost.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Reeling from a breakup with her long-term partner, Gray—an optimistic lesbian Aries—relocates to New Orleans for a new job. Gray wants to meet someone, settle down, and build the loving, accepting family she’s always wanted, but having been out of the dating scene for a decade, she has no idea where to start.

Fin Tighe is clinging to respectability by his nail-bitten fingers. He may be the illegitimate son of an English earl, but he hasn’t spoken to his father in a decade, and his engineer’s salary is barely enough to support him and his cousin Aurelie. And Fin’s evenings spent in the clandestine gay community may be legal through a loophole in the Napoleonic Code, but they leave him vulnerable. So, when Fin’s employer, Gustave Eiffel, announces that he needs additional investors to pay for his pet project, a 300-meter tower that will dominate the city’s skyline, Fin jumps at the chance.

It’s 2007, and while 43-year-old Leanne Spencer’s career is building up steam, her love life is a trainwreck. She’s always believed her addiction to bad boys stems from her flawless father dying when she was a child, but it turns out Mom’s a liar, Dad’s not dead, and her childhood was a well-crafted illusion.

When Siel unearths the bones of villagers massacred on his fiance's orders, his heart breaks. His fiance: the king. A monster and the man who saved Siel from the depth of melancholia. The man Siel loves. But some loves have to die, and Siel will kill this one. With no army, his only weapon is his secret ability to change into a fox—he's a familiar.

The Skelf women are back on an even keel after everything they've been through. But when a funeral they're conducting is attacked by a drone, Jenny fears they're in the middle of an Edinburgh gangland vendetta. At the same time, Yana, a Ukrainian member of the refugee choir that plays with Dorothy's band, has gone missing. Searching for her leads Dorothy into strange and ominous territory. And Brodie, the newest member of the extended Skelf family, comes to Hannah with a case: Something or someone has been disturbing the grave of his stillborn son.

Villain has descriptive copy which is not yet available from the Publisher.

Newlywed Rosie has grown disenchanted with NYC. Inspired by Instagram ads, she starts thirsting for a rural life upstate–one full of beauty and simplicity. Willing to do anything for Rosie's happiness, her tech-bro husband, Jordan, acquiesces to her vision for the future, and they offer–well above asking price–on a beautiful, historic fixer-upper in the Hudson Valley. But when Jordan suddenly loses his job on the day they close the deal, the couple is forced to rent out the property's dilapidated outbuilding.

The day of the garden party should’ve been a celebration of love for Raphael and his fiancée, as they toast their engagement with their families. But for someone, it’s an opportunity to unveil the lies that have bound the family together over the years. With their nearest and dearest gathered at the family manor, as the first glass is raised, the secrets that bind them begin to crack. And what should have been the happiest day of their lives, might just end as a day they’d rather forget…

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries? Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone.

When Zoe Stamper, specialist in Ancient Greek Tragedy, meets fellow academic Dr Penny Cartwright at a faculty music recital, she seems impossibly glamorous to Zoe, who is, after all, several rungs down the academic pecking order - and a nervous ingénue as far as Penny’s sophisticated circle is concerned. But Penny leaves Zoe a cryptic note, and a passionate affair ensues . . .

Wyatt and Biz, two gay guys married and living in New York, are having a baby together via surrogacy. And they’re freaking out. Not only are they about to change their whole way of life, they also can’t seem to get along at all. But time is running out: they have under a month until the baby is here. So in a desperate attempt to get their relationship back on track, the pair take a make-or-break roadtrip across America, to California, to pick up their new baby.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

Ernesto and Elena Vega arrive in Mexico City where Ernesto works on a construction site until he is discovered by a local lucha libre trainer. At a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rockstars, Ernesto finds fame as El Rey Coyote, rapidly gaining name recognition across Mexico. Years later, in East Los Angeles Freddy Vega is struggling to save his father’s gym while Freddy’s own son Julian is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes.