Women Horror

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

Alison and her resident gumshoe ghost are on their next case when the deceased Scott MacFarlane floats in worried that he accidentally killed a prominent local woman. Turns out she's still alive...that is, of course, until she's murdered - in Alison's house. Now, between the demands of her guests and the arrival of a reality television crew, Alison must find the killer before she sees reality from the other side.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

West Hall, Vermont, has always been a town of strange disappearances and old legends. The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter, Gertie. Now, in present day, 19-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister, Fawn. Alice has always insisted that they live off the grid, a decision that suddenly proves perilous when Ruthie wakes up one morning to find that Alice has vanished without a trace. Searching for clues, she is startled to find a copy of Sara Harrison Shea's diary....

Whether they are undeniably heroes and heroines or bloodthirsty monsters (or something in between), the undead are a lively lot. This anthology offers some of the best short fiction ever written by the "blood sisters" who know them best: stories you can really sink your teeth into.

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

Named after the funeral flower, Lily has walked hand-in-hand with death for as long as she can remember. But the fact that death has chosen to follow her through life can hardly be conceived as her fault. Certainly she cannot be expected to take the blame for the slew of missing men in her wake. In fact, Lily is in no doubt that there has been some terrible mistake, and she will be released from this asylum any day now.

Susan Harris lived in self-imposed seclusion, her mansion featuring numerous automated systems controlled by a state-of-the-art computer. Every comfort was provided. Her security was absolute. Until her security system is breached - from the inside. In the privacy of her own home, and against her will, she will experience an inconceivable act of terror and become the object of the ultimate computer’s consuming obsession: to learn everything there is to know about human flesh.

Where Alison Kerby's ex-husband goes, trouble follows. This time, unfortunately, he's brought that trouble right to her doorstep. On the run from a business deal gone bad, Steven, aka "the Swine", owes some scary people a staggering sum of money. No need to panic, though. He has a plan: sell Alison's Jersey Shore guesthouse to pay them off. Before Alison has a chance to read Steven the riot act, he disappears - after a mysterious man trailing him ends up full of bullet holes.

1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape – one with devastating consequences that will echo through the centuries. Present Day: When Lizzie Kingdom is forced to withdraw from the public eye in a blaze of scandal, it seems her life is over. But she’s about to encounter a young man, Johnny Robsart, whose fate will interlace with hers in the most unexpected of ways.

Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer. But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing.

The story of a daughter being raised by a single father, who happens to be a serial killer. As the series progresses, Deicide will grow older. In this thrilling sixth book, experience the sights, smells, and sounds through the eyes of 19-year-old Deicide. With each book, Deicide will grow older, giving us an inside look at how her life has been affected due to her upbringing.

Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.

The horror genre is full of remarkable writers—masters of prose that can make your skin crawl, your pulse quicken, and your breath ragged. But nothing is as special as a badass female author who evokes a sense of fear and dread so intense that it affects the listener for days afterward.

The New York Times Bestseller Jordan Peele, the visionary writer and director of Get Out, curates this anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world. Featuring an introduction...

The Guild of Immortal Women are a powerful band of immortals who have guarded the mystical tapestry for thousands of years. The tapestry functions as a depository for the immortals fondest memories (allowing them to take respite within their past) and a prison for immortals who defy the rules of the clan. When the outlaw, Robert de Baudricourt, betrays the race by arranging the murder of Joan of Arc, a tear appears in the fabric of time and space. The Guild must now race against time to save Joan, restore her sanity, and restore the Tapestry before time and space bleed into each other.

From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and cohosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre.

When M.J. Holliday and the crew of her cable TV show, Ghoul Getters, venture to the haunted ruins of Dunlow Castle in Ireland, drawn by the legend of hidden treasure, they hope the road will rise up to meet them, that the wind will always be at their backs-and that the resident phantom won't push them off a cliff. If they treasure their lives, M.J. and her ghost busters need to get the drop on the menacing phantom.

Just when I thought it was safe to step onto my porch, the power of the Oracle has sent another person in need to my stairs. He thinks he's searching for his missing husband, but the moment I smell him, I know he's dragging along a curse from a necromancer with a stench strong enough to curl the leg hairs I haven't had time to shave. Which reminds me—I should probably do some grooming before my date. Did I mention I have an arraignment in court? For murder? It's all I can do to put this legal nonsense to bed before the rotten bouquet of necromancy wafts into my world yet again.