Victorian Horror

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess. She’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

London. 1850. The Great Exhibition is being erected in Hyde Park, and among the crowd watching the spectacle, two people meet. For Iris, an aspiring artist, it is the encounter of a moment - forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love. But Silas has thought of only one thing since their meeting....

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

Aubrey, an orphaned young gentleman in possession of a large fortune, arrives in London for the season where he meets the mysterious Lord Ruthven. Aubrey befriends Lord Ruthven and upon discovering that Ruthven is planning a trip to Europe, decides to take his grand tour at the same time and travel with him. The longer Aubrey is with Ruthven the more he discovers about him. He decides to distance himself from Ruthven; but is he already too late to save all that he holds dear from the thirst of the vampire?

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

Thirteen classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Edith Nesbit, J. Sheridan Le Fanu and M. R. James, alongside several tales by less familiar names who were hugely popular and prolific in their day.

As far as rash decisions go, it was formidable. But Lady Jocelyn Rathbourne's will remains strong. If the only way to save her family's estate and reputation is by aiming a small pistol at the Duke of Calydon, then so be it. For Lady Jocelyn demands satisfaction - and she will have it at any cost. Even if it means demanding the hand of the intense and foreboding Duke himself....

Destitute and desperate, Catherine Weston accepts the summons from her childhood friend Madeline St. Aubyn to attend her at Cairncroft Abbey. Madeline's health is in a poor state, and she is terrified of her cousin Gabriel. But Gabriel has quite a different effect on Catherine, stirring longings and desires she believed long buried. Then a young woman is found dead, and Madeline's ravings point to a link between this horrific crime and Gabriel - and Catherine must decide if he is a man worthy of her love or a sinister stranger determined to make her his next victim.

Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor. But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Paris, 1750. In the midst of winter, as birds fall frozen from the sky, a new maid arrives at the home of a celebrated clockmaker and his clever, unworldly daughter. But rumours are stirring that Reinhart's uncanny mechanical creations - bejewelled birds, silver spiders - are more than mere automata. That they might defy the laws of nature, perhaps even at the expense of the living. But Madeleine is hiding a dark past, and a dangerous purpose - to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.

Addressing the corpse of her husband, who has just been pronounced dead, a hysterical Mrs Arne prays that 'if there be a God in heaven, and if He ever answered a prayer, let Him...give you back to me'. Shortly afterward, an amazed doctor finds that the patient he had thought dead has somehow miraculously recovered. But as time goes by, it's clear that there is something unsettling about Edward Arne, something that frightens people, including his once-adoring wife.

Innkeeper’s daughter Jane Heatherington is sold into indentured servitude to cover her father’s debts. She's sold to Aidan Warrick, a man whose handsome face and form mock the rumors that skulk in his shadow, rumors that paint him a smuggler, a pirate...and worse. Isolated and alone, Jane's only companion is the man she dare not trust, the man who looks at her with heated desire she both fears and craves. Jane must decide if Aidan Warrick is the dark prince of her dreams or a monster preying on the innocent....

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

A Wicked Voice is the tale of a composer haunted by the music of the 18th century and by the exquisite voice of a singer of that period who reputedly sang so beautifully his songs could (quite literally) kill with their beauty.

A female passenger travelling in a by rail is intrigued and increasingly frightened by one of her companions in the compartment. Entirely covered by a cloak, are their intentions nefarious, supernatural or entirely innocent?

The story takes place aboard a transatlantic ocean liner. A passenger named Brisbane is puzzled when the steward behaves oddly while taking his luggage to his stateroom, number 105. In the middle of the first night, Brisbane is further perplexed when his roommate suddenly leaps down from the upper berth and runs out of the cabin. In the morning, Brisbane learns that his roommate has gone overboard - and was the fourth consecutive occupant of the same upper berth to do so.