Victorian Ghost

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

The American Otis family moves into the old English country house Canterville Chase. They are warned that the house is haunted before they move in but are unconcerned at first. They soon accept that the ghost is real but are not frightened by it. The ghost, who had been frightening all those who stayed at Canterville Chase for 300 years, takes the Americans' unwillingness to be scared by him as a great insult. He grows to despise them all, except for the teenage daughter, Virginia, who he feels is different from the rest of her family.

Thirteen classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Edith Nesbit, J. Sheridan Le Fanu and M. R. James, alongside several tales by less familiar names who were hugely popular and prolific in their day.

The charming but nonetheless creepy tale of Nina, a little girl’s doll, who repays the kindness shown her after she is damaged in a fall. The Doll’s Ghost is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

A determined and strong-minded young lady plagues Sigismund Braggett for his professional attention and friendship - then becomes very put out when he refuses to introduce her to his wife. Even her untimely death seems to be no obstacle to her intent. The Ghost of Charlotte Cray is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

While a door that just won’t stay closed may not seem like the most terrifying of hauntings, being alone in a silent manor for days on end certainly adds to the atmosphere. A request to discover the reason for the obstinate door includes a cash motivation and newly unemployed Theophilus Edlyd readily accepts the challenge.

How do you know if you’ve seen a ghost? Maybe you’ll never know. But an American couple seeking an idyllic retirement in and English country house do find out...eventually. Afterward is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

A young man’s inheritance includes more than a house when an ebony-framed painting of a beautiful woman starts to exert a strange hold over its new owner. Could this lead to his tragic demise?

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?

Lost in the snow on a bleak, wide moor in Northern England, a newlywed husband begins to despair he will ever see his wife again. He finds refuge with a pair of mysterious strangers, who direct him to a remote crossroads where the night mail coach is due to pass by. Amelia Ann Blanford Edwards (1831-1892) was a prolific journalist, traveler, and Egyptologist, as well as a hugely popular English novelist of the Victorian era.

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

In India, Colvin used to be friends with an Englishman named Broughton. They both moved back to England, where Broughton settled down, married and moved into Thurnley Abbey, an ancient manor that was rumoured to be haunted. These rumours were fed by the previous owner, who hated people. Broughton doesn’t fully believe in the ghost, and even if it exists, he seems unworried.

‘The Signalman’ (1866) is a short story by the English writer Charles Dickens (1812-1870). In the story, a practical-minded narrator meets a railway worker who has been seeing supernatural visions. The narrator doubts the man at first, but at the story’s conclusion a strange event makes him a believer.

Extracts from a diary report first-hand the uncovering of a tomb and the nightly wanderings of the vampire previously encased within. Attempts to lay her to rest are about as successful as you might expect.... The Tomb of Sarah is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.