New Journalism

What is Australia’s place in the new global landscape? Are we ready for our post-American future? In an era of rising danger for all, and dramatic choices for Australia, Hugh White explores how the world is changing and Australia should respond. Under Donald Trump, America's retreat from global leadership has been swift and erratic. China, Russia and India are on the move. White explains the big strategic trends driving the war in Ukraine, and why America has "lost" Asia.

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?

In a near-future world where technology has not just reshaped society but rewired the very fabric of perception, a new form of journalism emerges, one that doesn't just report the truth but experiences it, transmits it, and makes it indistinguishable from reality itself. In Technesthesia, the boundaries between observer and participant dissolve as immersive media redefines memory, identity, and the very act of knowing. But as perception itself becomes a constructed experience, one question lingers: If the truth can be felt rather than proven, does it still matter if it’s real?

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

On a New Orleans morning in 1900, a young Black man named Robert Charles dared to fight back after an unprovoked assault by three white officers. The officers had first approached Charles on the grounds that he looked “suspicious” in a predominantly white neighborhood, and began to attack him after he stood up. After shots were fired, Charles fled on foot, and legal sanction was granted to anyone who sought to kill the “desperado” (as the white newspapers of the time quickly labeled him). In the days that followed, riotous mobs overtook New Orleans.