Showing results by publisher "Picador" in All Categories

Jackie Kay's first collection as Scottish Makar is an audiobook about the fighting spirit - one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus - Kay's own, her father's, and his own father's - to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we embody our times, whether we want to or not.

The Endless Country takes a journey through Turkey’s past – the nation the author’s father left decades ago and he returns to as a young man. It is not about Erdogan or Atatürk, the two towering Presidents who have book-ended that history, and at times have appeared impossible to escape. Instead Sami Kent’s book goes deep beyond them, revealing a history as rich, layered and absurd as his family’s favourite dessert, künefe: a shredded wheat pastry with a core of melted cheese, a topping of pistachios, and a drowning of syrup.

Rose Boyt explores her complicated relationship with her beloved father, the renowned artist Lucian Freud, through the diary and other accounts of sitting for him, naked or otherwise. Enthralled by his genius, it was only after his death that she began to question the version of events she had come to accept. The shock of the truth is profound but what emerges is her love and compassion not just for herself as a vulnerable young woman, but for the man himself, who is shown in all his brilliant complexity.

At the psychologist's clinic of an NHS hospital, Noah needs help with procrastination, Bill compulsively lies, Steph is coping with rejection and their therapist, Dr Natalie, is dealing with her own emotional crisis, breathing into a paper bag between patient sessions. In this lively and honest memoir of training to be a psychotherapist, we meet the patients grappling with mental health issues, from OCD and addiction to self-deception and self-harming, and see how Dr Natalie helps them understand and change these attempts to self-soothe.

The lonely life of fifteen-year-old Theron David Alden is transformed when he meets Jake. Older, cooler, more confident and startlingly beautiful, Jake likes the same bands, the same drugs, and has the same drive to oblivion. Over the course of two decades, Theron and Jake get high, drift apart, and are brought hurtling back together, until a final collision tears them apart forever.

Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination. Giles’ visual poetics create an unusually dynamic listening experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.

As a child, Or Rosenboim’s knowledge of her family history was based on the food her grandmothers cooked for her – round kneidlach balls in hot chicken broth, cinnamon-scented noodle kugel, stuffed vine leaves, herby green rice with a squeeze of fresh lemon juice and aubergine in tomato sauce. She knew that her family had a complex past but it was only reading her grandmothers’ recipe books after they both died that she began to explore that past for the first time.

A piercing examination of the manifold ways in which the passing of time operates on the human consciousness. Kincaid inhabits each of her characters – a mother, a father, and their two children, living in a small village in New England – as they move, in their own minds, between the present, the past, and the future. Her characters, constrained by the world, despair in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, non-linear.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.

Jamaica Kincaid's brother Devon Drew died of AIDS on 19 January 1996, at the age of thirty-three. This incantatory, poetic, and often shockingly frank recounting of her brother's life and death is also the story of her family on the island of Antigua, a constellation centered on her powerful, sometimes threatening mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

bandit country is written in the very particular dialect of the Irish border, as Ulster Scots and Ulster Gaelic shade into the language and culture of post-Celtic Tiger Ireland. Spectres of characters both mythic and real thread through these poems, giving them a slippery, ghostly quality. bandit country is a haunting exploration of this place and its people, looking back to the Troubles and forward towards Brexit—and to the ever-looming fences and boundaries with which we must reckon, collectively and urgently.

A map of motherhood, Milk is at once a gentle and meditative story of one woman’s experience of new motherhood as well as a confronting and often painful examination of the experience of having children in contemporary Ireland. Alice Kinsella is a young mother, giving birth to her son in her mid-twenties, adrift in a new town and navigating her newly accompanied life. A powerful and yet delicate mix of the personal and political, Milk is an unflinching and unique memoir that looks at the experience of motherhood against the backdrop of a seemingly changed Ireland.

About to make his last stand, a soldier facing certain death at the hands of the enemy writes home to his love to explain how he ended up there. The Officer in the story has no name nor is his nation specified. While out for a walk, he stumbles upon officers enjoying a military barbecue and is persuaded to join them. He enjoys the comradeship of the event and is quickly seduced by the smart, tailored military uniform he is later fitted with, by the power bestowed upon it, by the respect commanded by it.

Acclaimed novelist Susannah Dickey turns to poetry in emphatically striking style via a true crime podcast with this, her debut collection. Isdal is comprised of three parts, the first a very funny poetic stalking of the flirty co-presenters of a podcast about a long-unsolved murder mystery, as they ruminate over meagre evidence and reach, well, very few conclusions. It is crafted in Dickey’s intellectually agile and witty rhyming style. At the centre of the book is a prose philosophical enquiry into our perennial obsession with female victims, ‘sexiness’, and death.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.

Aeon, a mixed-up and mixed-race teenager from a leafy Liverpool suburb, is desperate to find his Black roots. He needs to understand the Black identity foisted upon him by his friends and his community. To his growing shame, the only Black people in his life are his dad and his cousin, Increase – but they don’t count. Aeon’s dad is intent on ignoring race and climbing the social ladder. And Increase has taken to demeaning all Black culture since the shady and unresolved death of his father, a Yardie gangster.

Bread and Circus is a hybrid and palimpsestic memoir-in-verse: it combines poetry, photography and spectral imagining to explore the realities of economic necessity and marginal poverty through a personal lens. Examining the experience of the US urban Black community from a variety of perspectives, it draws heavily on the author’s archival research on Adam Smith, the eighteenth-century Scottish economist, as well as his magnum opus, The Wealth of Nations.