Showing results by narrator "Scott Lange" in All Categories

First published in 1971, Rules for Radicals is Saul Alinsky's impassioned counsel to young radicals on how to effect constructive social change and know "the difference between being a realistic radical and being a rhetorical one."

It’s been three years since the Virgil County High School Massacre. Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah’s story - that she died proclaiming her faith. But it’s not true. I know because I was with her when she died. I didn’t say anything then, and people got hurt because of it. Now Sarah’s parents are publishing a book about her, so this might be my last chance to set the record straight. Except Sarah’s martyrdom is important to a lot of people, people who don’t take kindly to what I’m trying to do.

From the outside, the Davenports look like any other family living a completely ordinary life - until that devastating day when five-year-old Jonah is killed, and the family is torn apart. As the fury of guilt engulfs them, the Davenports slowly start to unravel, one by one. Losing her son forces Rachel to withdraw into a frayed, fuzzy reality. Her husband, Sam, tries to remain stoic, but he's consumed by regret with the choices he's made. Eden mourns her brother, while desperately fighting to regain a sense of normalcy.

Kalinda has brought peace to the Tarachand Empire, at least for now. Bhutas no longer need to hide their gifts. The last of the rebels have been banished. And Prince Ashwin is set to take over as rajah. But for Kalinda, this came at a great loss. Her childhood home. Her best friend. The love of her life. Deven is still trapped in the Void, though he is able to find his way to Kalinda each night. He has been lucky so far—mortals are not meant to last in the Void for long, and Deven has lasted longer than most. But when he doesn’t visit one night, Kalinda knows that his luck has run out.

How quickly the ground shifts beneath our feet. We make choices—in the face of love, or violence, or necessity—and the effects ripple outward. In these moving short stories, acclaimed authors examine the foundations of the past, uncovering the irreversible decisions and life-changing encounters that mark the turning point between before and after.

Competitive eating vies with family expectations in a funny, heartfelt novel for middle-grade audiences by National Book Award winner Pete Hautman.

What's the quickest way to ruin a friendship? Can bosses actually learn something from marriages? Are very close friendships in the workplace such a bad thing? These are just a few of the questions that #1 New York Times bestselling author Tom Rath asked when he embarked on a massive study of friendships.

Alan is able to imagine every way critical equipment might break during the launch and landing of Apollo 11. But his experience in preventing cosmic disasters does nothing to prepare him for the pressures of a hasty marriage to a woman he barely knows—or the strain of keeping up appearances amid the shifting social attitudes of the late ’60s. When a crisis at home forces Alan back to earth, he’s faced with a choice he doesn’t know how to make: whether to let go or move forward.

Everybody likes Chris Goodman. Sure, he's a little odd. He wears those funny bell-bottoms and he really likes the word ennui and he shakes your hand when he meets you, but he's also the kind of guy who's always up for a good time, always happy to lend a hand. Everybody likes Chris Goodman, which makes it especially shocking when he's murdered.

In 1957, when the USSR launched Sputnik I, the first man-made satellite to orbit Earth, America’s rival in the Cold War claimed victory on a new frontier. The Space Race had begun, and the United States was losing. Closer to home, a decade of turbulence would soon have Americans reeling, with the year 1968 alone seeing the assassinations of Martin Luther King Jr. and Robert F. Kennedy as well as many violent clashes between police and protesters. Americans desperately needed something good to believe in.

The Late Bloomer is harrowing, grim, and poignant in the way of Cormac McCarthy’s The Road. Told in Kevin March’s singular and unforgettable voice, delivering a gripping narrative with an unsparing climax as moving as it is terrifying, The Late Bloomer defies expectations of the genre and will haunt those who listen to it.