Showing results by narrator "Paul Brion" in All Categories

Franz Kafka's haunting short story about a man both on display and marginalized by a fickle society.

Do you feel lost? Are you asking yourself those "big" questions? Feeling like something is missing?Unfortunately, most people don't even know who they are and why they are in this world. This manuscript is for open-minded individuals, so for religious people and atheists, this book will be hard to swallow. I wrote this book after visiting a spiritual world; I simply have a moral obligation to enlighten others and to inspire human beings to transcend into higher level of consciousness/vibration.

Lets face facts, writing fiction and nonfiction, can be hard. You start off with a lot of motivation and begin typing on your keyboard or writing on paper. Eventually, you just get stuck, or as it's known by another term, you get writer's block. In How to Write a Book in 7 Days or Less, we provide actionable steps anyone can take to effectively write a book.

It's been two years since private eye Will "Lucky" Marks' first case. That was the one that ended a promising police career. It was the one that started it all. The veneer has worn from the once dreamy image of an L.A. Shamus. Now, Lucky takes the cases that come and finds a life somewhere between the glitz of Hollywood and the dregs of humanity.

AJ is on the run. He is not just a criminal, but also a billionaire, and as he saves Ally's life, he also unknowingly puts it in danger. When these two lives collide, will it be enough to break down Ally's walls and allow him into her heart, or will AJ be the whole reason she should guard her heart?

Schlock horror director Landis Woodley lives in a decaying mansion in the Hollywood Hills. When he abandoned the movie business, he also left a laundry list of enemies, including the IRS. But avid fan Clint Stockbern is determined to write a piece on the alcoholic recluse for Monster magazine. Woodley agrees to the interview—for $600 in cash. As the tape recorder starts rolling, Stockbern travels back in time with Woodley. He hears recollections of Attack of the Haunted Saucer and Blood Ghouls of Malibu. But he really wants to know about Woodley's masterpiece, Cadaver.

In Leveraging Latency, Tristan A. Volpe argues that having greater capacity to build weaponry doesn't translate to greater coercive advantage. Volpe finds that there is a trade-off between threatening proliferation and promising nuclear restraint. States need just enough bomb-making capacity to threaten proliferation, but not so much that it becomes too difficult for them to offer nonproliferation assurances. The boundaries of this sweet spot align with the capacity to produce the fissile material at the heart of an atomic weapon.