Showing results by narrator "Harriet Gordon Anderson" in All Categories

Eva Kavinsky wakes in a dark cellar, with no memory of how she got here. Imprisoned with her, seemingly at random, are four men. The only way out is the trapdoor in the ceiling – and it's locked. The single clue about what brings them all here is a cryptic message sprayed onto one wall. Connect the dots. Repent. A camera fixed high above reach is livestreaming this whole nightmare to the world. What confessions are they meant to make to their unseen audience?

In 1998, the American Jorgenson family had been on a year-long road trip in Australia. One humid, storming night, the mother - Elsa Jorgenson - vanished in an isolated stretch of Australian everglades. Elsa was never seen again. That night, twelve-year-old Lily Jorgenson was left alone and terrified in the family camper—even her teenage sister Iris is missing. When Iris comes racing back through the rain, she refuses to tell where she’s been. Lily is certain her sister is hiding a dark secret.

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

When Shirley Sullivan signs her 83-year-old husband, Frank, out of the Sunset Lodge Nursing Home, she has no intention of bringing him back. For 57 years the couple has shared love, happiness and heartbreak. And while Frank may not know who his wife is these days, he knows he wants to go home. Back to the beach where they met in the early 1960s.

When Sue Smethurst first sat down with her grandmother-in-law and asked how she survived the Holocaust, she was shooed away. By that time Mindla was in a Melbourne Jewish nursing home with other survivors, her body ageing but mind still razor sharp. 'Vhy do you vant to know?' she'd ask. 'My story is nothing special.' As death began approaching, Sue became a little more pushy. She knew Mindla's life had to be recorded, and they were running out of time.

Set 17 years into a very recognisable future, Fauna is an astonishing psychological drama with an incredible twist: What if the child you are carrying is not entirely human? Using DNA technology, scientists have started to reverse the extinction of creatures like the mammoth and the Tasmanian Tiger. The benefits of this radical approach could be far-reaching. But how far will they go? Longing for another child, Stacey is recruited by LifeBLOOD®, a company that offers massive incentives for her to join an experimental genetics program.