Showing results by narrator "George Watt" in All Categories

Dara Willcox, in New York for a weekend, meets Austin Clarke at an art gallery. The two are on different courses-Austin is British, temporarily in New York. Dara's from North Carolina, set on law school. They fall in love at first sight, and are determined to make their lives together. Days...

In The Love That Dares, queer love speaks its name through the words of lovers from years gone by. Alongside the more famous names coexist beautifully written letters by lesser-known lovers, giving us an insight into queer love outside of the spotlight of fame or fortune. These letters give us a glimpse into the passion and courage it took to continue a gay relationship in times when it was at best improper and at worst illegal. Enlightening introductions to each set of letters give readers an idea of the historical context in which they were written.

In the land of Daoistan, freedom has arrived at last. The revolution liberated all, then enslaved everyone, and now it was liberating them again by allowing people to own credit cards. And a man with credit is a man who has the world at his fingertips, or at least a trip into town where the temptations are pretty much as they have always been, only more people can afford them.

In 2010 two septuagenarians reminisce on a balcony overlooking a former town and river valley inundated fifty years before by the damned waters of the massive Snowy Mountain Scheme. One of them, Ralph McDonald, feels compelled to retell dramatic events from his youth, ones related to things hidden in the depths of his conscience and in the waters themselves.

In THE GRAMMAR OF SELF, George Watt presents a lifetime of memories, which seemingly move at random from decade to decade, from continent to continent, from cosmos to microcosm. It does have one central goal: to look at poetry as an attempt towards objectification of aspects of personal identity, as a means through which the self may be confronted, challenged and celebrated. But the volume of verse does more than that as it subscribes to a notion from Thomas Szasz about the self: it is “not something that one finds.