Showing results by author "Virginia Woolf" in All Categories

Fifty short stories by women writers who broke the mould.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

La primera de las novelas con que Virginia Woolf revolucionó la narrativa de su tiempo La señora Dalloway relata un día en la vida londinense de Clarissa, una dama de alta alcurnia casada con un diputado conservador y madre de una adolescente.La historia comienza una soleada mañana de 1923 y termina esa misma noche, cuando empiezan a retirarse los invitados de una fiesta que se celebra en la mansión de los Dalloway.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway.

Pubblicato nel 1928, è ispirato alla storia familiare della sua amica intima Vita Sackville-West. È, a ragione, l’opera più popolare della Woolf: una storia dell'Inghilterra dell'arco di trecento anni, vista attraverso il filtro dei sentimenti, usi e abitudini di un uomo, che poi diventa donna a metà del romanzo. Non di poca importanza la passione che spinge il protagonista ad attraversare ogni avventura: la scrittura, la poesia, e che permette alla Woolf di scrivere nel suo modo ironico e geniale di poesia e di letteratura ella stessa.

Dalla postfazione di Mario Fortunato: "Orlando è la biografia che diventa romanzo di un eroe che diventa un'eroina e che vive parecchi secoli. Non ci vuole molto a capire che il suo tema non è l'immortalità né il sesso né la letteratura né Vita Sackville-West a cui il libro è dedicato. Il tema è piuttosto lo slittamento o, meglio ancora, la metamorfosi: di un corpo nell'altro, di un sesso nell'altro, di un genere nell'altro.

Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema "donne e romanzo" rivolto...

Von Virginia Woolfs herzzerreißendem Abschiedsbrief an ihren Mann bis zum höchsteigenen Eierkuchen-Rezept von Queen Elizabeth II. an US-Präsident Eisenhower; von Gandhis Friedensersuch an Adolf Hitler bis zu Iggy Pops wundervollem Brief an einen jungen weiblichen Fan in Not, zelebriert und dokumentiert "Letters of Note" die Faszination der geschriebenen Korrespondenz mit all dem Humor, der Ernsthaftigkeit, der Traurigkeit und Verrücktheit, die unser Leben ausmachen. Prominente Autoren, Schauspielerinnen und Schauspieler lassen die Briefe durch ihre Stimmen lebendig werden.

A Room of One's Own è un saggio della celebre autrice inglese Virginia Woolf. Fu pubblicato nel 1929 e si è basato su due conferenze tenute a ai due college femminili di Newnham e Girton, dell'Università di Cambridge, nel 1928. Il saggio, scorrevole e brillante, ripercorre la storia della scrittura nelle donne, e la storia delle donne, e la storia della scrittura. Pertanto è rivolto, oltre che alle donne, anche a tutti coloro che vogliono scrivere.

A celebration of an author regarded as one of the foremost modernist literary figures of the twentieth century. Celia Johnson reads from To The Lighthouse and Mrs Dalloway, and Virgina Woolf is featured talking about modern literature.

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Mrs. Dalloway was the breakthrough novel by Virginia Woolf that solidified her reputation as one of the most important writers of her era. Written in a new, free-wheeling style for the time, the book details a day in the life of Clarissa Dalloway, a British socialite in post-First World War England. The book takes place in a single day, and describes the eponymous lead character as she prepares for and hosts a party. Looping backwards and forwards in time, the listener is given a glimpse into the mind of Mrs. Dalloway, and several of her guests.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

A day in Clarissa Dalloway's life is explored through her thoughts, actions, and reminiscences and by the flashbacks of those about her. Virginia Woolf's writing was never better!

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

"Mrs. Dalloway" recounts a day in the life of Clarissa Dalloway in the middle of June 1923. Clarissa Dalloway is a high society London lady. On that day, she is hosting a party, meeting people, going to the park, and reflecting on her choices. Where would she have been if she married Peter Walsh and not Richard Dalloway? What if she would not invite this or that person to her party? Her feelings about Peter Walsh grow because on that particular day he returns from India to settle some affairs in London. Other people also reflect on their choices. Mr. Smith who cannot move on from the horrors ...

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.