Showing results by author "Robert Chambers" in All Categories

Classic Tales of Terror collects two classic chillers of the supernatural. "The Cats of Ulthar" tells of an elderly couple with a penchant for animal cruelty. They kill the pet of an orphan and the animals retaliate with a terrible vengeance. In "The Yellow Sign", an artist encounters a horribly disfigured man who exudes a terrible aura of unspeakable evil.

While taking a break from his latest painting, an artist casually stands at his window, looking at the street below. Much to his horror he sees a hideously disfigured man, a man whose features draw a repulsive shudder - the artist recognizes him from a nightmare foretelling his own death.

O título da coletânea faz alusão a um livro dentro do audiolivro—mais precisamente, a uma peça teatral fictícia—e a seu personagem central, uma figura sobrenatural cuja existência extrapola a narração. A peça O Rei de Amarelo é mencionada em quatro dos contos, mas pouco se conhece de seu conteúdo. É certo apenas que o texto, em dois atos, leva o ouvinte à loucura, condenando sua alma à perdição. Um risco ao qual alguns aceitam se submeter, dado o caráter único da obra, um misto irresistível de beleza e decadência. 

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

"The Yellow Sign" is considered to be Robert Chambers’ horror masterpiece. He introduces us to Mr. Scott, an artist living in New York City. One day, Scott sees an overweight young man, who looks like a lawn grub to him. The artist’s is working on a painting of a girl named Tessie. When the girl falls ill, Scott tries to cure her, so he can finish his work as fast as possible. However, Tessie’s condition gets worse and she starts having very strange dreams.

Hildred Castaigne is a young man who lives in New York City whose life changes drastically after he falls from his horse and injures his head. Castaigne gets unjustly confined to a mental institution, where Dr. Archer treats him. However, the doctor soon realizes, that this is a mistake and the young man’s condition is not as bad as he was told. During Hildred’s treatment, the United States have prospered and improved their infrastructure, a new aristocratic elite has been formed and suicide has been legalized.

In this dark story by Robert W. Chambers we are introduced to a detective, who is tasked to uncover a hoax in the Pacific Northwest. There he investigates the possible existence of a terrible porpoise-skinned humanoid with an insatiable hunger for human females. If you like reading dark and weird stories, then "The Harbor Master" from 1904 is the right one for you. Do not hesitate to embark on this journey and solve the mystery of the porpoise-skinned humanoid. B. J.

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”? 

What exactly lies beyond the treacherous and previously impassable Canadian glacier? From the collection In Search of the Unknown comes a chilling tale of the things nature can do when nobody’s watching.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.