Showing results by narrator "Lucy Rayner" in All Categories

Since they were children, cousins Kate and Cecelia have been inseparable. But in 1817, as they approach adulthood, their families force them to spend a summer apart. As Cecelia fights boredom in her small country town, Kate visits London to mingle with the brightest lights of English society. At the initiation of a powerful magician into the Royal College of Wizards, Kate finds herself alone with a mysterious witch who offers her a sip from a chocolate pot.

England 1801: Lady Louisa, daughter to the Earl of Whickerton, never thought she would ever have reason enough to hate anyone; especially not Phineas Hawke, Viscount Barrington, the man with the most wickedly dark eyes she has ever seen. Louisa is suddenly forced to realize that the man she could easily have lost her heart to has discovered her most shameful secret. Anger settles in her heart, burying all tender emotions, as she tries her utmost to ignore him. That is easier said than done.

By all accounts, Lucy’s handled her divorce well. She’s finally in the cozy, plant-filled house of her dreams. And although she doesn’t fit in with the other divorcées—all busy looking for their next ex—she’s excited to get down to earth and savor the small joys of life. When Lucy meets Elle, a hip younger woman who shares her same passions, their connection is instant. Taking a chance on kismet, Lucy forges a friendship that fills her days with meaning. She and Elle are inseparable, from sunup to sundown, enjoying the immediate ease and familiarity of each other’s company.

In March of 1926, Daisy Dalrymple Fletcher and her friend and collaborator, Lady Lucy Gerald, head off for several days to a stately home reputed to have the best grotto in the country. Working on a book of architectural follies, they plan to research and photograph it. Leaving her husband and young twins behind, Daisy is expecting a productive weekend at Appsworth Hall, with the only potential difficulty being keeping Lucy from offending the current owner, a manufacturer of plumbing products. Alas, it's not to be quite so simple.

In September 1926, the Honorable Daisy Dalrymple Fletcher visits Sybil Sutherby, a school friend now living in Derbyshire as the confidential secretary to a novelist. Suspecting that something is seriously amiss, Sybil has asked Daisy to discretely investigate. Upon arrival, Daisy finds a household of relatives and would-be suitors living off the hospitality of Humphrey Birtwhistle, who had been supporting them through his thrice-yearly, pseudonymous Westerns. When he took ill, though, Sybil took over writing them while he recovered, only to see the sales increase. Now, she fears that someone in the household is poisoning Birtwhistle to keep him ill and Sybil writing the better-paying versions.

February 1816: A race through the icy, twisting cobblestone streets of London ends inside an abandoned church - and a horrific discovery. Bow Street Runner Sam Kelly is called to investigate the grisly murder of Sir Giles Holbrooke, who was left naked and garroted, with his tongue cut out. Yet it becomes even stranger when symbols that resemble crosses mysteriously begin to appear across the dead man's flesh during autopsy. Sam turns to the one person in the kingdom who he believes can solve the bizarre murder - the Duke of Aldridge's odd but brilliant ward, Kendra Donovan.

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context.

Miss Charlotte Harrington knows what’s expected of her. Properly raised and newly reminded of her duties after the unexpected death of her far-more-perfect twin sister, Charlotte is resigned to wedding the son of a near neighboring land owner and live a sedate and proper, respectable life. But Charlotte’s high spirits will not be contained, and she yearns deeply for a life of adventure, excitement, and love.

When Kendra Donovan is approached by Mrs. Gavenston with an unusual request - to find her business manager, Jeremy Pascoe, who recently vanished - the FBI agent is eager to accept the challenge. To Kendra's way of thinking, spending her time locating a missing person suits her more than perfecting her embroidery, painting watercolors, practicing on the pianoforte, or any of the other activities that are socially acceptable for young ladies in the early 19th century. Unfortunately, the missing person's case turns into a murder investigation after Kendra finds the man stabbed to death.

In England in the late 1920s, the Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. Daisy and her husband Alec - Detective Chief Inspector Alec Fletcher, of Scotland Yard - go for a Sunday lunch with Daisy’s friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine but the stench of a long-dead body.

April 1928: Daisy Dalrymple Fletcher is visited in London by her young cousins. On the list of must-see sites is the Crystal Palace. Discovering that her children's nanny, Nanny Gilpin, has never seen the Palace, Daisy decides to make a day of it - bringing her cousins, her three-year-old twins, her step-daughter Belinda, the nurserymaid, and Nanny Gilpin. Yet this ordinary outing goes wrong when Mrs. Gilpin goes off to the ladies room and fails to return. When Daisy goes to look for her, she doesn't find her nanny but instead the body of another woman dressed in a nanny's uniform.

When Neith Salah—a quantum curator charged with traveling to our parallel Earth to rescue precious artefacts—is ordered to save a priceless Faberge Egg, she figures it's just another job. The only problem: she's not sure what the egg looks like. Or where it is. Or when it is.

Aleen Cust has big dreams. And no one―not her family, society, or the law―will stop her. Born in Ireland in 1868 to an aristocratic English family, Aleen knows she is destined to work with animals, even if her family is appalled by the idea of a woman pursuing a veterinary career. Going against their wishes but with the encouragement of the guardian assigned to her upon her father’s death, Aleen attends the New Veterinary College in Edinburgh, enrolling as A. I. Custance to spare her family the humiliation they fear.

Bethan Griffiths has returned home for Christmas to unwrap secrets. It's the 1970s and she is back in the village of Foel in the Welsh hills to raise her daughter. They arrive to the open arms of her family and the community, but not all is what it seems, and Beth isn't home for the reason she pretends, either. Vicious notes start appearing that reveal harsh truths about the village inhabitants, stirring up ancient pasts, old loves, and the dead. Not even local dignitary, the elegant and aloof Lady Melling who hides in her manor house, is safe from the accusations.

July 1816. Kendra Donovan could use a distraction. The FBI agent has been dealing with a serious case of cold feet after impulsively agreeing to marry Alec, the Marquis of Sutcliffe. And if that isn't enough, there is also the tantalizing possibility that maybe, just maybe she could return to her own timeline. When Reginald Lansing, the Earl of Craymore, is found mortally wounded on the Duke of Aldridge's land, Kendra gets the distraction that she's been looking for.

Jacqueline Tregarth, lady and guardian of Nimway Hall, is devoted to protecting her people, the Hall, the estate’s wood, and its farms. She yearns for a husband to help her meet the challenges, but all those seeking her hand are interested only in controlling her lands. With the estate’s stream running dry and summer looming, she sets men digging to reopen an old spring. Her workers discover a dirt-encrusted ornament buried at the spot; once removed, water flows and fills the old lake - and Jacqueline realizes the ornament is some kind of ancient orb.

Something is rotten in the heart of Alexandria and Julius Strathclyde is in trouble. He appears to have summoned the gods, which is driving his partner, Neith Salah, insane. Not to mention all the other ultra-rational citizens of Alpha earth. It gets worse. The gods set a challenge that can't be refused. The race is on to find the lost blueprints for the Quantum Stepper. Whoever possesses them will be able to unlock the stepper's true potential. The game is afoot and the outcome is terrifying. All of time and space will be under the control of the victors; to protect, or to plunder.

Julius Strathclyde has been dragged through to an alternative earth. Now, training as a quantum curator, every ancient book, every stolen gem, and every lost masterpiece lies at his fingertips. It's incredible. But he has some problems: he can't get home, priceless artifacts are being stolen, and someone is trying to kill him. Oh, and he can't get a decent cup of tea anywhere. Following the disastrous Faberge assignment, Neith Salah is blinded by grief and rage. She's hardly a stable companion, but she's the only one he trusts.

A woman in the British Horticultural Society! The very idea horrifies everyone, including ardent horticulturalist Lavinia Harlow, whose own name has been put forth for membership by the provoking Marquess of Huntly. He does it as a joke, of course, to get back at her for an imagined slight - well, to be fair, she had insulted his writing -and Vinnie, older sister to the infamous Harlow Hoyden, is far too sensible to rise to his ridiculous challenge. Determined to head off further scandal, Vinnie dashes off a polite note refusing the honor - which she has every intention of sending.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.