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Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

Uncle Vanya is Anton Chekhov's 1902 tragicomedy focusing on the romantic entanglements of the residents of a declining country estate. Vanya loves Helena, the unhappily married wife of aged professor Serebrakoff. Sonia loves Dr. Astroff, but he's more interested in Helena. Serebrakoff loves only himself and is idealized by Vanya's mother, who believes him to be a genius.

Just So Stories by Rudyard Kipling. Kipling's delightful collection of imaginative tales about natural history has captivated children and adults alike since its publication in 1902. Here stories are presented in dramatic format by members of The Online Stage. Stories include:"How the Whale Got His Throat", "How the Camel Got His Hump", "How the Rhinoceros Got His Skin", "How the Leopard Got His Spots", "The Elephant's Child", "The Sing-Song of Old Man Kangaroo", and more.

First published in 1881, the subtitle of this book tells us that it was written “for children and those who love children”. Heidi, a 5-year-old orphan, is handed off by her young Aunt Dete to live with her grandfather in the Swiss Alps. Though her new life is foreign, Heidi soon falls in love with her grandfather, and he with her. They share a contented life of goat-herding. But when Grandfather refuses to allow Heidi to attend school in the small village below, quarrels ensue.

In this moody Russian drama, Ivanov is a melancholic impoverished landowner whose wife is dying of tuberculosis. However, he finds himself irresistibly drawn to the beautiful Sasha, the daughter of his wealthy neighbors. Augmented by a diverse array of colorful supporting characters and intrigues, this play provides a glimpse of master dramatist Anton Chekhov's early work.

Stephen Leacock (1869-1944) may be considered the Canadian counterpart to Mark Twain. For many years he was professor of economics at Magill University and published a number of well-regarded texts on economics and political science. However, he is best known today for his many volumes of humorous fiction. During the 1920s he was one of the most widely read authors in the English-speaking world and was considered by Jack Benny and Groucho Marx to be one of the greatest comic writers of all time.

According to legend, the Pyncheon family has been cursed by their 17th century ancestor, Colonel Pyncheon, who stole the land from Matthew Maule. Maule was later put to death after being accused of witchcraft and the deed for the land could not be found. Now living in the New England mansion fraught with haunted miseries of the past, Hepzibah Pyncheon opens a small shop to pull herself from the poverty-striken curse she has lived under while her brother, Clifford, was serving a decades-long prison sentence for murder.

Scorned by her 17th century New England Puritan village, Hester Prynne struggles to raise her precocious daughter, Pearl, who is the result of an affair and whose father is unknown. Despite being forced to wear a scarlet letter A as a brand for her adultery, Hester tries to live a life of repentance and dignity. Pearl's father comes forward as he is struggling under the weight of his own shame and sin.

Franz Kafka was one of the first and greatest masters of dystopian literature. In his bleak world view, man is presented as helpless and ineffectual, his destiny determined by distant, obscure and essentially unfriendly agencies. In none of his works is this savage and unreasoning enslavement presented more vividly than in Metamorphosis, a novella in which Gregor Samsa, a respectable employee and dutiful son, wakes to find himself transformed into a gigantic insect.

Moby Dick, which has been considered the great American novel, was first published in 1851. For material, Melville drew on his experience on whaling ships between 1841 and 1844, the sinking of the whaling vessel Essex in 1820, and extensive perusal of literature on whaling and many other subjects.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

The Wild Duck (Vilanden) is a tragedy with comic episodes. Ibsen himself characterized the play as a tragicomedy. It depicts ordinary life realistically instead of romantically and sentimentally, a revolutionary concept in Ibsen's time. The play is now generally acknowledged as one of Ibsen's supreme accomplishments.

The Seagull is Anton Chekhov's first major play, originally produced in 1896. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arcadina, and her son, the symbolist playwright Constantine Treplef.

In 1803, Thomas Jefferson copied from the four gospels such passages as he believed would best present the ethical teaching of Jesus, and arranged them according to time and subject. Accordingly, all references to miracles or events related to the supernatural were removed, and the text restructured to form a treatise on morality comparable to the Dhammapada or the Analects of Confucius.

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

William Carlos Williams (1883-1963) was one of the most prominent members of the Imagist movement, a brief flowering of modernist poetry, in which Ezra Pound was also involved. Williams was also an accomplished painter and art critic. Imagist verse is characterized by a distinct economy of verbiage and freedom of rhythm. Sour Grapes was his fourth collection of poetry and was published in 1921. As with much of Williams' early works, critical acclaim was slow in coming. Today, the collection is considered to contain some of his most significant poems.

In a public debate held at the Manhattan Opera House, Clarence Darrow argued that not one of the 19 men under sentence of death at Sing Sing Prison would have been convicted if they could have afforded good attorneys. He was opposed by Judge Alfred J. Talley of General Sessions, who argued for the retention of the death penalty for murder. The debate commenced with an address by Lewis Lawes, who was the warden at Sing Sing.

Under the auspices of the League for Political Discussion, in a meeting held at the Manhattan Opera House, Rev. John Haynes Holmes of the Community Church, taking the positive, and Clarence Darrow, taking the negative, debated the following proposition: "A Resolution that the United States should continue the policy of prohibition as defined in the 18th Amendment." The meeting was chaired by Senator Royal S. Copeland and introduced by Benjamin Javits.