Showing results by narrator "Denis Daly" in All Categories

Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

This collection of bush ballads, published in 1895, contains some of the most iconic pieces of Australian poetry and has served as the source material for many paintings, films, and stage presentations.

This collection of miscellaneous essays was published posthumously in 1921. In the first and largest section, The Hidden Power, the author identifies Spirit as the "innermost within" of all things and the unseen essence of all phenomena. He develops this proposition to claim that Spiritual Science has fixed laws just as does Physical Science, and that an understanding of the laws could enable man to develop powers of which he is currently unaware. The other essays cover a range of topics relating to metaphysics, the Bible and other arcana of religion.

In the 19th century, when books were comparatively rare and expensive, encyclopedic compendiums about managing households became very popular. The most notable example in this genre is Isabella Beeton's Book of Household Management, first published in 1861. Three years later, Edward Abbott, who described himself as an “Australian Aristologist”, published The English and Australian Cookery Book, which has the subtitle Cookery for the many, as well as the for the ‘upper ten thousand’.

Helena Petrovna Blavatsky is best known as the cofounder of theosophy, which is essentially a selective conflation of Hindu and Buddhist ideas combined with Blavatsky's idiosyncratic system of cosmology. The Voice of the Silence, first published in 1889, is described by the author as "chosen fragments from the Book of the Golden Precepts, for the daily use of disciples".

First published in 1872, The Martyrdom of Man has been described as the first synoptic history of mankind. It was one of the first surveys of history based on the then-controversial principle of organic evolution. The book received a very mixed reception: Cecil Rhodes lauded the work, stating that it had "made him the man he was", while William Ewart Gladstone stated that it was so dangerous that it should be banned.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

This is is the second of the verse novels by C.J. Dennis and was published in 1916. It describes the adventures of Ginger Mick, a rough and ready associate of Bill, the major character of The Songs of a Sentimental Bloke. After starting life on the criminal fringes of the dubious neighbourhood of Spadger's Lane, Mick signs up for service in the ill-fated Gallipoli campaign, where he dies a hero's death.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

After many years living abroad with her longtime lover, Lady Catherine Champion-Cheney visits her former marital home, now occupied by her son, Arnold, and his wife, Elizabeth. Also present is her estranged husband, Clive, who lives in a cottage on the estate. Elizabeth has become dissatisfied with the life she leads with her wealthy husband, who is very occupied with his political career, and she encourages the advances of a dashing but impecunious suitor, Teddy Luton.

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Norman Lindsay’s classic tale about an anthropomorphic pudding and its band of protectors was written in 1917, in response to an argument between Lindsay and the critic and anthologist Bertram Stevens about the types of stories that would appeal most to children. In retrospect it appears that Lindsay clearly won the argument. The book has never been out of print in Australia and has been adapted for presentation as a film, a stage play, and an opera. It has been described by eminent children’s author Philip Pullman as "the funniest children's book ever written."

Alexander Pope (1688-1744) was the most notable literary figure of his time, just as John Dryden (1631-1700) had been of the preceding age. He was born in London, the son of a prosperous linen merchant, and to his dying day, he remained the poet of the town rather than of the country.

The Rubaiyat of Omar Khayyam is a poetic marvel, a work that has survived translation into many languages, while losing little of its force and its wry character. As a source of literary imagery and memorable quotations it ranks with the Bible and the works of Shakespeare. While Edward Fitzgerald was neither the first nor the most scholarly of the English translators of the Rubaiyat, his translation has been largely responsible for the world-wide popularity of this monument of classic Persian poetry.

The four canonical gospels contain little information about the childhood of Jesus. To provide details of this period, a number of infancy gospels were composed in the second century, the text of this recording being one of the most notable. In this book, the sketchy infancy narrative of the Gospels of Matthew and Luke is embellished in great detail. The events of Jesus’ boyhood days, richly garnished with tales of miraculous feats and the occasional visitation of punishment on unfortunate delinquents, are also described.