Showing results by publisher "Magpie Audio" in Science Fiction & Fantasy

H. G. Wells is rightly regarded as one of the founding fathers of the science fiction genre. This compilation of nearly 20 hours' duration comprises four of his finest sci-fi works, and they really need little introduction. They are, in order: The Time Machine, The War of the Worlds, The First Men in the Moon and The Island of Doctor Moreau. They are complete and unabridged and narrated by Greg Wagland.

H. G. Wells' classic science fiction work, first serialized in 1897, is one of many invasion narratives prevalent in British literature towards the end of the 19th century. However, The War of the Worlds not only introduces the extraterrestrial element of brutal Martian forces on the rampage but also explores many other contemporary issues and themes.

The Island of Doctor Moreau is a science fiction novel by H. G. Wells, first published in 1896. It recounts the adventures of shipwrecked Edward Prendick, who is rescued only to be set adrift near the volcanic, tropical island of Doctor Moreau, an obsessive vivisectionist who 'artistically' carves human beings from animals.

The First Men in the Moon, published in 1901, is the gripping tale of man's first journey to the moon, undertaken by one Mr. Bedford, a bankrupt businessman; and the eccentric scientist Mr. Cavor. Here they discover a sophisticated civilization, dominated by an insectlike race they call the Selenites. It is exciting, funny, profound and tragic by turns: a beautifully written scientific romance, in fact. It is read by Greg Wagland.

H. G. Wells' novel of 1895 popularised the idea of vehicular time travel in this classic sci-fi tale. The eponymous hero finds himself in the land of the Eloi and the Morlocks. In some ways these encounters foreshadow another, less remote future which George Orwell conjures in Nineteen Eighty-Four: that of the nascent rift between the proles and the Party elite.

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!