Showing results by publisher "Random House Audio" in World Literature

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.

On the morning after Harry Cline’s funeral, a rare ice storm hits the town of Wesleyan, Georgia. The community wakes up to find its controversial statue of Confederate general Henry Benning destroyed—and not by the weather. Half the town had wanted to remove the statue; the other half had wanted to preserve it. Now that the matter has been taken out of their hands, the town’s long-simmering tensions are laid bare. When the Moon Turns Blue is a timely novel about family, friendship, and what can happen when we discover that we don’t particularly like the people we love.

Zwei Sprachliebhaber präsentieren ihr Herzensprojekt. Ulrich Tukur und Christian Redl wollen an die Anfänge, an den Ursprung von Theater erinnern: den Text, die Sprache mit der man eine gute Geschichte erzählt. Neben ihren Lieblingsgedichten haben sie sich dazu eine zu Unrecht fast in Vergessenheit geratene Form ausgesucht: Die Ballade. Wie der Kriminalroman lebt sie von Spannungsmomenten und Knalleffekten. Und wie in diesem verwandten Genre geht es immer um Mord, Ehebruch, Verführung, Kindsmord und unerwiderter Liebe.

Eve is a reluctant mother; Eve is a famous phenomenon; Eve is a quiet country teacher. Liam is a successful artist; Liam is a scheming husband; Liam is a gentle partner. Pari is a leading scientific researcher; Pari is a recognized model; Pari is a picture of declining mental states.

“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics? The Subplot takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel laureate Mo Yan, and what is widely hailed as a golden age of Chinese science fiction.

In The Resignation, Jainendra tells the story of Mrinal, a young woman whose uncompromising idealism results in her family and society rejecting her completely. Almost 75 years after it was written, the story of Mrinal’s struggle against stultifying social norms and her fierce individualism remain startlingly relevant.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Genevieve, a single mother, flies from New York to Port-au-Prince with her teenage son, Miles. The trip is meant to be an education for fifteen-year-old Miles—a chance to learn about his family’s roots while coming to terms with his father’s departure—but it’s also an excuse for Genevieve to escape the city, where her life is dominated by her failed marriage and the daily pressures of raising Black children in America.

The title poem, a series of sonnet-sized Zoom meetings - a classroom, a memorial service, an encounter with a new baby in the family - finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: In “Island Diaries”, the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero.

The Path of Light is a collection of short stories nothing if not a mirror to the phenomenal range of human behavior. Taken from the Upanishads to the Jatakas to South Asian folklore, these simple but contemplative tales reveal how people are capable of both extreme cruelty and inordinate kindness.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

As Michael maneuvers through his working-class neighborhood delivering groceries, he enters the homes and lives of his customers. He’s confronted by the school yard and street corner violence of local thugs. With the 1967 Arab-Israeli War fresh in public memory, he passes for Greek or Italian and never summons the courage to explain, exactly, who he is or where his parents came from.

Disquiet transports the listener to the contemporary Middle East through the stories of Meleknaz, a Yazidi Syrian refugee, and Hussein, a young man from the Turkish city of Mardin near the Syrian border. Passionate about helping others, Hussein begins visiting a refugee camp to tend to the thousands of poor and sick streaming into Turkey, fleeing ISIS. There, he falls in love with Meleknaz - whom his disapproving family will call “the devil” who seduced him - and their relationship sets further tragedy in motion.

"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")—the epigraph of Machete—sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.

For more than four decades now, by way of innumerable short stories, essays, poems, and novels, Ruskin Bond has championed simplicity and quietude in life and in art. This collection of essays and episodes from his journals is, in his own words, "a celebration of my survival as a freelance".

Nico Tortorella's debut poetry collection presents a singular voice honed through years as an actor, podcaster, and advocate, one colored with love, wonder, and endless curiosity. But it is also more than just words - it is a sensuous journey into who we are and how we relate to the world around us, showing how the connections we make are vital to understanding why we are here. Provocative, enlightening, and emotionally charged, all of it is you. is a poetry experience like no other.

When Eli first meets Sam, he is dazzled by his new friend's charisma, energy, and determined passion. Both graduate students in New York City, the two young men bond over their idealism, their love of poetry, and their commitment to socialism, both in theory and in practice - this last taking the form of an organized protest against Soline, a giant energy company that has speculated away the jobs and savings of thousands. As an Occupy-like group begins to coalesce around him, Eli realizes that some of his fellow intellectuals are more deeply - and dangerously - devoted than others.

Lars Ruppels Slam-Poetry kommt daher wie Ringelnatz in Baggy Pants, wie Heinz Erhardt in Nietenjacke, wie ein Feuilletonist auf Speed auf einem Scooter-Konzert. Lars Ruppel macht sich einen Reim auf Redensarten. Wer weiß schon, wer der liebe Herr Gesangsverein ist, was Herr Specht nicht schlecht macht oder gar Schmidts Katze im Schilde führt? Poetisch-anarchisch, höchst unterhaltsam und famos gereimt.

Als Mädchen ist sie im Rhein hinter den Kohleschleppern hergeschwommen. Sie hatte den jungen Männern in Mainz die Köpfe verdreht. Doch als die Nazis an die Macht kommen und die junge Jüdin Gudrun Samuel sich entscheidet, mit gefälschten Papieren Deutschland zu verlassen, wird sie gefasst und kommt in Gestapo-Haft. Ihr gelingt die Flucht, aber sie ist nun nicht mehr das Mainzer Mädchen Gudrun, sondern die flüchtende Judy.