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Autobiography of a Brown Buffalo
- Narrated by: Henry Levya
- Length: 8 hrs and 21 mins
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«Te diré que a Dios no podrían importarle menos los pobres. Dime, ¿por qué tenemos que vivir aquí de este modo? ¿Qué hemos hecho para merecer esto? Eres tan bueno y, sin embargo, sufres tanto», le dice un niño a su madre en este clásico en literatura migrante de Tomás Rivera. Fuera del gallinero en el que viven, su padre llora de dolor por los insoportables calambres que le provoca trabajar todo el día en el campo a merced del sol. El niño no es capaz de entender la fe de sus padres para con un dios capaz de imponer semejante sufrimiento, pobreza e injusticia a personas inocentes.
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- By: Hunter S. Thompson
- Narrated by: Ron McLarty
- Length: 6 hrs
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In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.
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better than the movie (almost!)
- By Clasina on 14-12-2016
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The Rum Diary
- By: Hunter S. Thompson
- Narrated by: Campbell Scott
- Length: 3 hrs and 53 mins
- Abridged
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Performance
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Story
The Rum Diary was begun in 1959 by a then-22-year-old Hunter S. Thompson. It was his first novel and he told his friend, the author William Kennedy, that The Rum Diary would "in a twisted way...do for San Juan what Ernest Hemingway's The Sun Also Rises did for Paris."
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Under the Feet of Jesus
- By: Helena Maria Viramontes
- Narrated by: Nancy Ticotin
- Length: 4 hrs and 36 mins
- Unabridged
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Overall
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Performance
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Story
What Estrella knows of life comes from her mother, who has survived abandonment by her husband in a land that treats her as if she were invisible, even though she and her children pick the crops of the farms that feed its people. But within Estrella, seeds of growth and change are stirring. And in the arms of Alejo, they burst into a full, fierce flower as she tastes the joy and pain of first love. Pushed to the margins of society, she learns to fight back and is able to help the young farmworker she loves when his ambitions and very life are threatened in a harvest of death.
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... y no se lo tragó la tierra [...And the Earth Did Not Swallow Him]
- By: Tomás Rivera
- Narrated by: Yareli Arizmendi, Alberto Santillán, Cynthia De Pando, and others
- Length: 2 hrs and 6 mins
- Unabridged
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Performance
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«Te diré que a Dios no podrían importarle menos los pobres. Dime, ¿por qué tenemos que vivir aquí de este modo? ¿Qué hemos hecho para merecer esto? Eres tan bueno y, sin embargo, sufres tanto», le dice un niño a su madre en este clásico en literatura migrante de Tomás Rivera. Fuera del gallinero en el que viven, su padre llora de dolor por los insoportables calambres que le provoca trabajar todo el día en el campo a merced del sol. El niño no es capaz de entender la fe de sus padres para con un dios capaz de imponer semejante sufrimiento, pobreza e injusticia a personas inocentes.
Publisher's Summary
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo", a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.
Authored with uninhibited candor and manic energy, this audiobook is Acosta's own account of coming of age as a Chicano in the psychedelic '60s, of taking on impossible cases while breaking all tile rules of courtroom conduct, and of scrambling headlong in search of a personal and cultural identity. It is a landmark of contemporary Hispanic American literature, at once ribald, surreal, and unmistakably authentic.
Critic Reviews
"Immensely readable.... A Chicano Manchild in the Promised Land." (Publishers Weekly)
"Acosta has entered counterculture folklore. This is the life story of a man whose pain is made real, whose roots are in question, and whose society seems to be fragmenting around him." (Saturday Review of Literature)
"The most straightforward account of a Chicano's journey in search of a dream...." (The Los Angeles Times)