Showing titles in Ghosts

At the novel's centre: the vampire Lestat de Lioncourt, hero, leader, irresistible force, irrepressible spirit, battling (and ultimately reconciling with) a strange otherworldly form that has taken possession of his undead body and soul. This ancient and mysterious power and unearthly spirit of vampire lore has all the force, history and insidious reach of the unknowable universe.

Julie Chan didn’t mean to steal her identical twin’s life. She meant to call the police when she found the body. She meant to dial 911. Except when she unlocked Chloe’s phone to make that call, she also gained access to her estranged sister’s sponsorship deals, her followers, her wealth, her whole life. And Julie’s not prepared to give it back. Not yet. So it's goodbye Julie... Now all Julie has to do is keep her head down and blend in with the beautiful Belladonnas, the tribe of influencers who had welcomed Chloe in to their inner circle before she died.

Welcome to Borley Rectory, the most haunted house in England. It's 1926. Sarah Grey has a new job - assistant to Harry Price, London's most infamous ghost hunter. Harry has devoted his life to exposing the truth behind England's 'false hauntings', and never has he left a case unsolved. They are invited to Borley Rectory - a house so haunted that objects fly through the air. But when night falls, they're forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real.

It was the dead thing they found hanging from a tree that changed the trip beyond recognition. When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. A shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives.

Eileen Merriweather loves a good love story. The fictional kind, anyway. After all, imaginary men don’t break your heart. That’s why she’s so excited for her annual book club retreat – instead, when her car breaks down en route, Eileen finds herself in Eloraton. A town where every meet is cute, the rain always comes in the afternoon, and the bookshop is always curated with impeccable taste. It feels too good to be true . . . because Eloraton is the setting of her favourite romance series. And Eileen is sure she must be here to bring the town its storybook ending.

A lone narrator meets a railway worker who is confined to a cold, gloomy station in a deep cutting near a tunnel entrance. This worker is a signalman, and it is his responsibility to give the green light for trains to pass through the area. These are slow, monotonous days. The signalman’s life is not marked by much, until the nightmares begin. Three times in a row, a ghost mysteriously appears before the signalman – and with each apparition, a tragic accident unfolds on the rail tracks. Although our narrator doubts the man at first, events soon make him a believer too.

Hannah Evans startles awake, covered in gore, in a place she doesn't know. Captured and restrained in the hands of strangers, she struggles frantically to remember who she is. And then she sees the needle she was injected with...and the bodies. Before long, she's thrust into a desperate struggle to survive. Navigating a crumbled landscape, fighting for her breath and her humanity, Hannah clings to the shallow hope that her family is still alive.

Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted.

April and Eddie have taken a wrong turn. They're on a long dark road, late at night, and they see a woman up ahead, clearly in trouble. They stop and pick her up. It's only once she's in the car that they see the blood. And then they see the headlights, and at last, the woman speaks, her voice faint. "I'm sorry, he's coming."

Joyland is a whodunit noir crime novel and a haunting ghost story set in the world of an amusement park. It tells the story of the summer in which college student Devin Jones comes to work as a 'carny' in small-town North Carolina and has to confront the legacy of a vicious murder, the fate of a dying child, and the way both will change his life forever. It is also a wonderful coming-of-age novel about friendship, loss, and your first heartbreak.

Cadi’s pen was in her hand, her mind in the past with Elen. She ran her fingers over the words on the page, hoping the past would come alive again. Following her pen, the ghostly story was revealing itself in a misty meadow, two thousand years ago.

A ghostly twist. Three nights of terror at the house called Edbrook. Three nights in which David Ash, there to investigate a haunting, will be victim of horrifying games. Three nights in which he will face the blood-chilling enigma of his own past. Three hideous nights before Edbrook's dreadful secret will be revealed...And the true nightmare will begin.to the surface, tormenting him, refusing to let him rest. The memory of what he once had been.

England, 1881. Hereford Cathedral stands sentinel over the city, keeping its secrets, holding long forgotten souls in its stony embrace. Hecate Cavendish speeds through the cobbled streets on her bicycle, skirts hitched daringly high, heading for her new life as Assistant Librarian. But this is no ordinary collection of books. The cathedral houses an ancient chained library, wisdom guarded for centuries, mysteries and stories locked onto its worn, humble shelves. The most prized artifact, however, is the medieval world map which hangs next to Hecate’s desk.

Lauren and her father, Niall, live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she’s gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren’s mother a decade ago.

In this classic collection of four novellas, the grand master takes you on irresistible journeys into the far reaches of horror, heartache and hope. 'Rita Hayworth and Shawshank Redemption' is the story of two men convicted of murder - one guilty, one innocent - who form the perfect partnership as they dream up a scheme to escape from prison. In 'Apt Pupil' a golden schoolboy entices an old man with a past to join in a dreadful union.

On winter solstice, the birds disappeared, and the mist arrived. The inhabitants of Nebulah quickly learn not to venture out after dark. But it is hard to stay indoors: Cabin fever sets in, and the mist can be beguiling too. Eventually only six remain. Like the rest of the townspeople, Pete has nowhere else to go. After he rescues a stranded psychic from a terrible fate, he’s given a warning: He will be dead by solstice unless he leaves town - soon.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

1867. On a dark and chilling night Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor. It is the start of a journey into a world of abandoned children, unexplained occurrences and terrifying experiences which Eliza will have to overcome if she is to survive the secrets that lie within Gaudlin’s walls.

In a dusty postwar summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. But are the Ayreses haunted by something more sinister than a dying way of life?

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.