Showing results by publisher "Audible studios" in Anthologies & Short Stories

Last year, Night Shade Books unleashed The Book of Cthulhu onto an unsuspecting world. Critically acclaimed as the ultimate Cthulhu anthology” and a must read’ for fans of Lovecraft’s Cthulhu mythos,” The Book of Cthulhu went where no collection of mythos tales had gone before: to the very edge of madness and beyond. For nearly a century, H. P. Lovecraft’s tales of malevolent Great Old Ones existing beyond the dimensions of this world, beyond the borders of sanity, have captured and held the imaginations of writers and aficionados of the dark, the macabre, the fantastic, and the horrible. Now, because you demanded more, anthologist Ross E. Lockhart has risked all to dive back into the Cthulhu canon, combing through mind-shattering manuscripts and moldering tomes to bring you The Book of Cthulhu 2, with even more tales of tentacles, terror, and madness.

Pitting ordinary men and women against a carnivorous, chaotic cosmos, Occultation's eight tales of terror (two never before published) include the Theodore Sturgeon and Shirley Jackson Award-nominated story "The Forest" and Shirley Jackson Award nominee "The Lagerstatte."

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.

The Doll Collection is exactly what it sounds like: a treasured toy box of all-original dark stories about dolls of all types, including everything from puppets and poppets to mannequins and baby dolls. Featuring everything from life-sized clockwork dolls to all-too-human Betsy Wetsy-type baby dolls, these stories play into the true creepiness of the doll trope but avoid the clichés that often show up in stories of this type.

Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.

For over three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror listeners crave. Now, with the eighth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the audio of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman; Kelley Armstrong; Stephen King; Linda Nagata; Laird Barron; Margo Lanagan; and many others.

A short ghost story from the best-selling author of Abbot's Keep. A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset clifftops only to find the building is not completely empty.

Five haunting tales from Benedict Ashforth, the best-selling author of Abbot's Keep.

In her debut short story collection, M.J. Pack offers up a new breed of terror sure to delight any true horror fan. Don’t miss out on tales of telepathic twins, a campfire ghost story gone terribly wrong, pills that induce life-threatening nightmares, and the disturbing new sideshow at Coney Island: Lady Alligator. Take a haunting trip down infamous Bubblehead Road and follow Danny around the country as he’s pursued by unseen (and unrelenting) creatures.

Nitya, a single child ignored by her parents, makes an unlikely friend - a boy with a strange power who has mysteriously manifested in her room. Nikhil creates a replacement for his dead mother - a clay doll that has her likeness. Things take a bizarre turn when his clay mother starts communicating with him. Nihar, a teenage orphan, has walked a long way to seek shelter in an orphanage he has heard a lot about, unaware that it is the house of a terrifying secret.

Long lost to the public in out-of-print pulp magazines, dusty Victorian anthologies, and the pages of now defunct newspapers, these vintage vampire stories have truly proved immortal. Resurrected now for the year 2011, this is a stunning collection of nineteenth-century vampire stories by heavyweights such as Sabine Baring-Gould and Bram Stoker. These rare stories are arranged in chronological order from 1846 to 1913 and are compiled by two of the world's leading vampire anthologists and experts.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

The Cottage on the Hill is a horror story, but it’s a J. Robert Lennon horror story, in which the characters’ loneliness - their disconnectedness, their inability, at times, even to speak or listen to one another - is more chilling than any of the supernatural elements.

Now, available in audio for the first time, Side Effects is narrated by Woody Allen himself. A humor classic by one of the world’s funniest writers, Side Effects is a treat for Allen fans and those just discovering how gifted he is. In classics including "Remembering Needleman", "The Kugelmass Episode", "Confessions of a Burglar", and others, Allen discusses such subjects as the nature of relativity, the UFO menace, and the predicament of modern man.

Andrew Sachs reads these four classic stories of suspense - "The Signalman" by Charles Dickens, "The Haunted Doll's House" by M. R. James, "The Room in the Tower" by E. F. Benson, and "The Bus-Conductor" by E. F. Benson. These spine-tingling tales, from the golden age of the ghost story, are sure to leave you with a creeping sense of dread.

These are stories that explore the scarred outposts of desperation and desire, sickness and death, sex and decay. Within this audiobook, you will also find the acclaimed novella Nearly People (nominated for awards by the International Horror Guild and the British Fantasy Society), in which a woman's search for food in a nightmarish city brings her attention from an enigmatic man known as The Dancer, and a host of terrible epiphanies.

Award-winning horror writer and master of the macabre, Graham Masterton presents a blood-curdling array of treats: twelve stories of terror celebrating the bizarre and grotesque, guaranteed to quicken the pulse. Marvel at the mirror dug up in secret and better off buried... Thrill at a pair of lovers, whose promises to each other lead them down a disturbing path. Observe the haunted house... Come closer, dear reader - the hour of the festival is upon us.

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.