Showing results by narrator "Shaheen Khan" in All Categories

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

Among the rarefied circles of Mumbai's posh Temple Hill, there is nothing more tragic than loss of face—not even loss of life. Radhi's pregnant best friend Sanjana's father is found dead in his study. Everyone says it's suicide. And yet, just hours before, he was telling Sanjana that he couldn't wait to hold his grandchild in his arms. Something feels off to Radhi. Her suspicions are further raised by the surly cook and timid young maid's odd behaviour. And who did the second cup of tea on his desk belong to? Radhi is determined to uncover the truth.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

Two years after the events of Pride and Prejudice, Miss Caroline Bingley is staying at her brother's country estate close to Pemberley, wondering if there's more to life than cribbage and paying calls. So when Georgiana Darcy's maid, Jayani, vanishes and Georgiana disappears in search of her, Caroline races after them to London, only to discover a shocking, cold-blooded murder. Soon Caroline is careering through the grimy underbelly of the city, demanding answers of malevolent footmen, reluctant magistrates, Indian dockhands, and mysterious East India Company men.

Eve is clearing her father’s house when she finds an old cassette player and a box of tapes. Though grieving, she smiles at the spark of nostalgia. One tape is labelled ‘Eve’–in her mother, Angela’s, scrawled handwriting. She disappeared for good more than ten years ago. The tape whirrs. A voice crackles. ‘My name is Angela’. Tears fill Eve’s eyes at the familiar voice–at the thought her mother recorded this message just for her. But the next words make her heart pound.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world.

What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical, economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction.

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

With her thirtieth birthday on the horizon, Anna Kotze has accepted that there are some family secrets she’ll never know. While her mother’s Zimbabwean roots are woven into her life, all her father will say is that he was adopted. But when she finds an engraved necklace hidden among his things, a surprise piece of the puzzle finally falls into place: her father wasn’t just adopted—he was abandoned. The only clue to her grandmother’s identity is the inscription, ‘Indira’, Anna’s own middle name. But who was her namesake and where is she now?

In her 30 years as Temple Hill's most renowned matchmaker, Sarla thought she'd seen it all. Blissful unions, marriages of convenience, Mr. and Mrs. Good Enough. Not to mention the bitter unfortunates who never made it down the aisle. She's received as many threats as thank-yous along the way. Surely no one would actually harm her. A series of threatening notes, sent in blood-red envelopes, suggest otherwise. Then the body of a woman is found at Sarla's office, sprawled on her stomach next to a heavy bronze statue of the Nataraja — the god of dance. Who was the intended victim?

In a small pocket of the city, between the houses of No.77 and No.79 on Eastbourne Road, there’s a neglected community garden. Once vibrant and welcoming, and a sanctuary for the people when they needed it most, the garden’s gate is firmly closed. But it only takes a small seed of an idea for big changes to happen. And as the neighbours’ need for connection grows, the twilight garden comes out of hibernation.

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations.

Meet Tula, Vinny, Jabeen, Sonal and Samina - best friends and members of the 'Girlie’ club. Listen to this joyous exploration of friendship, family, work and womanhood in the British Asian community in the 90s. In their regular gatherings for ‘Girlie’ evenings the friends drink, laugh, blow off steam and commiserate. Nothing is sacred and friendships are tested, marriages analysed, and secrets exposed.

Karna's Wife: The Outcast's Queen tells the extraordinary story of Karna, the unsung hero of the Mahabharata, through the eyes of his wife, Uruvi, bringing his story to the listener from a unique perspective. An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family.

When Detective Nikki Parekh receives a set of threatening postcards, she knows it can only mean one thing… The man who escaped arrest after murdering her mother two years ago is back. Each postcard has a similar message: You’re next Parekh. As the post marks on the cards gradually get closer to Bradford, Nikki must do everything she can to protect her family and catch the killer before it’s too late. But when human remains are found in a remote barn on the icy Yorkshire moors, Nikki’s attention is pulled away from her family.

Brought to you by Penguin. Eight self-drive cars set on a collision course. Who lives, who dies? You decide. When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war...

In Competition Is Killing Us, top business and competition lawyer Michelle Meagher establishes a new framework to control capitalism from the inside in order to make it work for the many and not just the few. Meagher has spent years campaigning against these multi-billion- and trillion-dollar mammoths that dominate the market and prioritise shareholder profits over all else; leading to extreme wealth inequality, inhumane conditions for workers and relentless pressure on the environment.