Showing titles in Horror

London. A city drowning in fog. Amid that fog, a man with no name dies above a strange junkshop. Threads of mist and intrigue weave around a court case with no resolution, linking great country houses with the lowest slum in the city, mingling the high-born with a boy who sweeps the filthy streets, enshrouding devious plots and sudden murder, bringing together two extraordinary women – Lady Dedlock and Esther Summerson - who seem to have nothing whatsoever in common but who will find themselves inextricably linked.

When Sarah’s summoned by her godmother to remote Norfolk, she doesn’t want to go. Crossing the bridges where the two rivers meet, said to be haunted by the ghost of a little boy, a large Tudor house looms in front of her. And Sarah’s instantly reminded her of the summer when she last visited. The summer she would like to forget. Which left her unable to ever move forward… Can a person ever recover from the loss of a sibling?

“I will probably be clutching Flowers in the Attic…on my deathbed.” —Gillian Flynn, #1 New York Times bestselling author of Gone Girl Forbidden passions have shaped and haunted the Dollanganger family since their first novel—Flowers in the Attic—debuted forty years ago. Now discover...

For Ryun and Zach, the tournament is the place where they can test themselves against the best the Infinite Realm has to offer. To find their place in this new world. New faces and new threats arise as everyone converges to the same territory, and the entire world is watching. But the Infinite Realm is a cruel place, and sometimes, people forget that the beings that created it have their own agenda.

For years, I have been living in secret, in a safe haven called Eridian for wolves and others alike inside The Deadlands. Hiding from the Highers' laws and the eyes of the Elites, the Highers' weapon, I make sure we survive the best we can while we live our simple lives. When we collected a female in need to bring her back to Eridian, it was supposed to go as planned, like any other time. And it did until a letter changed it all. As Alpha of Eridian, I have to keep our home a secret and my pack safe at any cost. Even if the cost is me.

Upon awakening in an abandoned lab, Evelyn is empowered by a system that grants her bloody magical powers in exchange for finishing missions and consuming her enemies. She knows one truth: no matter the cost, she will advance. She'll manipulate allies and spread demonic corruption with a smile if that's what it takes to level up. Her first mission is to escape the lab's other newly born creations. But once she steps foot into the world outside of the lab, she must contend with people who forbid her existence and who will work to eradicate those with her powers from the face of the planet.

After seven long years of conflict, the Horus Heresy nears its end. But now, as the Warmaster Horus marches on Terra to rip his father from the Throne, the seat of the arch-traitor’s power lies empty. Cthonia, a world once dominated by brutal murder-gangs, is occupied by the Emperor’s praetorians—the indomitable Imperial Fists. For the Sons of Horus, this outrage demands a reckoning.

Seven years on the run from her abusive father, and with no hope of sanctuary among the dwindling pockets of human civilization, Lark is out of options. Her only leverage is a cursed power: she can thrust fear onto others, leaving all threats fleeing in terror. It’s a means of survival as she searches for a place to call home. If the campfire myths of her childhood are true, Lark’s sole chance for refuge could lie in Cagmar, the city of trolls—a brutal species and the sworn enemies of humanity.

A chilling anthology in tribute to the genius of Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant, and strange, her stories have inspired a generation of writers and listeners. This anthology, edited by legendary horror editor Ellen Datlow, brings together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.

The elite witches are seeking to cut Tetrarch Doc Holliday's reign short as they make a play to seize power. As Doc races the clock to save the victims of Blackwater, the witches' personal prison, it becomes increasingly clear that war is inevitable. But if it's a war the elites want, then a war is exactly what Doc will give them....

I devoted my life to a king who was not my own. On the road to ultimate honor and glory, I lost everything. Now, in a world ravaged by the whims of those who rule, I must turn my back on a lifetime of friendships and loyalties to face my own fate. The Savage Prince. Heir to the high-fae throne of the Southern Lands, he is known for his brutality and cold heart. But with the kingdom on the brink of ruin, I have no choice but to seek him out.

Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.

In the shadow of Eryispek—a mountain said to have no summit—a dark power is stirring. Storms rage in the frozen heights. Unexplained disappearances shake the kingdom below. And old enemies are sharpening their swords.

For Callypso Lillis, the fae magic that now runs through her veins is equal parts curse and good fortune. While it bonds her to Desmond Flynn, her soul mate and the King of Night, it also leaves her newly vulnerable to the Thief of Souls, who wants to break the Otherworld … and Callie along with it. But it’s not just the Thief whose shadow looms over the fae realms. Des’s father, the previous King of Night, has returned from the dead, and he wants revenge on the son who sent him to the grave in the first place.

When horror-obsessed Riley Lawrence and his group of college friends arrive in the small town of Carousel for their Centennial Celebration, the few decrepit cars parked in the street don’t scare them. But when they enter a locked building, an animatronic usher hands them each a ticket, and the lights dim, Riley realizes they’ve entered the inescapable patchwork of a horror movie set. And they’ve each been assigned an archetype—Scholar, Athlete, Eye Candy, Final Girl—to play out as the curtains rise.

The tale again comes to us from the pen of Murgen, Annalist and Standard Bearer of the Black Company. Led by the wily commander, Croaker, and the Lady, the Company is working for the Taglian government, but neither the Company nor the Taglians are overflowing with trust for each other. Arrayed against both is a similarly tenuous alliance of sorcerers, including the diabolical Soulcatcher, the psychotic Howler, and a four-year-old child who may be the most powerful of all.

In a childhood fractured by abuse and neglect, the monster under my bed was my unlikely guardian. The bloody night he abandoned me left me broken, and alone for too many years. But now he’s back. As I’ve matured, so has my need for him. My desires are dark, perverse, and only my monster can satisfy them. At first he refuses to touch me the way I so desperately need. But then his shadows pin me open and tear me apart until I am remade in his darkness. Though my protector has returned, my world is unraveling, ripped apart by the evils of men and the creatures that stalk me from the dark.

India Morgan Phelps - Imp to her friends - is schizophrenic. Struggling with her perceptions of reality, Imp must uncover the truth about her encounters with creatures out of myth - or from something far, far stranger....

Bram Stoker's masterpiece is at the same time intensely romantic and very modern. It unfolds the story of a Transylvanian Don Juan, the aristocratic Count Dracula who preys on desirous damsels.

Pyrre Lakatur is not, to her mind, an assassin, not a murderer - she is a priestess. At least, she will be once she passes her final trial. The problem isn't the killing. The problem, rather, is love. For to complete her trial, Pyrre has ten days to kill the seven people enumerated in an ancient song, including "the one who made your mind and body sing with love / who will not come again." Pyrre isn't sure she's ever been in love.