Showing results by publisher "Wavesound from W. F. Howes Ltd" in Psychological

Darren has two big talents: cricket and trouble. It is no surprise, then, that he becomes an Australian sporting star of the bad-boy variety - one of those men who's always got away with things and just keeps going...until the day we meet him, middle aged and in the boot of a car, and everything pointing towards a shallow grave.

A woman abandons her city life and marriage to return to the place she grew up, finding solace in a small religious community hidden away on the stark plains of the Monaro. She does not believe in God, doesn't know what prayer is, and finds herself living this strange, reclusive life almost by accident. As she gradually adjusts to the rhythms of monastic life, she ruminates on her childhood in the nearby town. She finds herself turning again and again to thoughts of her mother, whose early death she can't forget.

Tony had found me. Or, he’d found Maggie. I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don’t think it’s so ridiculous. People have gone to prison for much lesser things than accusations of child-killing. A quiet, small-town existence. An unexpected Facebook message, jolting her back to the past. A history she’s reluctant to revisit: dark memories and unspoken trauma, warning knocks on bedroom walls, unfathomable loss.

It's in the water where she first sees him: a local man almost twenty years her senior. Adrift in the summer after finishing college, a young woman is on holiday with her mother in an isolated Australian coastal town. Finding herself pulled to Jude, the man in the water, she begins losing herself in the simple, seductive rhythms of his everyday life. As their relationship deepens, life at Sailors Beach offers her the stability she has been craving as the daughter of two drifters. But the arrival of Maeve, a friend from Jude's past, threatens to rock their fragile newfound intimacy.

You Must Remember This is an eloquent jumble of a family story, as experienced by Grace, an elderly woman with dementia trying to get her moorings in a worsening storm. It contemplates the perils of remembering and forgetting, making your own way in the world and how we seem bound to repeat the patterns of the past. Most profoundly it's about sensing what it's like to live on while your faculties dim, and about finding peace.

After fleeing to Melbourne in the wake of a breakup, all Ana has to show for herself is an unfulfilling job at an overly enthusiastic tech start-up and one particularly questionable dating app experience. Then she meets Evan. Charming, kind and financially responsible, Evan is a complete aberration from her usual type, and Ana feels like she has finally awoken from a long dating nightmare. As much as she tries to let their burgeoning relationship unfold IRL, Ana just can't resist the urge to find Evan online.

Hannah and Stef have always been there for each other. Growing up in a loving family, they're stunned to discover their mother adopted out a child before their parents met. When Alex walks into their lives, the sisters are seduced by his charm, wealth and social status. But as they rush to make up for lost time, it soon becomes apparent their half-brother's agenda is more complicated and sinister than the Fidler sisters could have imagined.

In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further—into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more. Fiona McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost.

Three women give birth in different countries and different decades. In the near future, they become neighbors in a coastal town in Aotearoa New Zealand. Single parent Keri has her hands full with four-year-old tearaway Walty and teen Wairere, a strange and gifted child, who always picks up on stuff that isn't hers to worry about. They live next door to Janet, a white woman with an opinion about everything, and new arrival Sera, whose family are refugees from ecological devastation in Europe.

Fire in the Head addresses a deep taboo in Australian society—the legacy of child sexual abuse and what victims must endure to bring perpetrators to justice.

Sabine returned carrying a bag containing an effortless pair of Christian Wijnants fringed trousers and Ann Demeulemeeter Crinkle Nero boots. The sales assistant had agreed that the combination made Sabine looks exactly like an artist. Sabine is having a moment. Her new exhibition is opening soon and, as her gallerist says, 'hell is an artist three days before their exhibition opens'. But it's not only this coming milestone that is causing Sabine to melt down. She is being stalked. As exhibition day draws closer, so too does the man who has been watching her.

Natalie King has been hired to do a psychiatric evaluation for the children’s court. A simple custody dispute. But nothing is ever simple. Malik claims his ex-wife, Jenna, is crazy and compulsive; Jenna claims Malik has been abusing their daughter, Chelsea. But what if all the claims are true? Or none? How can Natalie protect the child? And with both parents saying they’re desperate to keep their daughter safe - what if one of them is desperate enough to kill?

Forensic psychiatrist Natalie King works with victims and perpetrators of violent crimes. She rides a Ducati a size too big and wears a tank top a size too small. Likes men but doesn't want to keep one. And really needs to stay on her medication. Now she's being stalked. Anonymous notes, threats, strangers loitering outside her house. Natalie doesn't know who it could be. A hostile former patient? Or someone connected with a current case?

In taut and stylish prose, The Passenger Seat examines how men learn and perform masculinity. Rejecting easy answers, it keeps our eyes trained on the vanishing point where vulnerability edges into violence, alienation into aggression.

Gaelle has a dream job working for a fashion magazine, and a husband who loves her. Life should be perfect, but life does not always go according to plan. Feeling lost and alone, Gaelle flees to a tiny seaside town on the other side of the country. As she revisits the legacy of a strange, sometimes magical childhood in France, Gaelle finds unexpected help from a thirteen-year-old stranger.

Natalie King is back. Her reluctance to live a quiet life has led to severe depression, and now it's time to retreat to the country - a borrowed house on the Great Ocean Road and a low-key research job at a provincial university. But Natalie and trouble have a mutual attraction. Unsurprisingly, Natalie finds herself drawn deep into a local mystery and even deeper into danger....

Every 179 days Robbie forgets everything. He knows this because last time it happened, he wrote himself a letter explaining it. The disorientation. The fear. The bizarre circumstances imposed by the rare neurological condition he lives with. To survive the forgetting - to cope with his recurring loss of identity - Robbie leads a solitary, regimented life. Lives alone. Speaks to no one if he can avoid it. Works to complete a strange herculean task set for him by his former self. And then, with 12 days left before his next forgetting, Julie invades his life.

Seventeen-year-old Georgia has a secret - one that is isolating her from everyone she loves. She's desperate to tell her best friend, but Sophia is ignoring her, and she doesn't know why. Before she can find out, Sophia is left fighting for her life after a hit-and-run, with Georgia a traumatised witness. Georgia's secret is about to go viral, but can her family rise above the lies they've told and fight for what matters most of all?

Vera and Thea are mother and daughter. Vera writes for the internet: she constructs identities and scenarios for brands to cater to the ideal consumer. Yet she also consumes the offerings of the online world herself: the addictive pursuit of a cure, the narratives she craves in which mother and daughter find a way out of the shared experience of chronic illness. She becomes preoccupied with a blog written by a woman named Claudia, a mother whose daughter also has a chronic illness.

Eighteen-year-old Aaron is charismatic, resourceful and addicted to heroin. His mum has kicked him out of home in a last-ditch move to help him get straight, and he wanders the streets of South Melbourne, living on his wits and sleeping rough–all the while chasing drugs, dreams and love. Desperate to fund his addiction, Aaron climbs into the car of The Man, a distinguished elderly gentleman willing to pay for a certain kind of relationship.