Showing results by publisher "Hachette Australia" in Literary Fiction

Tom Edwards is dying, and cranky. He's made his peace with the dying part. But he'd bet his property - the whole ten thousand acres of it - that there'd be no wailing at his funeral. His kids wouldn't be able to chop down a tree, let alone build a coffin to bury him in. Then Tom has an idea ...Christine is furious, David ashen-faced, and Sophie distracted. Only Jenny listens carefully as Vince Barton, of Barton & Sons, reads their father's will. Either they build his coffin - in four days - or they lose their inheritance. All of it.

Once an artist and teacher, Jen now spends her time watching the birds around her house and tending her lush, subtropical garden near the small town where she grew up. The only person she sees regularly is Henry, who comes after school for drawing lessons. When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. When she was Henry's age, she lost her father and her best friend Michael - both within a week.

Some moments change everything. For five friends, what should have been a birthday to remember will instead cleave a line between before and after. From then on, the shockwaves of guilt, sorrow and disbelief will colour every day, every interaction, every possibility. Each will struggle. Each will ask why. Secrets will be kept. Lies will be told. Relationships reassessed. Each friend will be forever changed. And the question all of them will be forced to ask is: can they ever find a way to live without what was lost?

As far as Bani Adam is concerned Punchbowl Boys is the arse end of the earth. Though he's a Leb and they control the school, Bani feels at odds with the other students, who just don't seem to care. He is a romantic in a sea of hypermasculinity. Bani must come to terms with his place in this hostile, hopeless world, while dreaming of so much more.

This is a story about Clare, Louisa and Chris. And sometimes Paul, and less often, Beth. It is most certainly not about frittatas (a terrible concession), and more to do with lemon tart (a perfect contrast of textures). It is about what to do when your husband tells you that he doesn't love you anymore. And what to do when your wife leaves you after too many rounds of IVF. It's about helping your new friend with her funeral catering business, and discovering that, sometimes, the most unlikely of pairings are the very, very best.

Meadow Reed used to get confused when explaining that she had grandparents from Australia, Tonga and Great Britain. She'd say she was full-White and full-Tongan, thinking that so many halves made separate wholes. Despite the Anglo-Saxon genetics that gave Meadow a narrow nose and light-brown skin, everybody who raised her was Tongan. Everybody who loved her was Tongan. This was what made her Tongan.

Jacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running. The natives of the colony are restless. The settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.

Meet Evie, a young woman held captive by a man named Jim in the isolated New Zealand beach town of Maketu. Jim says he's hiding Evie to protect her, that she did something terrible back home in Melbourne. In a house that creaks against the wind, Evie begins to piece together her fractured memories of the events that led her here. Jim says he's keeping her safe. Evie's not sure she can trust Jim, but can she trust her own memories?

Miss Kaye works at The Institute. A place for the damaged, the outliers, the not-quite rights. Everyone has different strategies to deal with the residents. Some bark orders. Some negotiate tirelessly. Miss Kaye found that simply being herself was mostly the right thing to do. Susie was seven when she realised she'd had her fill of character building. She'd lie between her Holly Hobbie sheets thinking how slowly birthdays come around, but how quickly change happened.

Novelist JB Blackwood is on a cruise with her husband, Patrick, to celebrate their wedding anniversary. Her one-time professor, Patrick is much older than JB. A maverick when they met, he seemed somehow ageless, as all new gods appear in the eyes of those who worship them. He is a film director. A cult figure. But now his success is starting to wane and JB is on the cusp of winning a major literary prize. Her art, that has been forever overseen by Patrick, is starting to overshadow his.

East Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived for more than four decades in her beloved coastal village of Cleftwater. Everyone knows Martha, but no one has ever heard her speak. One morning, the peaceful atmosphere is violently shattered and Martha becomes a silent witness to a witch hunt. As a trusted member of the community, she is enlisted to search the bodies of the accused women. But whilst Martha wants to help her friends, she also harbours a dark secret.

Mike Amon is a regular teenager. All he wants is to fit in. He wants to sit at the cool bench. He wants to be a star athlete. He wants his first kiss. He also wants his mum to survive. When his mum is suddenly diagnosed with advanced breast and brain cancer, Mike knows it's a long shot, but if he manages to achieve his dreams, maybe it'll give his mum enough strength to beat an incurable disease.

There is nothing more important than love and refuge. Egypt, 1941. Only hours after disembarking in Alexandria, William Marsh, an Australian corporal at 21, is facedown in the sand, caught in a stoush with the Italian enemy. He is saved by James Kelly, a childhood friend from Sydney and the last person he expected to see. But where William escapes unharmed, not all are so fortunate. William is sent to supervise an army depot in the Western Desert, with a private directive to find an AWOL soldier: James Kelly.

Arctic Circle, 2012. On a lightless day at the end of the polar winter, landscape architect Evie Waddell finds herself exhuming the past as she buries Australian seeds in a frozen mountain vault - insurance against catastrophe. Molong, 1953. Catastrophe is all seven-year-old Paddy O'Connor has known. Shipped from institutional care in London to an Australian farm school, his world is a shadowy place where lies scaffold fragile truths and painful memories.

A brave, tender novel about who we want to be...and who we really are. Cambridge, 1963. Charlotte is struggling. With motherhood, with the changes marriage and parenthood bring, with losing the time and the energy to paint. Her husband, Henry, wants things to be as they were and can’t face the thought of another English winter. A brochure slipped through the letterbox gives him the answer:

Malti Fortune is uneasy. She has turned away from her birthplace of Fiji to make a new life in Melbourne. But all that she thought was certain is now in danger of being swept away. Her husband, Benjamin, a linguist, is a conundrum. He has changed. Or has she? The stories and superstitions of her childhood are telling her something she knows but doesn't want to hear - about being a trespasser, about not belonging.

At seven years old, Millie Bird realises that everything is dying around her. She wasn’t to know that after she had recorded 27 assorted creatures in her Book of Dead Things her dad would be a Dead Thing, too. Agatha Pantha is 82 and has not left her house since her husband died. She sits behind her front window, hidden by the curtains and ivy, and shouts at passers-by, roaring her anger at complete strangers. Until the day Agatha spies a young girl across the street.

Germany, 1907. Frieda, daughter of aristocrat Baron von Richthofen, has rashly married English professor Ernest Weekley. Visiting her family in Munich, a city alive with new ideas of revolution and free love, and goaded by a toxic sibling rivalry with her sisters, Frieda embarks on a passionate affair that is her sensual and intellectual awakening. England, 1912. Trapped in her marriage to Ernest, Frieda meets the penniless but ambitious young writer D. H. Lawrence, a man whose creative energy answers her own needs. 

The flock of nuns and the flock of sheep had been together for so long that the sheep, if they had enough brains to consider the matter at all, thought of the nuns as part of the flock rather than shepherds. For Iphigenia, Margarita and Carla, the crumbling monastery they live in is their whole world. They have their daily routines and at their nightly knitting circle, they tell stories - stitching into their work fairy tales and myth. Whatever exists beyond their island home is forgotten.  

Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is.