Running away from the mainland was supposed to make their lives better. But for Isla and her brother, their mother's sadness and the cold, damp greyness of Hobart's stone streets seeps into everything. Then, one morning, Isla sees a red ship. That colour lights her day. And when a sailor from the ship befriends her mother, he shares his stories with them all - of Antarctica, his home in Denmark and life onboard.

Prague, 1938: Eva flies down the street from her sister. Suddenly a man steps out, a man wearing a hat. Eva runs into him, hits the pavement hard. His hat is in the gutter. His anger slaps Eva, but his hate will change everything, as war forces so many lives into small, brown suitcases. Prague, 1980: No one sees Ludek. A young boy can slip right under the heavy blanket that covers this city - the fear cannot touch him. Ludek is free. And he sees everything. The world can do what it likes.

In a world of perennial fire and growing extinctions, Anna’s aged mother is dying - if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight. When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window.  

Knowing that he will soon die, Albert 'Poppy' Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for 10 years when she learns of her grandfather's death.

Ten-year-old Jas has a unique way of experiencing her universe: the feeling of udder ointment on her skin as protection against harsh winters; the texture of green warts, like capers, on migrating toads; the sound of 'blush words' that aren't in the Bible. But when a tragic accident ruptures the family, her curiosity warps into a vortex of increasingly disturbing fantasies - unlocking a darkness that threatens to derail them all. 

Wisecracking Kerry Salter has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying, and she’s an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. 

When the bohemian, sophisticated Innes Kent turns up by chance on her doorstep, Lexie Sinclair realises she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life for herself, with Innes at her side. In the present day, Elina and Ted are reeling from the difficult birth of their first child.

When the Bruny bridge is bombed, UN troubleshooter Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, her mother is fading and her father is quoting Shakespeare. Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.  

"This story does not begin on a boat." So commences Alice Pung’s memoir. This is an original take on a classic story - how a child of immigrants moves between two cultures. In place of piety and predictability, however, Unpolished Gem offers a vivid and ironic sense of both worlds. It combines the story of Pung’s life growing up in suburban Footscray with the inherited stories of the women in her family - stories of madness, survival, and heartbreak. Original and brave, this is a girl’s own story that introduces an unforgettable voice and captures the experience of Asian immigrants to Australia.

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them all they believe they will need from home, but soon find that all of it - from garden seeds to Scripture - is calamitously transformed on African soil.

Told from a multitude of perspectives in lyrical, hypnotic prose, Thirteen Ways of Looking is a groundbreaking work of true resonance. Accompanied by three equally powerful stories set in Afghanistan, Galway and London, this is a tribute to humanity's search for meaning and grace from a writer at the height of his form, capable of imagining immensities even in the smallest corners of our lives.

1959: Grace is a young mother with four children under four. All she ever wanted was to have a family of her own, but there are thoughts Grace cannot share with anyone in the months after childbirth. Instead she pours her deepest fears into the pages of a notebook, hiding them where she knows husband, Patrick, will never look. When Grace falls pregnant again, she turns to her sister, Maryanne, for help.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge. After 12 years revenge finally arrives in the shape of a theatre course at a nearby prison.

December 1974. Abby Campbell and her brother Charlie are driving to their father's farm on a dark country road when they swerve into the path of another car, forcing it into a tree. The pregnant driver is killed instantly. In the heat of the moment, Abby and Charlie make a fateful decision. They flee, hoping heavy rain will erase the fact they were there. They both have too much to lose.

Nutshell is a classic story of murder and deceit, told by a narrator with a perspective and voice unlike any in recent literature. A bravura performance, it is the finest recent work from a true master. To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand. Why not, when all of literature, all of art, of human endeavour, is just a speck in the universe of possible things?