Psychiatry registrar Doctor Hannah Wright, a country girl with a chaotic history, thought she had seen it all in the emergency room. But that was nothing compared to the psychiatric ward at Menzies Hospital. Hannah must learn on the job in a strained medical system, as she and her fellow trainees deal with the common and the bizarre, the hilarious and the tragic, the treatable and the confronting.

Dolly Jamieson is not homeless, she's merely between permanent abodes. The 78-year-old spends her days keeping warm at the local library, where she enjoys sparring with the officious head librarian and helping herself to the free morning tea. It's not so bad, really. But it's certainly a far cry from the 1960s, when this humble girl from Geelong became an international star of the stage. As the acclaimed lead in the Broadway production of The Rose of France, all Dolly's dreams had come true. So how, in her old age, did she end up here?

Things haven't gone well for Simon Larsen lately. He adores his wife, Tansy, and his children, but since his business failed and he lost the family home, he can't seem to get off the couch. His larger-than-life in-laws, the Schnabels - Tansy's mother, sister and brother - won't get off his case. To keep everyone happy, Simon needs to do one little job: he has a week to landscape a friend's backyard for an important Schnabel family event. But as the week progresses, Simon is derailed by the arrival of an unexpected house guest. 

Librarian Phoebe Cotton lives with misophonia. The sound of other people crunching an apple, slurping their tea or snapping chewing gum fills her with a rage that she buries deep within. Mortified by her 'Not Quite Right' brain, she hides away inside 6 Salmon Street, the family home that her formidable grandmother Dorothy has abandoned for a more convivial life at the Western Retreat Retirement Village. But when Phoebe begins receiving mysterious postcards in the mail, she slowly, but surely, finds herself being pulled back out into the world and towards Monty, the sweet postal clerk.

The wealthy community of Esperance is picture-perfect. Big houses, stunning views, beautiful people. A brand new running track for the local club to jog around in the evenings. From the outside, it looks like paradise. But the women of the town know the truth: you can hide anything—from wrinkles to secrets from your past—if you have enough money. You could even hide a murder.

Birdy thought she would have to wait until she was free again to see Rose, but now Rose has been convicted of a shocking crime and she and Birdy will be together. Birdy has been saving all her anger for Rose. It is Rose who should have protected her and kept her safe. Birdy was little but Rose was big, and she knows Rose could have saved her. This is a story about monsters who hide in plain sight and about the secrets we keep from ourselves. It is about children who are betrayed and adults who fail them.

Detective Alan Auhl does things his own way - and gets results. He works cold cases now. Like the death of John Elphick - his daughters are still convinced he was murdered, the coroner not so sure. Or the skeleton that’s just been found under a concrete slab. Or the doctor who killed two wives and a girlfriend and left no evidence at all....

Molly's a millennial home organiser about to have her first baby. Obviously her mum, Annie, will help with the childcare. Everyone else's parents are doing it. But Annie's dreams of music stardom have been on hold for thirty-five years, paused by childbirth then buried under her responsibilities as a mother, wage earner, wife, and only child of ailing parents. Finally, she can taste freedom.

At the very end of the Ladies’ Frocks Departments, past Cocktail Frocks, there was something very special, something quite, quite wonderful; but it wasn’t for everybody: that was the point. Because there, at the very end, there was a lovely arch, on which was written in curly letters Model Gowns. Written by a superb novelist of contemporary manners, Ladies in Black is a fairytale which illuminates the extraordinariness of ordinary lives. The women in black are run off their feet, what with the Christmas rush and the summer sales that follow.

With nowhere else to go, Harriet Colgan has returned to the sleepy village of Cranfield to sell her beloved aunt and uncle’s cottage, the only place she ever called home. When she arrives at Lavender Cottage, Harriet discovers plans to replace the beautiful lavender fields, her uncle’s pride and joy, with an industrial warehouse.With time on her hands, she realises she must fight to protect her family’s legacy and the village of Cranfield as well. Workaholic businessman Joe Randall was expecting an easy purchase of the lavender fields.