Showing results by publisher "Blackstone Publishing" in Family Life

Joel Agee’s hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge. And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo.

In a small seaside city on the Jersey Shore, three half-siblings confront the death of a distant and bullying patriarch. They now have the chance to imagine new relationships and new futures, ones that would have been near-unthinkable while their father was alive. Caught in their crossfire are the conservative religious communities that border Asbury Park, the longtime locals who have been pushed to the fringe by the shore’s revitalization, and the legendary town upon which the whole world seems to converge.

How does a librarian from New Jersey end up in a convenience store on Vancouver Island in the middle of the night, playing Bible Scrabble with a Korean physicist and a drunk priest? She gets married to the wrong man for starters - she didn't know he was "that kind of Catholic" - and ends up in St. Cloud, Minnesota. She gets a job in a New Age bookstore, wanders toward Buddhism without realizing it, and acquires a dog. Things get complicated after that.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Book editor Emily Bryant finds herself unexpectedly in the charming town of Cascata on California’s Lost Coast, holding the keys to her grandmother’s rambling Victorian mansion. While sorting through her grandmother’s things, Emily learns that she must edit old manuscripts to inherit the estate. It’s a strange request from a family member who was basically a stranger. Emily quickly realizes that there’s something different about these manuscripts. Any changes she makes come true.

Natalie Walker is the reason her older brother and sister went to prison over fifteen years ago. She fled California shortly after that fateful night and hasn’t spoken to anyone in her family since. Now, on the same day her boyfriend steals her dream job out from under her, Natalie receives a letter from a lawyer saying her estranged mother has died and left the family’s historic Santa Cruz house to her. Sort of. The only way for Natalie and her siblings to inherit is for all three adult children to come back and claim it―together.

Vanessa Everly is a successful actress in Los Angeles, but she’s still traumatized by the night that ripped her world apart. Eight years ago, Vanessa and her younger sister Roxanne were attacked on the beach in their hometown in Oregon - and Roxanne was kidnapped. Devastated, Vanessa ended her relationship with handsome medical student Christian Montgomery, whose troubled brother Brody was the police’s prime suspect. Now, Vanessa receives the news she never thought she’d hear: Roxanne is alive. Back in Everly Cliffs, Vanessa is reunited with her sister - and with Christian.

Still grieving the death of her mother, 29-year-old Akiko is single and lives in self-imposed isolation in Tokyo. Then one evening, she unexpectedly runs into Kento, her first love from school. Kento now leads a reclusive life as a hikikomori, only venturing out at night.

Aleksy still remembers the last summer he spent with his mother in Northern France. At eighteen, eager to fly the nest and escape a family still grief-stricken by the death of his sister years earlier, these lazy months in the countryside are akin to torture. And then, his mother tells him she’s dying.

Last summer, a storm blew the Benson family’s lives to bits. It’s been almost a year since that fateful day, since they learned that life at the beach isn’t all sunshine and rainbows. They are doing their best to pick up the pieces. Widow Mae Benson is running the Sweet Island Inn. Her daughter Eliza is learning what it means to be a mother. Sara is rediscovering her passion in the wake of heartbreak. Holly is searching for stability in her marriage. And her son Brent is—well, Brent isn’t doing so great. Despite these challenges, they might make it—if they stick together.

Seven years have passed since Miles and Jack took their infamous bachelor trip to the Santa Ynez Valley. Miles has written a novel that was made into a wildly successful movie, which changed his life. Jack, contrarily, is divorced, has a kid, and is on the skids. Phyllis, Miles’s mom, suffered a stroke that left her wheelchair-bound and wasting away in assisted living, and she desperately wants to live with her sister in Wisconsin.

Startlingly honest and unsentimental, Television for Women explores the realities of life postpartum, the demands children make on women’s identities and relationships—and the desperate lengths someone might go to in order to reclaim the person she once was.

If Veda’s mama hadn’t pounded religion into her “the way she pounded the dirt out of Papa’s overalls”, she probably wouldn’t have married Raymond in the first place. It’s the Great Depression, and jobs are scarce, but it seems to Veda that Raymond uses religion as an excuse for why he can’t find work. He can’t work on the Sabbath, he can’t work around crude or vulgar men, and he will not join a union.

Isabelle Duprees is one of Forbes’ most powerful self-made women and has built a reputation as one of New York’s savviest investors and sharpest advisors. With a penthouse overlooking Central Park, an open invitation to any event she wishes to attend, and a weekly date with a man who won’t ask too much of her, Isabelle’s carefully curated life is exactly what she wants. Until it isn’t. After her estranged sister shows up, circumstances—and too much champagne—have Isabelle Googling herself, only to discover three other women her age, with the same name, birthdate, and familiar features.

To the Lighthouse chronicles the lives of the Ramsay family and their close friends, from the tranquil and motherly Mrs. Ramsay to the tragic and eccentric Mr. Ramsay, and their eight children and varied guests. Woolf uses the three movements of the novel to capture their complex family allegiances and the tensions between men and women at the time. Centered around their visits to the Isle of Skye between 1910 and 1920, the novel is an examination of the quiet, seemingly trivial moments of everyday life.

Dick, a blunt and bawdy Philly sports fan, finds himself in an assisted living facility following a stroke. Determined to regain his independence, he does daily laps around the grounds with his quad cane. But when recovery never comes, and days swell into years, Dick finds purpose instead by studying his fellow residents, chronicling their odd obsessions and their nasty arguments, their breakdowns, their drunken debaucheries—and yes, even their sexual escapades.

The first story collection from prize-winning author Fabio Morábito available in English, Mothers and Dogs features fifteen tales that show the emotional extremes in seemingly trivial details and quotidian situations: two brothers worry more about a dog locked in an apartment who hasn’t been fed than they do about their dying mother; when the lights go out on a racetrack, a man’s evening jog turns into a savage battle between runners; a daughter learns to draft business letters as an homage to her mother.

Planning a memorial with flowers, music, and food isn’t that different from a wedding, right? But Liz has had a crippling fear of death since losing her younger sister in a childhood tragedy. Knowing her husband and twin sons depend on her income, she reluctantly agrees to produce end-of-life events. As Gabbi promised, the money starts rolling in. When an old real estate tycoon hires them to plan his “after party,” Liz finds an unlikely mentor. Just as things are looking up, she learns that someone she loves has a serious illness. Death planning gets personal.

Brenda Lockhart’s family has been living well beyond their means for too long when Brenda’s husband leaves them―for an older and less attractive woman than Brenda, no less. Brenda has never worked outside the home, and the family’s economic situation quickly declines. Oldest daughter Peggy is certain she’s heading off to a university, until her father offers her a job sorting mail while she attends community college instead. Younger daughter Allison, a high school senior, can’t believe her luck that California golden boy Kevin has fallen in love with her.

Tessa is a successful white woman writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar based in Los Angeles. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more—but there are obstacles to this burgeoning relationship.