Showing results by publisher "Picador" in Genre Fiction

A mother moves to Geneva with her husband and their two young children. In their beautiful new rented apartment, surrounded by their rented furniture, and several Swiss instructions to maintain quiet, she finds herself totally isolated. Her husband’s job means he is almost never present, and her entire world is caring for her children - making sure they are happy, and fed and comfortable, and that they can be seen as the happy, well-fed, comfortable family they should be. Everything is perfect. But, of course, it’s not....

Even the longest marriages have their secrets...Jack Chalmers is a man of few words, married to a woman of many. He and Bet have been together for 70 years - almost a lifetime - and happily so, for the most part. All Jack and Bet want is to enjoy the time they have left together, in the flat they have tried to make their home. Their son Tommy has other ideas: he wants them to live somewhere with round-the-clock care, hot meals, activities. Bet thinks they can manage just fine.

Throughout the collection, a mother in her late 30s relates the various stages of her affair while other characters lay bare their own notions of God, illicit sex, raising children and running: a wife comes home with her husband to find her lover’s corpse; marathon runners on a Civil War battlefield must carry phallic statues; a girl’s embarrassment over attending a pool party with her quadriplegic mother turns to fierce devotion under the pitying gaze of other guests; and a husband asks his wife to show him how she would make love to another man.

For listeners of Exciting Times, Sorrow and Bliss and Cleopatra and Frankenstein, Bonding is the addictive, shrewd, darkly funny and devastating debut novel about the unlikely consequences of a uniquely modern love triangle.

A young student sits on a bench in a jardín in San Miguel. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has never been and has no connection to. It is bliss. And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.

Aeon, a mixed-up and mixed-race teenager from a leafy Liverpool suburb, is desperate to find his Black roots. He needs to understand the Black identity foisted upon him by his friends and his community. To his growing shame, the only Black people in his life are his dad and his cousin, Increase – but they don’t count. Aeon’s dad is intent on ignoring race and climbing the social ladder. And Increase has taken to demeaning all Black culture since the shady and unresolved death of his father, a Yardie gangster.