Showing results by publisher "Blackstone Publishing" in Essays

From modern literature to menopause, from utopian thought to rodeos - in this classic collection of essays, Ursula K. Le Guin roves with her customary audacity over the intersecting arenas of literature, feminism, and social responsibility, exploding any received notions she comes across and revealing visionary possibilities in their stead.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

Consisting of over 20 years of letters, essays, reflections, and interviews, Frantumaglia is a unique depiction of an author who embodies a consummate passion for writing. Ferrante answers many of her listeners’ questions. She addresses her choice to stand aside and let her books live autonomous lives.

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the imagined sister of William Shakespeare, who in her argument possesses the same talent and intellect as the famous playwright, Woolf lays out the fundamental truth that one requires room to express creativity and time to explore and see it through. Genius unexpressed is genius nonetheless, and had Shakespeare’s sister the means to make her own art, she would have had the same lasting legacy as her brother.

“What’s our obligation to each other?” asks Jennifer Eli Bowen in this propulsive exploration of community, solitude, and love. Drawing on her experiences as a mother, daughter, and founder of the Minnesota Prison Writing Workshop, the country’s largest and most enduring prison-based literary organization, she examines the wild spectrum of shapes that care can take. She investigates the role of community across the world and in her own neighborhood, driven by a curiosity to uncover what might be gleaned from various vanishments in her own life.

New York Times bestselling author Jim Harrison (1937-2016) was a writer with a poet’s economy of style and trencherman’s appetites and ribald humor. In The Search for the Genuine, a collection of new and previously published essays, the giant of letters muses on everything from grouse hunting and fishing to Zen Buddhism and matters of the spirit, including reported pieces on Yellowstone and shark-tagging in the open ocean, commentary on writers from Bukowski to Neruda to Peter Matthiessen, and a heartbreaking essay on life on the US/Mexico border.

Emilly Prado retraces her experience coming of age as a prep-turned-chola-turned-punk in this collection that is one-part memoir-in-essays and one-part playlist, zigzagging across genres and decades, much like the rapidly changing and varied tastes of her youth.

Ian F. Svenonius’s new collection of sixteen essays and stories, entitled Censorship Now!!, is reorganizing people’s ideas about censorship, Ikea, documentary film-making, the Berlin Wall, the film Heathers, the twist, the frug, the mashed potato, shaving one’s body, Apple, Inc., Nordic functionalism, the supposed benevolence of the Wikipedia, hoarding, college rock, the origins of the Internet, and more. It’s an underground smash which has been met with horrified gasps in all respectable quarters and gog-eyed enthusiasm in artist garrets the world over.

A new, expanded collection of both new and previously published essays and articles from one of the mainstays of the Washington, DC underground rock-and-roll scene, The Psychic Soviet is the most complete collection of writings by Ian Svenonius. The selections are written in a scholarly yet engaging style, filled with parody and biting humor that subvert capitalist culture, and cover such topics as the ascent of the DJ as a star, the “cosmic depression” that followed the defeat of the USSR, and the status of rock and roll as a religion.

Throughout his life, Gabriel García Márquez spoke publicly with the same passion and energy that marked his writing. Now the wisdom and compassion of these performances are available in English for the first time. I’m Not Here to Give a Speech records key events throughout the author’s life, from a farewell to his classmates delivered when he was only 17 to his Nobel Prize acceptance speech.

Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Beattie was also moonlighting as a nonfiction writer.

Encompassing themes of race, education, fame, law, and America’s past and future, these essays are James Alan McPherson at his most prescient and invaluable. Born in segregated 1940s Georgia, McPherson graduated from Harvard Law School only to give up law and become a writer. In 1978, he became the first Black author to win the Pulitzer Prize for fiction. But all the while, McPherson was also writing and publishing nonfiction that stand beside contemporaries such as James Baldwin and Joan Didion, as this collection amply proves.

In the middle of the night on March eleventh, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story—and her first byline—and the new American Gilded Age was off and running.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree.

“You don’t write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich”, writes Nelson Algren in his only longer work of nonfiction, adding: “A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery.” Nonconformity is about 20th-century America: “Never on the earth of man has he lived so tidily as here amidst such psychological disorder.” In Nonconformity, Algren identifies the essential nature of the writer’s relation to society....

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.