Showing titles in Essays

The great insights of the Stoics are spread over a wide range of ancient sources. This book brings them all together for the first time. It systematically presents what the various Stoic philosophers said on every important topic, accompanied by an eloquent commentary that is clear and concise. The result is a set of philosophy lessons for everyone - the most valuable wisdom of ages past made available for our times, and for all time.

Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of a human skeleton, and culminating in a brilliant account of his attempt to quit smoking - in Tokyo - David Sedaris' sixth story collection is a fresh masterpiece of comic writing.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. 

You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along. She has wonderful and tickling words of advice for those fast approaching 50.

A graphic and biting polemic that still holds a fierce political relevance and impact despite being written over half a century ago. First published in 1937 it charts George Orwell's observations of working-class life during the 1930s in the industrial heartlands of Yorkshire and Lancashire. His depictions of social injustice and rising unemployment, the dangerous working conditions in the mines amid general squalor and hunger also bring together many of the ideas explored in his later works and novels.

By way of H. G. Wells and Rebecca West's affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this genre-defying daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, literature, place and memory is about how reality is never made by realists and how our lives so often arise out of the stories of others.

Bittersweetness recognises that light and dark, birth and death—bitter and sweet—are forever paired. As Bittersweet shows, our obsession with happiness is not making us happy, healthy or whole. It's only by embracing our darker emotions—as well as the light—that we discover our deepest meaning and connection, love and joy. It can change the way we work, the way we create and the way we love—for it is the hidden source of our love stories, moonshots and masterpieces.

The final and most personal work from Pulitzer Prize - winning author and historian Will Durant - discovered 32 years after his death - is a message of insight for everyone who has sought meaning in life or the council of a wise friend in navigating life's journey. From 1968 to 1978, Will Durant made four public allusions to the existence of Fallen Leaves. One, in 1975, hinted at its contents: "a not very serious book that answers the questions of what I think about government, life, death, and God."

The Anthropocene is the current geological age, in which human activity has profoundly shaped the planet and its biodiversity. In this remarkable symphony of essays adapted and expanded from his groundbreaking podcast, John Green reviews different facets of the human-centred planet - from the QWERTY keyboard and Staphylococcus aureus to the Taco Bell breakfast menu - on a five-star scale.

Originally published in 1966, Susan Sontag's first collection of essays is a modern classic and includes the famous essays "Notes on Camp" and "Against Interpretation", as well as, her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

Shortlisted for the 2012 Orwell Prize. 'As soon as we abandon our own reason', wrote Bertrand Russell, 'and are content to rely upon authority, there is no end to our troubles.' For over 40 years, Christopher Hitchens has proclaimed truth where others have spun falsehood and written, with passionate commitment, on matters that others fear to broach. This volume of essays encompasses Hitchens's writing over the past decade on politics, literature and religion.

What happens to the adolescent spirit when all vestiges of innocence about the world are foregone, replaced within the grinding sounds of concrete and metal of the CBD of Melbourne? A place where train tunnels become nesting sites, carpark stairwells spots to refuel on methamphetamine and hide from predators; where agility leads you across nightclub rooftops, yielding cash in tight spaces with a quick reflex. For a rest, why not ride on the back of a train as it speeds through the night? The dangers of a decades-long exploration of risk in the streets of his city is exhilarating.

Ross Gay’s The Book of Delights is a genre-defying collection of essays that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a Black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

Incisive, wide-ranging and witty, it explores the questions, anxieties and agendas that consume our lives. Pandora Sykes interrogates the stories we’ve been sold and the ones we tell ourselves - from happiness to wellness, womanhood to consumerism - in ways that are both surprising and reassuring.

In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage.  

Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organisation and structure of our brains, how they have influenced every culture's folklore and art and why the potential for hallucination is present in us all, a vital part of the human condition.

The wry and the heartfelt join in David Rakoff's prose to resurrect that most neglected of literary virtues: wit. As he finds himself in all the far-flung hinterlands of our culture, this fish out of water winds up satirizing himself more than his subject matter, to hilarious effect.