Showing results by publisher "Faber & Faber" in Literature & Fiction

Between October 2018 and March 2021, Will Ashon collected voices—people talking about their lives, needs, dreams, loves, hopes and fears—all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list.

From the celebrated poet, novelist and memoirist, The Vast Extent is an ingenious constellation of "exploded essays" about light and image, seeing and the unseen. Each is a record of how thought builds and ideas emerge, aligning art, myth, strange voyages, scientific scrutiny and a poet's response so that they cast light upon each other. Ranging across caves, seasickness, early photography, boredom, wonder, mountains, mice, the body and its shadow, Lavinia Greenlaw invites us to travel such questions as how we might describe what we have never seen before.

Bran's Southern California upbringing is anything but traditional. After her mother abandons her and joins a Buddhist colony, Bran is raised by her 'common-law stepfather' on Bourdon Farms - a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school and imagining what life could be if she had been born to a different family. Then she meets Peter-a charming, troubled college student from the East Coast - who launches his teaching career by initiating her into the world of art.

From Jamaica to Sheffield to the recently formed Premier League, Uri rises through the ranks as a referee, making it to the highest level of our national game. But along the way he is confronted with tensions and prejudices, old and new, which emerge as his every move is watched, analysed and commented on. Your Show is the thrilling story of one man's pioneering efforts to make it, against the odds, to the very top of his profession and beyond.

Part memoir, part manifesto, Some Answers Without Questions is a rigorous and lyrical work of self-investigation. Lavinia Greenlaw sets out to explore the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. The result is important and timely, a spirited and vital exploration of what enables anyone - but a woman and an artist in particular - to create and record even when not invited to do so.

Jack Underwood's debut collection, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting...weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and current riots; the limits of masculinity and complexities of fatherhood; as well as uncanny, often amusing scenarios, such as serving drinks to a gathering of 15 babies or group kissing in Empathy Class.

Nidhi Zak/Aria Eipe's spellbinding debut poetry collection explores love and the wounds it makes. Its first half is composed of five sections, corresponding to the five arrows of Kama, the Hindu God of Love, Desire and Memory. Each arrow has its own effect on some body - a very real, contemporary body - and its particular journey of love. The second is a long narrative poem, 'A is for ????? [Arabs]', which follows a different kind of journey: a family of refugees who have fled to the West from conflict in an unspecified Middle Eastern country.

Maurice Riordan's keenly anticipated new collection continues his agile exploration of time, both in its depredations and rewards, while also bringing a sceptical, enquiring intelligence to bear on the anxieties and vanities of our age. Here we have disquieting songs of a mutable self; a projected online deathbed confession; the soul haranguing the body; while encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Old English. These poems pulse with mischief and macabre humour, making for a pungent and haunting listen.

Don Paterson's new collection starts from the premise that the crisis of midlife may be a permanent state of mind. Zonal is an experiment in science-fictional and fantastic autobiography, with all of its poems taking their imaginative cue from the first season of The Twilight Zone (1959-1960), playing fast and loose with both their source material and their author's own life. Narrative and dramatic in approach, these poems change voices constantly in an attempt to get at the truth by alternate means.

Laura Lippman's first job in journalism was a rookie reporter in Waco, Texas. Two decades later she left her first husband, quit the newspaper business and became a full-time novelist. Her fiction has always centred on complicated women, paying unique attention to the intricacies of their flaws, their vulnerability and their empowerment. Now, finally, Lippman has turned her gimlet eye on a new subject: herself.

The Late Sun asserts a balance between memorialisation of the recently dead and celebration of the vitality of the living. Early in the collection is a set of poems about the poet's mother, who died in great age after a life of exotic travel, and the poet's own travels, his sense of both place and displacement, are vibrantly explored in other pieces.

Matthew Francis' latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations.

After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals.

In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence reimagining the love poetry of Verlaine.

Some of the most delightful poems ever written for children, brought evocatively to life in this wonderful new audio edition. Ted Hughes wrote an extraordinary body of work for children. This is a selection which includes original recordings made by the author himself as well as new readings by Juliet Stevenson and Michael Morpurgo.

Look We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years as well as one of the most relevant and accessible. Nagra, whose parents came to England from the Punjab in the 1950s, draws on both English and Indian English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.

Milan Kundera has established himself as one of the great novelists of our time with such books as The Unbearable Lightness of Being, Immortality and The Book of Laughter and Forgetting. In Testaments Betrayed, he proves himself a brilliant defender of the moral rights of the artist and the respect due to a work of art and its creator's wishes. The betrayal of both - often by their most passionate proponents - is the principal theme of this extraordinary work.

Milan Kundera's brilliant collection of essays is a passionate defence of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterises his best-selling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author's signature themes with personal reflections and stories.

In this dark farce of a novel, set in an old-fashioned Central European spa town, eight characters are swept up in an accelerating dance. Perhaps the most brilliantly plotted and entertaining of Milan Kundera's novels, Farewell Waltz poses the most serious questions with a blasphemous lightness that makes us see that the modern world has deprived us even of the right to tragedy. Written in Bohemia in 1969-70, this book was first published in 1976. This beautiful new translation, made from the French text prepared by the novelist himself, fully reflects his own tone and intentions.

Jacques and His Master is a deliciously witty and entertaining 'variation' on Diderot's novel Jacques le Fataliste, written for Milan Kundera's 'private pleasure' in the aftermath of the Russian invasion of Czechoslovakia. When the 'heavy Russian irrationality' fell on Czechoslovakia he felt drawn to the spirit of the eighteenth century - 'and it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humour and fantasy, Jacques le Fataliste'.