Showing titles in Family Life

Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods and the weathered inscription on the headstone tells her that a little boy is buried here.

Set in Ireland in the 1990s, Colm Tóibín's The Blackwater Lightship tells the story of the Devereux family. Dora Devereux, her daughter Lily and her granddaughter Helen have come together after years of strife and reached an uneasy truce. Helen’s adored brother, Declan, is dying. Two friends join him and the women in a crumbling old house by the sea, where the six of them, from different generations and with different beliefs, must listen to and come to terms with one another.

Lei Ling Wen is lonely. Bored of her demanding after-school schedule of tuition, study and violin lessons, she struggles to see eye to eye with her strict Chinese-Malaysian mother. When Lei Ling is befriended by elegant, worldly socialite Gigi Nu, she is enchanted by the realm of luxury and freedom that suddenly opens up to her. Gigi encourages Lei Ling to flout her routines and treats her to designer products and expensive meals, and soon Lei Ling finds herself caught between two lives, and increasingly at odds with her exasperated mother.

Alan Hollinghurst, the Booker Prize-winning author of The Line of Beauty, brings us a dark, luminous and wickedly funny portrait of modern England through the lens of one man’s acutely observed and often unnerving experience. It is a story of race and class, theatre and sexuality, love and the cruel shock of violence, from one of the finest writers of our age.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying, and after his friend Nico's funeral, he finds his partner is infected and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

'It's like ice cream, Mr Flynn,' Bertie continued. 'When you have ice cream, you need to eat it straight away, otherwise it melts. If there are people who haven't got any, you should share it, if you can.' When despair for the world grows, Bertie's theory of ice cream reminds us that it's the simple pleasures in life that we should hold onto.

When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one.

It’s 2022, and Heron has just had the sort of visit to the doctor that turns a life upside down. He’s an old man, stuck in the habits of a quiet life. Telling Maggie, his only daughter, and the person his life has revolved around for so long, seems impossible. Heron can’t tell her about the diagnosis, and he can’t tell her all the other things he’s been keeping from her all these years either.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat centre she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Polly Manaia is living in Sydney's notorious Kings Cross, working as an exotic dancer. She's desperate to bring her young daughter to live with her, but beneath her brash confidence lie dark secrets which threaten to drag her under. Gina is excited to live with her mum again. She's mature for an eleven-year-old, but can this young girl cope with Polly's demons? Rhoda and Star, transgender performers and Polly's flatmates, bring stability to Polly and Gina's lives. Yet this unlikely little family will find themselves threatened in more ways than one.

In the late summer of 1913, George Sawle brings his Cambridge friend Cecil Valance, a charismatic young poet, to visit his family home. The weekend will be one of excitements and confusions for everyone, but it is on George’s sixteen-year-old sister Daphne that it will have the most lasting impact. As the decades pass, Daphne and those around her endure startling changes in fortune and circumstance, and as reputations rise and fall, the events of that long-ago summer become part of a legendary story.

Patrick, or Gay Uncle Patrick (GUP for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them…in small doses, with their parents there to handle the tears and tricky questions. So when tragedy strikes and Patrick finds himself suddenly taking on the role of primary guardian, he is, honestly, overwhelmed.

When it first gets announced, the Leteo Institute's memory-alteration procedure seems too good to be true to Aaron Soto; miracle cure-alls don't tend to pop up in the Bronx projects. Aaron can't forget how he's grown up poor, how his friends all seem to shrug him off, and how his father committed suicide in their one-bedroom apartment. Then Thomas shows up. The love Aaron discovers may cost him what's left of his life. But since Aaron can't suddenly stop being gay, Leteo may be the only way out.

When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl.

In 1990, Vijay and Indu leave India for Australia, seeking a better life for their family. But the move isn't easy on anyone. Not gentle Indu who becomes disconnected from her family and her life; nor the ambitious Vijay, who finds himself unmoored in a culture he doesn't understand. At the centre is Archana, their quiet daughter, for whom a growing understanding of her own queerness grates against the realities of her life.

Caught between his well-meaning yet misapprehending family, his boisterous friends, and his self-assured partner Ben, Elom struggles to fit in. All he ever wants is to feel understood – but what does it mean to live authentically when the only thing changing faster than the world around you is the world within? Moving between Accra, Glasgow, London, and the islands of the outer Hebrides, Selali Fiamanya’s extraordinary debut asks what it means to love and be loved in return. Before We Hit the Ground is an intimate portrait of a family, and one man’s struggle to find his place.

One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering.

True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals and have politicians, doctors and their parents stop telling them what to do with their bodies. This revelatory novel plunges listeners into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before, Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing and February, the headmistress, who is fighting to keep her school open and her marriage intact.